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The Dark Legacy of Shannara #3
Lo spettro della strega
Per secoli le Quattro Terre sono state protette dai demoni del passato, difese dai confini magici che le separavano dalla dimensione oscura nota come "Divieto" e dagli esseri, terribili e malvagi, che la abitano. Ma adesso non è più così. Le antiche barriere che garantivano la separazione tra l'ordine e il caos hanno cominciato a indebolirsi e generazioni di esseri mostruosi e assetati di sangue, mossi da una rabbia coltivata per millenni, cercano di distruggerle definitivamente, per vendicarsi di chi li ha imprigionati. L'unica che può fermarli è Arling Elessedil, giovane elfa che possiede i mezzi per sigillare la breccia e richiudere nuovamente gli abitanti del Divieto nella loro prigione. Ma Arling è caduta nelle mani del diabolico Primo Ministro della Federazione e i suoi sforzi sembrano essere stati vani. Solo sua sorella, Aphen, coraggiosa e ostinata, che detiene le Pietre Magiche e ne controlla il potere, può sperare di salvare Arling dalla sorte infelice che ha in serbo per lei il suo carceriere. Intanto Railing Ohmsford – nel tentativo disperato di salvare suo fratello – cerca di capire se la sua famigerata antenata Grianne, la Strega, è ancora viva e vuole aiutarlo a salvare il mondo, senza curarsi della posta in gioco e delle conseguenze delle sue azioni. Il grande maestro del fantasy, che ha incantato decine di milioni di lettori in tutto il mondo, torna per chiudere la trilogia degli "Oscuri Segreti di Shannara". Il risultato è ancora una volta indimenticabile.
461 pages, Kindle Edition
First published July 17, 2013
246 people are currently reading
7197 people want to read
About the author
Terry Brooks
420 books77.8k followersTerry Brooks was born in Illinois in 1944, where he spent a great deal of his childhood and early adulthood dreaming up stories in and around Sinnissippi Park, the very same park that would eventually become the setting for his bestselling Word & Void trilogy. He went to college and received his undergraduate degree from Hamilton College, where he majored in English Literature, and he received his graduate degree from the School of Law at Washington & Lee University.
A writer since high school, he wrote many stories within the genres of science fiction, western, fiction, and non-fiction, until one semester early in his college years he was given The Lord of the Rings to read. That moment changed Terry's life forever, because in Tolkien's great work he found all the elements needed to fully explore his writing combined in one genre.
He then wrote The Sword of Shannara, the seven year grand result retaining sanity while studying at Washington & Lee University and practicing law. It became the first work of fiction ever to appear on the New York Times trade paperback bestseller list, where it remained for over five months.
A writer since high school, he wrote many stories within the genres of science fiction, western, fiction, and non-fiction, until one semester early in his college years he was given The Lord of the Rings to read. That moment changed Terry's life forever, because in Tolkien's great work he found all the elements needed to fully explore his writing combined in one genre.
He then wrote The Sword of Shannara, the seven year grand result retaining sanity while studying at Washington & Lee University and practicing law. It became the first work of fiction ever to appear on the New York Times trade paperback bestseller list, where it remained for over five months.
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Displaying 1 - 30 of 376 reviews
July 14, 2018
After having read twenty-five books in the Shannara world over the last few years, I think it is time for a rather long break.
The Dark Legacy of Shannara trilogy is not bad. It's not as interesting as the Genesis and High Druid sub-series, and it mostly recycles old plotlines and character archetypes, but it is still a compelling read. However, it adds so little of value, and does not reach the levels of beauty and innovative storytelling of previous books in the series, that I just wanted to put it down at times.
The absolutely perfect ending for my favourite character in the series did much to save it, but in the end, this trilogy was not an inch above average.
Terry Brooks remains a master of the craft of fantasy, but his creative mind may not be as sharp as it's been before.
The Dark Legacy of Shannara trilogy is not bad. It's not as interesting as the Genesis and High Druid sub-series, and it mostly recycles old plotlines and character archetypes, but it is still a compelling read. However, it adds so little of value, and does not reach the levels of beauty and innovative storytelling of previous books in the series, that I just wanted to put it down at times.
The absolutely perfect ending for my favourite character in the series did much to save it, but in the end, this trilogy was not an inch above average.
Terry Brooks remains a master of the craft of fantasy, but his creative mind may not be as sharp as it's been before.
