Excerpt from The Book of This and That Suspicion is a beast with a thousand eyes, but most of them are blind, or colour-blind, or askew, or rolling, or yellow. It is a beast with a thousand ears, but most of them are like the ears of the deaf man in the comic recitation who, when you say "whiskers" hears "solicitors," and when you are talking about the weather thinks you are threatening to murder him. It is a beast with a thousand tongues, and they are all slanderous. On the whole, it is the most loathsome monster outside the pages of The Faerie Queene. Just as the ugliest ape that ever was born is all the more repellent for being so like a man, so suspicion is all the more hideous because it is so close a caricature of the passion for truth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Robert Wilson Lynd was an Irish writer, an urbane literary essayist and strong Irish nationalist.
He was born in Belfast and educated at Royal Belfast Academical Institution, studying at Queen's University. His background was Protestant, his father being a Presbyterian Church Moderator.
He began as a journalist on The Northern Whig in Belfast. He became a fluent Irish speaker, and Gaelic League member. As a Sinn Féin activist, he used the name Robiard Ó Flionn/Roibeard ua Flionn.
He wrote for The Republic in its early days. He spoke at the funeral in 1916 of Irish Republican and Marxist James Connolly, whose works Labour in Ireland, Labour in Irish History and The Re-Conquest of Ireland he subsequently edited. He was also a loyal friend of Roger Casement.
He moved to London in 1901, via Manchester, sharing accommodation with his friend the artist Paul Henry. Firstly he wrote drama criticism, for "Today", edited by Jerome K. Jerome. He also wrote for the "Daily News" (later the News Chronicle), being its literary editor 1912 to 1947.
Lynd married the writer Sylvia Dryhurst, whom he met at Gaelic League meetings in London, in 1909. Their daughters Máire and Sigle became close friends of Isaiah Berlin. Sigle's son, born in 1941, is the artist Tim Wheeler.
The Lynds settled in Hampstead, in Keats Grove near the John Keats house, where they were well known as literary hosts, in the group including J.B. Priestley. They were on good terms also with Hugh Walpole; Priestley, Walpole and Sylvia Lynd were founding committee members of the Book Society. Irish guests included James Joyce and James Stephens. On one occasion reported by Victor Gollancz, Joyce intoned Anna Livia Plurabelle to his own piano accompaniment.
Lynd used the pseudonym Y.Y. ("Ys," or "wise, you see") in writing for the New Statesman. According to C. H. Rolph's Kingsley (1973), Lynd's weekly essay, which ran from 1913 to 1945, was 'irreplaceable.' In 1941, editor Kingsley Martin decided to alternate it with pieces by James Bridie on Ireland, but the experiment was not at all a success. Lynd died in 1949 and is buried in Belfast City Cemetery.
This ongoing effort to read more essays is revealing some patterns I maybe ought to have recognized years ago, but then again perhaps drawing one's eye to the obvious the whole point of essays?
Overall, this is a pretty good collection. A handful were particularly relevant even all these decades later. I thought of the Global Village (emphasis on village) several times.
"On Demagogues" the inevitability of such in democracy
"On Indignation" how nice it would be if people got as upset at people they usually agree with as they do with their usual opponents.
"On Being Shocked" may have caused me to laugh out loud.
"The Rights of Murder" is perhaps the most surprising in its consideration of what civilization really means
I'm unlikely to revisit this collection, thus the rating -- but some of Lynd's musings will sit with me & I expect I'll read more of his work.
This book seemed like just a journal about a hater ass dude. Sometimes his takes are a little slay and he’s looking out for the girlies, but it gives incelly vibes like he just hates things that he was left out of. Hilariously written though