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At the Door of the Gate

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

338 pages, Paperback

First published January 1, 1916

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About the author

Forrest Reid

72 books18 followers
Forrest Reid was an Irish novelist, literary critic and translator. He was, along with Hugh Walpole and J.M. Barrie, a leading pre-war British novelist of boyhood. He is still acclaimed as the greatest of Ulster novelists and was recognised with the award of the 1944 James Tait Black Memorial Prize for his novel Young Tom.

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Profile Image for Martyn.
541 reviews18 followers
June 28, 2025
This book is, in a way, a sequel to Following Darkness (Peter Waring) - but only in the sense that some familar names are mentioned briefly (pp. 188-189) when the central character, Richard Seawright, happens to visit the seaside and pops into the house of Mrs Carroll in order to view a painting and meets Miss Dick, and the name of Peter Waring is mentioned. This connection may be very trivial and could have been easily dispensed with, but I do admit to having a liking for that sort of thing - like O. Douglas with her world of Priorsford, and L.M. Montgomery with all her references to Anne or to Prince Edward Island. Standalone novels can feel more trivial than a series - it's nice to feel that the author has created a more expansive world, that there is a unity to his work. By itself At the Door of the Gate could be regarded as easily forgettable, but as a sequel (of sorts) to Peter Waring, it carries more weight and becomes more worthy of being read, riding on the tails, as it does, of that far greater work. But it's not without merits of its own. It's another rather depressing and moving account of the trials and tribulations of a young man growing up into adulthood - so nothing in that to set it apart from the rest of Reid's novels. Just more of the same.
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