January 3, 2015
This novel is the third part of a trilogy and the other two must be read before this one. In this one everything looks grim for our heroes as they are separated and each facing troubles that seem insurmountable. This book tells about their battles as they race trying to prevent the Forbidding merging with ours.
This trilogy is the darkest written by Terry Brooks as the characters sacrifice for the greater good and not all of them survive. This novel has the grandest scope written by this author. Usually his books detail an adventure by a small group but this novel tells about the Federation, demons, elves, and every sentient being in the world. There are multiple storylines going that keep the plot moving. And that is also the problem with this novel. There were no real connection with the characters because the novel would tell a bit of a certain storyline and then wouldn't revisit the storyline until it was a distant memory. Sometimes less is more and this novel could have benefited from that adage.
This novel and trilogy has plenty of action and has events that effect the Shannara realm. That being said I did miss the connection with the author's characters that I usually have. If you have never read anything in this world I would strongly suggest trying a different entry point.
This trilogy is the darkest written by Terry Brooks as the characters sacrifice for the greater good and not all of them survive. This novel has the grandest scope written by this author. Usually his books detail an adventure by a small group but this novel tells about the Federation, demons, elves, and every sentient being in the world. There are multiple storylines going that keep the plot moving. And that is also the problem with this novel. There were no real connection with the characters because the novel would tell a bit of a certain storyline and then wouldn't revisit the storyline until it was a distant memory. Sometimes less is more and this novel could have benefited from that adage.
This novel and trilogy has plenty of action and has events that effect the Shannara realm. That being said I did miss the connection with the author's characters that I usually have. If you have never read anything in this world I would strongly suggest trying a different entry point.
July 17, 2013
NOTE: Fine, now thats cleared up, but the star sticks. As a reviewing reader, I still find its disgusting for a writer to flame his own readers merely over a critisizing feedback. They aren't for you. They are for the readers.
Witch Wraith is the final installment of the trilogy that put a closure on the Dark Legacy series while continuing the spirit of Shannara stories. However, as much as I was looking forward to this book, I found myself disappointed by Terry Brooks style of writing and despite the length of the book, it took only half end of the book to make it worthwhile. Terry Brooks’s Dark Legacy is like combining Tolkienism and G.R.R Martin’s character killing psychopathy into one book series.
The majority of the book is quite predictable at this point. Although I enjoyed The Bloodfire Quest, I found Witch Wraith goes out of the way of the original motivation of the series and then only later the plot converge before throwing the readers off the loop again. As much as I try to gain some optimism of the story, I do find Terry Brooks perfecting the art of creating another form of sexual frustration. It started when it began with a lengthy detail of Railing Ohmsford’s storyline and his journey to find Grianne Ohmsford so that she would help him to bargain for Redden’s life. He was then taunted with potential quest failure while having some problem with his love, Mirai. At this point, I was convinced that Terry Brooks was trying his hand on Young Adult drama. It took a long time before the narrating came back to Aphenglow Elessendil who had lost his sister Arling to the Federation and found herself and Cymrian toward Arishaig. Then the narrating changed to Arling who found herself face-to-face with Edinja Orle. And then the narrating change again to Oriantha who was still in the Forbidding and was trying to save Redden Ohmsford. And then it change to Redden, Seersha and then some guy named Keeton who had a role in Arishaig’s siege and the story goes from then.
But therein lies the problem of the story, the plot structure. There were multiple of short plots that are not connecting to one another and multiple characters that are so interchangeable that Brooks seems to recycle the exposition and the rising action without providing a climax to each of the plot until later end of the book. There were time when I wonder if the author is just playing with me so that he could write about airship and dragon battles.
I lost interest in Keeton when I realize that the author simply using him to write long meaningless siege scenes at Arishaig. Even Oriantha subplot are used so that one could read the same marching to war scenes or shapeshifting fighting scenes and Railing’s repetitive plot was completely used to add teenage angst into the story while diverting the reader from the main objective of the whole thing – saving Shannara and find the lost Elfstones. For those who had followed the whole series and are familiar with Isle Witch, the book provide some resolution to the Starken Lord plot.
There were a wealth of information that can be expanded but I think the book seem to milk out the Shannara series. Although there were a lot of things resolved in this book, there were a bunch of plot holes that the characters suddenly find themselves realizing its paradox or something. By the ending, I already anticipate another Terry Brook’s mini Shannara series that centered particularly on the surviving characters and to resolve the continuation problems that remained unresolved in this series.
