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Retour Amont
"Retour amont ne signifie pas retour aux sources. Il s'en faut. Mais saillie, revif, retour aux aliments non différés de la source, et à son oeil, amont, c'est-à-dire au pire lieu déshérité qui soit. La conclusion, nous la demanderons à Georges Bataille : "Cette fuite se dirigeant vers le sommet (qu'est, dominant les empires eux-mêmes, la composition du savoir) n'est que l'un des parcours du labyrinthe. Mais ce parcours qu'il nous faut suivre de leurre en leurre, à la recherche de l'être, nous ne pouvons l'éviter d'aucune façon."" René Char.
47 pages, Paperback
First published May 18, 1978
About the author
René Char
149 books136 followersRené Char spent his childhood in Névons, the substantial family home completed at his birth, then studied as a boarder at the school of Avignon and subsequently, in 1925, a student at L'École de Commerce de Marseille, where he read Plutarch, François Villon, Racine, the German Romantics, Alfred de Vigny, Gérard de Nerval and Charles Baudelaire.
His first book, Cloches sur le cœur was published in 1928 as a compilation of poems written between 1922 and 1926. In late November 1929, Char moved to Paris, where he met Louis Aragon, André Breton, and René Crevel, and joined the surrealists. He remained active in the surrealist movement through the early 1930s but distanced himself gradually from the mid-1930s onward. Throughout his career, Char's work appeared in various editions, often with artwork by notable figures, including Kandinsky, Picasso, Braque, Miró, Matisse and Vieira da Silva.
Char was a friend and close associate of Albert Camus, Georges Bataille and Maurice Blanchot among writers, Pablo Picasso, Joan Miró, Nicolas de Staël, Georges Braque and Victor Brauner among painters. He was to have been in the car involved in the accident that killed both Camus and Gallimard, but there was not enough room, and returned instead that day by train to Paris.
The composer Pierre Boulez wrote three settings of Char's poetry, Le Soleil des eaux, Le visage nuptial, and Le marteau sans maître. A late friendship developed also between Char and Martin Heidegger, who described Char's poetry as "a tour de force into the ineffable" and was repeatedly his guest at La Thor in the Vaucluse.
His first book, Cloches sur le cœur was published in 1928 as a compilation of poems written between 1922 and 1926. In late November 1929, Char moved to Paris, where he met Louis Aragon, André Breton, and René Crevel, and joined the surrealists. He remained active in the surrealist movement through the early 1930s but distanced himself gradually from the mid-1930s onward. Throughout his career, Char's work appeared in various editions, often with artwork by notable figures, including Kandinsky, Picasso, Braque, Miró, Matisse and Vieira da Silva.
Char was a friend and close associate of Albert Camus, Georges Bataille and Maurice Blanchot among writers, Pablo Picasso, Joan Miró, Nicolas de Staël, Georges Braque and Victor Brauner among painters. He was to have been in the car involved in the accident that killed both Camus and Gallimard, but there was not enough room, and returned instead that day by train to Paris.
The composer Pierre Boulez wrote three settings of Char's poetry, Le Soleil des eaux, Le visage nuptial, and Le marteau sans maître. A late friendship developed also between Char and Martin Heidegger, who described Char's poetry as "a tour de force into the ineffable" and was repeatedly his guest at La Thor in the Vaucluse.
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