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Scrap Patchwork: Traditionally Modern Quilts - Organize Your Stash to Tell Your Color Story
Sew 13 scrappy quilts with color palettes so sophisticated, you won't believe they're from scraps! Blending the best of modern and traditional quilting, these projects pair fresh fabrics with classic blocks and trusted techniques. Learn to organize your fabric and choose winning color combinations. Each quilt features design notes to help you get the look you want when "shopping" your own stash.
112 pages, Paperback
First published March 7, 2016
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November 20, 2025I bought this book at The Cotton Patch in Lafayette on a whim. I look at it periodically and have even marked some quilts I want to make. I still have not taken the time to make any of them.
The table of contents is pretty normal. It includes a list of projects grouped together and also has a section called 'Special Techniques.' These are fairly basic, such as cutting strips(pg.103) and Flying Geese (pg.105), but I find it is always good to see if I can learn something from an author.
The introduction starts out talking about fabric and how much we love it. The book is described as "The 13 fabulous quilts in this book are designed to make use of scraps" (pg.4).
The introduction also discusses the various sections of the book including organization of your scraps, color, instructions and the 'traditionally modern' idea of the book.
'Color Basics' follows the introduction (pg.5). Clemons acknowledges that choosing fabrics can ..."sometimes be overwhelming and intimidating, especially when working with scraps" (pg.5).
This book includes a more complex color wheel. There are 4 tones in each section. For example, orange goes from pumpkin to coral to baby poop brown to a light chocolate brown. I like the Johannes Itten Color Wheel better but I also like that this one is more complex so it reminds me readers s/he can use magenta or scarlet with emerald or sea foam green. Sandra points out that "there are alsocolors that you don't see on the basic color wheel - tints, tones and shades" (pg.5).
Ms Clemons also has some information about the meanings of colors. She notes that these are common associations. Different cultures and traditions may expand this section for readers.
The color section continues with value and contrast. She provides a definition, which I urge you to stop and think about before reading on in the book. Really try to take the meaning on board (pg.6).
I am not sure I agree with her definition of contrast. The definition I always use in my classes is difference in light and dark.
The author says "contrast and value are relative. A fabric may look dark when it is next to a light fabric and look light when it is next to a dark fabric" (pg.6). This is really true. This is why I don't use the 'paper bag' method for creating scrap quilts. I select my scraps carefully so that even a scrap quilt looks cohesive.
The section on colors is useful I like the short paragraph on color relationships (pg.7). The section on types of colors is also a good reminder.
The book has 'tips' on many pages. One suggests the Ultimate 3-in-1 Color Tool** (pg.6) and another talks about yellow (pg.7). They are scattered throughout the first part of the book.
Ms. Clemons continues the color instruction by talking about different types of color schemes, such as calming (pg.8) and harmonious (pg.9) color schemes. Within these sections she also mentions triadic, quadratic and tetradic color options.
Sandra mentions keeping color inspiration binder (pg.12), which is a great way to keep track of color combinations you like. A folder on your phone or tablet's gallery or a Pinterest Board are good ideas also.
The second major section is called 'Organizing Scraps and Stash Fabrics' (pg.13). The author explains the system she describes in this book as "...it's simple to maintain" (pg.13). Whatever system you use to organize your fabric must be easy to maintain. If it isn't easy to maintain, you won't keep it up.
Ms. Clemons shows you how to fold a fat quarter (pg.13). Mine usually have bites cut out, but this tutorial is helpful. The tutorial is followed by tutorials on how to fold half yards, 2 yards and more than 2 yards (pg.14-15).
Following the folding tutorials are tips on storing fabrics as well as determining an overall color of a fabric so it is easy to store (pg.16). Sandra has definitions of different types of color arrangements, such as large scale and multi-colored to help categorize your fabric.
There is a short discussion of fabric storage (pg.17) followed by a pattern for fabric storage boxes (pg.18-19).
Scrap fabric storage has its own section. She has some good tips (pg.19), but I want to remind you to really think about how you use your scraps and organize them in a way that would facilitate their usage. I have described my system in a previous post. I want to note that it is constantly evolving. Bonnie Hunter has a system called The Scrap User System.
The 'Stash Building' section (pg.21-22) is a good idea and good to keep in mind, but I never do it. I buy what I like and can't seem to stop or change strategy.
Be sure to check the 'Sewing Notes' (pg.23) as the information applies to the projects which being on pg.14.
The project pages start witha flat picture of the quilt, design thoughts, fabric requirements and cutting instructions. There is also a section on block construction, which is followed by assembling and finishing the quilt. Some of the projects include an alternative color scheme. There is also a lifestyle shot of a finished version of the quilt.
The design thoughts goes over color scheme, accent colors, design and a section on hittingyour stash and scraps. I like this idea because I get some idea of what the author was thinking. It also gives the reader the tools to create their own color story.
My favorite quilts in this book are Playful (pg.40-44), Fiddlestars (pg.45-49) and Magic (pg.86-90). It should be possible for me to make one of these soon!
The 'Special Techniques' section, as mentioned, discusses various techniques used in the various projects. Learn to cut strips properly (pg.103), make HSTs (pg.103), QSTs (pg.104, use templates (pg.104), locking seams (pg.105) and many others. You may have a favorite method for all of these pieces, however it is always good to review the author's ideas in order to perfect your technique or try something new.
One example is the Square-in-a-Square section (pg.106). The author talks about folding the pieces in order to match them up. This is genius!
As per usual, there is a short section on finishing your quilt (pg.109-110). One thing I noticed is a reference to quiltmaking basics on the C&T site.