Although the book itself is filled with multitude of action plots that made the book satisfying to average fantasy readers. For me, the problem was with the uneven plot structure itself that made the book a disappointing end to what would have been a grand series.
The ARC is provided by the publisher via Netgalley in exchange for an honest review.
Witch Wraith is the final installment of the trilogy that put a closure on the Dark Legacy series while continuing the spirit of Shannara stories. However, as much as I was looking forward to this book, I found myself disappointed by Terry Brooks style of writing and despite the length of the book, it took only half end of the book to make it worthwhile. Terry Brooks’s Dark Legacy is like combining Tolkienism and G.R.R Martin’s character killing psychopathy into one book series.
The majority of the book is quite predictable at this point. Although I enjoyed The Bloodfire Quest, I found Witch Wraith goes out of the way of the original motivation of the series and then only later the plot converge before throwing the readers off the loop again. As much as I try to gain some optimism of the story, I do find Terry Brooks perfecting the art of creating another form of sexual frustration. It started when it began with a lengthy detail of Railing Ohmsford’s storyline and his journey to find Grianne Ohmsford so that she would help him to bargain for Redden’s life. He was then taunted with potential quest failure while having some problem with his love, Mirai. At this point, I was convinced that Terry Brooks was trying his hand on Young Adult drama. It took a long time before the narrating came back to Aphenglow Elessendil who had lost his sister Arling to the Federation and found herself and Cymrian toward Arishaig. Then the narrating changed to Arling who found herself face-to-face with Edinja Orle. And then the narrating change again to Oriantha who was still in the Forbidding and was trying to save Redden Ohmsford. And then it change to Redden, Seersha and then some guy named Keeton who had a role in Arishaig’s siege and the story goes from then.
But therein lies the problem of the story, the plot structure. There were multiple of short plots that are not connecting to one another and multiple characters that are so interchangeable that Brooks seems to recycle the exposition and the rising action without providing a climax to each of the plot until later end of the book. There were time when I wonder if the author is just playing with me so that he could write about airship and dragon battles.
I lost interest in Keeton when I realize that the author simply using him to write long meaningless siege scenes at Arishaig. Even Oriantha subplot are used so that one could read the same marching to war scenes or shapeshifting fighting scenes and Railing’s repetitive plot was completely used to add teenage angst into the story while diverting the reader from the main objective of the whole thing – saving Shannara and find the lost Elfstones. For those who had followed the whole series and are familiar with Isle Witch, the book provide some resolution to the Starken Lord plot.
There were a wealth of information that can be expanded but I think the book seem to milk out the Shannara series. Although there were a lot of things resolved in this book, there were a bunch of plot holes that the characters suddenly find themselves realizing its paradox or something. By the ending, I already anticipate another Terry Brook’s mini Shannara series that centered particularly on the surviving characters and to resolve the continuation problems that remained unresolved in this series.
Although the book itself is filled with multitude of action plots that made the book satisfying to average fantasy readers. For me, the problem was with the uneven plot structure itself that made the book a disappointing end to what would have been a grand series.
The ARC is provided by the publisher via Netgalley in exchange for an honest review.
July 22, 2013
Well - I've finished the series... For me, this trilogy started off weakly, improved a little in the middle and ended disappointingly. The third book really seemed like a rehash of the Elfstones - but without the sense of wonder, excitement and adventure that I loved about Brooks' earlier work. If this book hadn't been written by one of my favourite authors, I may have given it only one star, but in this case I just couldn't bring myself to!
Warning, there might be one or two spoilers ahead...
The Witch Wraith effectively ties up a epic, sprawling plot and brings the various characters back together for the grand finale. I didn't enjoy any of the plot-lines (there are 3 main story-lines with one or two subplots) - all of them reworked old stories, and unlike the originals didn't bring the setting, or the quests to life. The Ohmnsford twins were the most irritating protagonists so far - veering between catatonic, self-pitying and selfish. Redding's love story with Mirai Leah didn't convince either; one moment she's not remotely interested in him, the next she's confessing her love - it was if Brooks changed his mind half-way through the trilogy. I do like a bit of well-written love-interest in fantasy, but I don't think Brooks does it well. He writes it a bit flat - Aphen's romantic interest didn't convince me either; there's no spark, no subtlety - and the dialogue is a bit lame between the characters.
