The Book of Automatic Drawing

by Austin Osman Spare

OUT OF THE FLESH of our mothers come dreams and memories of the Gods. Of other kind than the normal inducement of interest and increasing skill, there exists a continual pressure upon the artist of which he is sometimes partially conscious but rarely entirely aware. He learns early or late in his career that power of literal reproduction (such as that of the photographic apparatus) is not more than slightly useful to him. He is compelled to find out from his artist predecessors the existence, in representation of real form, of super-sessions of immediate accuracies; he discovers within himself a selective conscience and he is satisfied, normally, in large measure by the extensive field afforded by this broadened and simplified beyond this is a region and that a much greater one, for exploration. The objective understanding, as we see, has to be attacked by the artist and a subconscious method, for correction of conscious visual accuracy, must be used. No amount of manual skill and consciousness of error will produce good drawing. A recent book on drawing by a well-known painter is a case in point; there the examples of masters of draughtsmanship may be compared with the painter-author's own, side by side, and the futility of mere skill and interest examined. Therefore to proceed further, it is necessary to dispose of the subject in art also (that is to say the subject in the illustrative or complex sense). Thus to clear the mind of inessentials permits through a clear and transparent medium, without prepossessions of any kind, the most definite and simple forms and ideas to attain expression.

Genres: Art, Occult, Magic

56 pages, Paperback

First published May 18, 2005

About the author

Austin Osman Spare was an English artist who developed idiosyncratic magical techniques including automatic writing, automatic drawing and sigilization based on his theories of the relationship between the conscious and unconscious self. His artistic work is characterized by skilled draughtsmanship exhibiting a complete mastery of the use of the line[1], and often employs monstrous or fantastic magical and sexual imagery.

Some of Spare's techniques, particularly the use of sigils and the creation of an "alphabet of desire" were adopted, adapted and popularized by Peter J. Carroll in the work Liber Null & Psychonaut . Carroll and other writers such as Ray Sherwin are seen as key figures in the emergence of some of Spare's ideas and techniques as a part of a magical movement loosely referred to as Chaos magic.

Reviews

[Liz · Rating 3 out of 5]

Very cool artwork and interesting concept, unfortunately it was a bit of a difficult read (though short) and not as useful as a tutorial (perhaps look to Crowley for more assistance in that regard).

[חָכְמָה · Rating 5 out of 5]

I was hesitant to rate this cause what if I ruin the 4.20 average rating?😨
(Also cause this review is pointless...I'll probably never rate anything made by Spare with less than 5 stars)