This book looks like a standard project book book, but I think it brings much more to the party. Definitely worth a look.
The table of contents is pretty normal. It includes a list of projects grouped together and also has a section called 'Special Techniques.' These are fairly basic, such as cutting strips(pg.103) and Flying Geese (pg.105), but I find it is always good to see if I can learn something from an author.
The introduction starts out talking about fabric and how much we love it. The book is described as "The 13 fabulous quilts in this book are designed to make use of scraps" (pg.4).
The introduction also discusses the various sections of the book including organization of your scraps, color, instructions and the 'traditionally modern' idea of the book.
'Color Basics' follows the introduction (pg.5). Clemons acknowledges that choosing fabrics can ..."sometimes be overwhelming and intimidating, especially when working with scraps" (pg.5).
This book includes a more complex color wheel. There are 4 tones in each section. For example, orange goes from pumpkin to coral to baby poop brown to a light chocolate brown. I like the Johannes Itten Color Wheel better but I also like that this one is more complex so it reminds me readers s/he can use magenta or scarlet with emerald or sea foam green. Sandra points out that "there are alsocolors that you don't see on the basic color wheel - tints, tones and shades" (pg.5).
Ms Clemons also has some information about the meanings of colors. She notes that these are common associations. Different cultures and traditions may expand this section for readers.
The color section continues with value and contrast. She provides a definition, which I urge you to stop and think about before reading on in the book. Really try to take the meaning on board (pg.6).
I am not sure I agree with her definition of contrast. The definition I always use in my classes is difference in light and dark.
The author says "contrast and value are relative. A fabric may look dark when it is next to a light fabric and look light when it is next to a dark fabric" (pg.6). This is really true. This is why I don't use the 'paper bag' method for creating scrap quilts. I select my scraps carefully so that even a scrap quilt looks cohesive.
The section on colors is useful I like the short paragraph on color relationships (pg.7). The section on types of colors is also a good reminder.
The book has 'tips' on many pages. One suggests the Ultimate 3-in-1 Color Tool** (pg.6) and another talks about yellow (pg.7). They are scattered throughout the first part of the book.
Ms. Clemons continues the color instruction by talking about different types of color schemes, such as calming (pg.8) and harmonious (pg.9) color schemes. Within these sections she also mentions triadic, quadratic and tetradic color options.
Sandra mentions keeping color inspiration binder (pg.12), which is a great way to keep track of color combinations you like. A folder on your phone or tablet's gallery or a Pinterest Board are good ideas also.
The second major section is called 'Organizing Scraps and Stash Fabrics' (pg.13). The author explains the system she describes in this book as "...it's simple to maintain" (pg.13). Whatever system you use to organize your fabric must be easy to maintain. If it isn't easy to maintain, you won't keep it up.
Ms. Clemons shows you how to fold a fat quarter (pg.13). Mine usually have bites cut out, but this tutorial is helpful. The tutorial is followed by tutorials on how to fold half yards, 2 yards and more than 2 yards (pg.14-15).
Following the folding tutorials are tips on storing fabrics as well as determining an overall color of a fabric so it is easy to store (pg.16). Sandra has definitions of different types of color arrangements, such as large scale and multi-colored to help categorize your fabric.
There is a short discussion of fabric storage (pg.17) followed by a pattern for fabric storage boxes (pg.18-19).
Scrap fabric storage has its own section. She has some good tips (pg.19), but I want to remind you to really think about how you use your scraps and organize them in a way that would facilitate their usage. I have described my system in a previous post. I want to note that it is constantly evolving. Bonnie Hunter has a system called The Scrap User System.
The 'Stash Building' section (pg.21-22) is a good idea and good to keep in mind, but I never do it. I buy what I like and can't seem to stop or change strategy.
Be sure to check the 'Sewing Notes' (pg.23) as the information applies to the projects which being on pg.14.
The project pages start witha flat picture of the quilt, design thoughts, fabric requirements and cutting instructions. There is also a section on block construction, which is followed by assembling and finishing the quilt. Some of the projects include an alternative color scheme. There is also a lifestyle shot of a finished version of the quilt.
The design thoughts goes over color scheme, accent colors, design and a section on hittingyour stash and scraps. I like this idea because I get some idea of what the author was thinking. It also gives the reader the tools to create their own color story.
My favorite quilts in this book are Playful (pg.40-44), Fiddlestars (pg.45-49) and Magic (pg.86-90). It should be possible for me to make one of these soon!
The 'Special Techniques' section, as mentioned, discusses various techniques used in the various projects. Learn to cut strips properly (pg.103), make HSTs (pg.103), QSTs (pg.104, use templates (pg.104), locking seams (pg.105) and many others. You may have a favorite method for all of these pieces, however it is always good to review the author's ideas in order to perfect your technique or try something new.
One example is the Square-in-a-Square section (pg.106). The author talks about folding the pieces in order to match them up. This is genius!
As per usual, there is a short section on finishing your quilt (pg.109-110). One thing I noticed is a reference to quiltmaking basics on the C&T site.
This book looks like a standard project book book, but I think it brings much more to the party. Definitely worth a look.
May 1, 2016
I liked learning that scraps can be given to Habitat for Humanity.
A "Special Techniques" section at the end of the book teaches about Locking Seams and Y-seams, among other things. This was very helpful.
A "Special Techniques" section at the end of the book teaches about Locking Seams and Y-seams, among other things. This was very helpful.
Displaying 1 - 2 of 2 reviews