There were two aspects of the writing in this book which disappointed me - both aspects that I never noticed in Brooks' earlier works. The first is his characters' constant inner dialogue: Am I doing the right thing? Can I complete this quest? Am I worthy? Again and again, the reader has to wade through a mire of self-pitying, and repetitive rumination. I got a bit tired of it towards the end. The second aspect was Brooks' inability to bring his settings to life. Examples of this were Stridegate, Spire's Reach and the Forbidding - these were classic, unforgettable settings in previous works, but in this book they verged upon being boring.
Was there anything I liked about Witch Wraith? Yes. Grianne's character - the actual Witch Wraith - was interesting and chilling. I didn't expect that she would return to the world so ravaged and evil, but it was one of the book's more original moments. I enjoyed her showdown with Tael Riverine and can see how she might come back in future books. The siege of Ashraig was well written, although Brooks kept introducing characters I couldn't care less about before we never hear from them again. Obviously, the died in the attack.
Please Terry, if you continue to write more novels set in this world - give us unique original plots and characters we can truly care about. I have read your books since I was a teenager. Your novels transported me to another world and inspired me to write my own epic fantasy. Give us some of that old magic!
Warning, there might be one or two spoilers ahead...
The Witch Wraith effectively ties up a epic, sprawling plot and brings the various characters back together for the grand finale. I didn't enjoy any of the plot-lines (there are 3 main story-lines with one or two subplots) - all of them reworked old stories, and unlike the originals didn't bring the setting, or the quests to life. The Ohmnsford twins were the most irritating protagonists so far - veering between catatonic, self-pitying and selfish. Redding's love story with Mirai Leah didn't convince either; one moment she's not remotely interested in him, the next she's confessing her love - it was if Brooks changed his mind half-way through the trilogy. I do like a bit of well-written love-interest in fantasy, but I don't think Brooks does it well. He writes it a bit flat - Aphen's romantic interest didn't convince me either; there's no spark, no subtlety - and the dialogue is a bit lame between the characters.
There were two aspects of the writing in this book which disappointed me - both aspects that I never noticed in Brooks' earlier works. The first is his characters' constant inner dialogue: Am I doing the right thing? Can I complete this quest? Am I worthy? Again and again, the reader has to wade through a mire of self-pitying, and repetitive rumination. I got a bit tired of it towards the end. The second aspect was Brooks' inability to bring his settings to life. Examples of this were Stridegate, Spire's Reach and the Forbidding - these were classic, unforgettable settings in previous works, but in this book they verged upon being boring.
Was there anything I liked about Witch Wraith? Yes. Grianne's character - the actual Witch Wraith - was interesting and chilling. I didn't expect that she would return to the world so ravaged and evil, but it was one of the book's more original moments. I enjoyed her showdown with Tael Riverine and can see how she might come back in future books. The siege of Ashraig was well written, although Brooks kept introducing characters I couldn't care less about before we never hear from them again. Obviously, the died in the attack.
Please Terry, if you continue to write more novels set in this world - give us unique original plots and characters we can truly care about. I have read your books since I was a teenager. Your novels transported me to another world and inspired me to write my own epic fantasy. Give us some of that old magic!
December 22, 2021
“What you need is not what you seek.” Witch Wraith, Terry Brooks
Epic Fantasy - The Dark Legacy of Shannara is made up of three novels: Wards of Faerie, Bloodfire Quest & Witch Wraith.
This is the seventeenth book I have read in The Shannara Series. I enjoyed it just as much as the others. The sub series in The Shannara Chronicles, in the order that I have been reading them, are Shannara (4 books), The Heritage of Shannara (4 books), The Voyage of Jerle Shannara (trilogy), High Druid of Shannara (trilogy) and The Dark Legacy of Shannara (trilogy).
The Dark Legacy of Shannara tells a story about the fate of the Four Lands as it hinges on events and a number of characters success or failure in regards to those events. Emotion is strong in Witch Wraith for both the characters and for the reader. Character growth, both positive and negative, is something that really stuck out to me while reading Witch Wraith. I would use the word profound to describe it.
One of my favourite things about The Dark Legacy of Shannara Trilogy is the return to things from previous books: characters, places, relationships, and items. Terry Brooks makes this return new and different. For me, Terry Brooks captured the truth that two people can experience the same thing but each person’s reality of that experience is individual. I feel that Terry Brooks accomplished this brilliantly.
As always, Terry Brooks provides great world building and unforgettable characters. It is truly a thrilling novel. I can’t wait to start the next trilogy, The Defenders of Shannara.
