Through these beautifully detailed stories, Nath Jones gives us a strong sense of the beginnings and endings in life.
On the theme of home there is: the beginning of establishing a home with a couple bickering over seeming mundanities in "Roast Beef and Havarti"; a physically and emotionally wounded veteran gets help reestablishing a home from an older couple, who sacrifice their anniversary dinner in "Norma L." (love the pun title); to the character Libi in the masterful, heart-wrenching story "How to Cherish the Grief Stricken" who loses her home literally through incarceration due to a freak accident, and through the husband who is unable to forgive her for this selling their home and moving away, to the figurative loss of the home by how a place can be irrevocably changed because of the tragedies that occur there; to the child enjoying one last day with her friend on a river before she will have to leave everything she knows behind because of her parents' divorce in "Dust in the Cloud".
Then on the theme of relationships there is: the beginnings of young love among the workers in the corn and soy fields of "Rogues"; the end of an engagement in "The Hollow of a Poppy Stem" that just might be due to the jilted fiance's best friend (where the friend is in denial of an impending foreclosure - again exploring the loss of the home); to the insistently talkative divorcing lady at a bus stop in "Blindfolded on Some Old Pedestal"; to the loss of trust between a child and his parents in "The Nightmare State of Leduc"; and finally to the establishment of a new family dynamic when an older couple adopts the granddaughter they never knew existed, after their drug-addicted daughter is found murdered, in "Harbinger of Spring".
Through gorgeous language and skillful writing these stories explore loss, regret, change, and our need for connection - the "Squalor" of existing in a world of everyday tragedy. It isn't perfect - it can be too writerly at times (too much interior dialogue here; an overly literary dream there) - and some of her younger characters didn't ring true. But no collection of short stories can be perfect because taste is too subjective to allow it, and the majority of stories here are excellent, with the story "How to Cherish the Grief Stricken" alone worth the price of admission.