Improvisation Starters

by Philip Bernardi

Most beginning actors assume that rehearsing a play or scene involves taking home the script, memorizing lines, and rehearsing scenes over and over until everything - timing, movement, facial expression - is perfect. But that's only partially correct. One missing element in that approach is improvisation, an invaluable technique that can be used in acting classes and in rehearsals for school, amateur and professional productions.

Most teachers and directors realize the value of improvisation as a regular part of their classes or rehearsals, but many find it difficult to come up with fresh ideas on a daily basis. The nine hundred improvisation ideas in this book should provide enough material to last for years.

What the book includes can be applied to many theater situations. For example, there are many improvisation starters for character conflicts - teen/parent, peer relationships, love relationships, co-workers, doctor/patient, brother/sister, and more; solo improvisations; physical positions (for one or two players); lines of dialogue; and reactions to environment. The author also has included a section suggesting a variety of improvisations for a production of Romeo and Julet.

Genres: Drama

Unknown Binding

First published April 15, 1992

Reviews

[Carl Stafford · Rating 4 out of 5]

Very helpful tool for teachers!

[Richard008 · Rating 1 out of 5]

شبیه کتاب‌های روانشناسی زرده تا کتاب تمرینی

[Melanie · Rating 1 out of 5]

This is an anti-resource for those looking for exercises for the classroom.

1) The scenarios are incredubly outdated, and for almost all of them I pictured my students reaching for imaginary cell phones and calling the problem solved.
2) The "objectives" given are for the most part not objectives, but given circumstances, which are not playable.

I ended up finding only a handful of useful scenarios, all of which I could have come up with on my own.

Boo.