Epic Fantasy - The Dark Legacy of Shannara is made up of three novels: Wards of Faerie, Bloodfire Quest & Witch Wraith.
This is the seventeenth book I have read in The Shannara Series. I enjoyed it just as much as the others. The sub series in The Shannara Chronicles, in the order that I have been reading them, are Shannara (4 books), The Heritage of Shannara (4 books), The Voyage of Jerle Shannara (trilogy), High Druid of Shannara (trilogy) and The Dark Legacy of Shannara (trilogy).
The Dark Legacy of Shannara tells a story about the fate of the Four Lands as it hinges on events and a number of characters success or failure in regards to those events. Emotion is strong in Witch Wraith for both the characters and for the reader. Character growth, both positive and negative, is something that really stuck out to me while reading Witch Wraith. I would use the word profound to describe it.
One of my favourite things about The Dark Legacy of Shannara Trilogy is the return to things from previous books: characters, places, relationships, and items. Terry Brooks makes this return new and different. For me, Terry Brooks captured the truth that two people can experience the same thing but each person’s reality of that experience is individual. I feel that Terry Brooks accomplished this brilliantly.
As always, Terry Brooks provides great world building and unforgettable characters. It is truly a thrilling novel. I can’t wait to start the next trilogy, The Defenders of Shannara.
February 7, 2014
*Quickie review for the whole Dark Legacy of Shannara trilogy.
Longtime fans of Terry Brooks won't be surprised when I say that this trilogy is pretty much a resurrection of things we've read about before--reminding me of a hybrid of The Elfstones Of Shannara and Straken.
That being said, there was enough going on, and presented in a slightly different way, to make the trilogy enjoyable. Once again Terry Brooks inundates the reader with fantastic names for characters and places. This is just my opinion of course, but all you fantasy fans know the importance of awesome names.
The third book of the series was packed with action and multiple plotlines that weaved together nicely. Personally, I would have preferred for this book to have about 100 extra pages so some of these plotlines could have been fleshed out a bit more. I was a little puzzled by one thing regarding the distance traveled by a certain group who managed to move from a deep southern city all the way to Arborlon in just 4 days, and yes they were travelling by foot. I remembered the Four Lands as being larger than that.
Fun series as a whole but I'd recommend going in with the knowledge that familiar themes will be thrown at you from the get go.
PS- As with any Terry Brooks book, assume that all unnamed Elven Hunters, Troll Guards, and Rovers will meet a most unpleasant end.
Longtime fans of Terry Brooks won't be surprised when I say that this trilogy is pretty much a resurrection of things we've read about before--reminding me of a hybrid of The Elfstones Of Shannara and Straken.
That being said, there was enough going on, and presented in a slightly different way, to make the trilogy enjoyable. Once again Terry Brooks inundates the reader with fantastic names for characters and places. This is just my opinion of course, but all you fantasy fans know the importance of awesome names.
The third book of the series was packed with action and multiple plotlines that weaved together nicely. Personally, I would have preferred for this book to have about 100 extra pages so some of these plotlines could have been fleshed out a bit more. I was a little puzzled by one thing regarding the distance traveled by a certain group who managed to move from a deep southern city all the way to Arborlon in just 4 days, and yes they were travelling by foot. I remembered the Four Lands as being larger than that.
Fun series as a whole but I'd recommend going in with the knowledge that familiar themes will be thrown at you from the get go.
PS- As with any Terry Brooks book, assume that all unnamed Elven Hunters, Troll Guards, and Rovers will meet a most unpleasant end.
July 9, 2013
I have to admit I am very disappointed with the series. The plot and story has been predictable. Part of me wants to have an epilogue where you can see 6 months later where people are. There are characters you care about, but there is only enough closure for another series to be made about 2 generations later.
The growth in the writing style, is that people do die including people you do like, and druids are not as infallible as they were in the original trilogy. Which is important considering the increase number of them.
I am sorry to say I continue to read the books, I believe that it goes back to the nostalgia of the original trilogy and the quality there.
The growth in the writing style, is that people do die including people you do like, and druids are not as infallible as they were in the original trilogy. Which is important considering the increase number of them.
I am sorry to say I continue to read the books, I believe that it goes back to the nostalgia of the original trilogy and the quality there.
