Les Songhay (Monographies ethnologiques africaines)

by Jean Rouch

Cette étude générale est le résultat de plusieurs enquêtes menées sur le terrain entre 1941 et 1951. Par suite de l'éparpillement des Songhay entre les territoires du Soudan, Niger, de la Haute-Volta, du Dahomey et du Nigeria britannique, aucun travail de synthèse n'existe encore sur ce groupement de plus d'un demi-million d'habitants et dont l'influence culturelle dépasse largement le nord de la boucle du Niger. Ce travail constitue une synthèse sur ce groupement. (réédition)

110 pages, Kindle Edition

First published October 17, 2012

About the author

He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema spearheaded by Richard Leacock, D.A. Pennebaker and Albert and David Maysles. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction.

He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?"

Along his career, Rouch was no stranger to controversy. He would often repeat, "Glory to he who brings dispute."