The Sultan, or A Peep into the Seraglio

by Isaac Bickerstaff

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.

Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses.

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British Library

32 pages, Paperback

First published January 1, 1775

About the author

Isaac John Bickerstaff (1733 - 1812) was an Irish playwright and librettist.

In 1760, while still serving in the marine corps, Bickerstaff collaborated with Thomas Arne, the leading British composer, on a light opera Thomas and Sally which was an enormous success. It is possible that Bickerstaff simply wrote the play and approached Arne with it or sent it to the Covent Garden Theatre where he was working. It had its opening night at Covent Garden on 28 November 1760. The play was performed repeatedly in London and soon spread around Britain and across the British Empire. It was also performed in Dublin, Philadelphia and Kingston, Jamaica. They subsequently worked together on Judith, an oratorio first performed at Drury Lane in February 1760. Bickerstaff went on to produce many successful comedies based on Marivaux and other French playwrights and opera librettos.

In 1762 he and Arne wrote Love in a Village, considered the first English comic opera.

His The Maid of the Mill (1765), with music by Samuel Arnold and others, was also very successful. Bickerstaffe also wrote bowdlerised versions of plays by William Wycherley and Pedro Calderon de la Barca. His Love in the City (1767), The Padlock (1768), based on The Jealous Husband in Cervantes' Novelas (this included the character Mungo, a negro servant played by Dibdin, one of the earliest comic black roles in English drama). He also wrote The Life of Ambrose Guinet (1770).