April 20, 2024
A slight anticlimactic end to a decent trilogy. The pacing between the three different storylines is different from each other, which is quite confusing and a little annoying. The battle scenes drag on, while the magic showdown goes by way too quickly. The resolve also wasn't satisfying, without spoiling: too many open ends. A little is fine, but this is too much. I enjoyed Terry Brooks' writing as usual, but this trilogy was enough for the next few months. 🫡
July 12, 2025
I liked the Elfstones of Shannara far more. The battle scenes were some of the least detailed I’ve read from Brooks.
July 17, 2013
Aaarrgghh, this is hard review to write. Ever since I first started reading fantasy I have been a die hard Terry Brooks fan, especially being a fan of his Shannarah series. I have read them all and rated even the weaker books highly for I simply love the series so much. Therein lies the problem.
I really wanted to give this book a higher star rating, even now I am hovering over the next star wanting to at least give it a four but I simply can't. Even though I read the book in one sitting I have put it down and I am very unsatisfied feeling as though I need at least another hundred pages to properly polish off this series. It seemed that I kept flicking over the pages hoping that the story would some how rise from the ashes like the proverbial phoenix, that Mr Brooks would somehow spin his usual magic and bring about a brilliant and hugely satisfying ending but alas that was not to be.
The story starts with Railing's search for the Grianne Ohmsford. This is in spite of a warning from the King of the Silver River not to find her, that he won't like what he gets. Then he is warned again by the Grimpond and he knows that it is not the right thing to do but for some reason he does it anyway. And what happens... well it wasn't the right thing to do, what a shock. The creature he rescues is not Grianne Ohmsford but an even darker and more twisted version of the Ilse Witch, a witch wraith reminiscent of the warlock lord.
On top of this there is the ongoing awkward romance between Railing and Mirai that just gets in the way of the plot to the point where you are begging to go to another character arc.
So then we do go through the other character arcs. First to Apehnglow and her story arc, then to Redding for a while, then to Edinja Orle, then Aborlorn then to a new character called Keenton until finally there were just so many things going on that we never get to stick to one story line long enough to really get into it.
The long and short of it is that in spite of all of their troubles the Ellcrys gets renewed (just like in Elfstones of Shannara), Redden escapes from the forbiding with the magic to save the day (just like the High Druid of Shannara series) but the treasure is eventually lost and the initial quest was for nothing (just like the Voyage of the Jerle Shannara series) and everything eventually goes back to almost normal.
Obviously there is more to it than that but really the ending did seem quite rushed and quite familiar which is sad when I have always been proud to be a fan of Terry Brooks because he is usually good at producing something which is, if not entirely, then at least has an element of new. He is still the only author I know who has taken his fantasy world through thousands of years and allowed that world to evolve with the passing of centuries which has worked out so well for this series that it is sad to see nothing new come of this.
One thing that has changed with Mr Brooks writing for the better I think was his ruthlessness with his characters. In the style of George R R Martin his characters were put through a great deal in this series and their fates were rarely happy ones and often surprising. Probably about seventy percent of the main characters don't make it through to the final pages, or at least they don't in one piece and that is fine with me. It adds a level of tension to the writing when you can't rely on that happy ending.
That is not to say that a happy ending isn't what we want for a few characters and it is sad what the author did to Grianne Ohmsford in this book. Her story was a tragic one right from the beginning. The murder of her family, the molding into the Isle Witch by the Margawr and then eventually the constant hatred that was directed at her when she tried to atone for her sins all add up to a tragedy that needs a happy ending. Her happy ending came at the end of the High Druid of Shannara series when she joins the Tanequil and for the first time finds peace. It was a satisfying end to her story and being as the part she played in this series it was really sad to see what the author put her through. It felt as though she had been resurrected just to be tortured and tormented some more, or maybe even to be used as another villain in a future series.
This book has by no means put me off Terry Brooks, I am as much a fan of his as I have ever been before. That said I look forward to him getting back on form as I don't think he has been producing his best work since he masterfully joined the Word and the Void Series with the Shannara series in the The Genesis of Shannara, the last book of which came out five years ago.
Fingers crossed now and bring on the next series.
I really wanted to give this book a higher star rating, even now I am hovering over the next star wanting to at least give it a four but I simply can't. Even though I read the book in one sitting I have put it down and I am very unsatisfied feeling as though I need at least another hundred pages to properly polish off this series. It seemed that I kept flicking over the pages hoping that the story would some how rise from the ashes like the proverbial phoenix, that Mr Brooks would somehow spin his usual magic and bring about a brilliant and hugely satisfying ending but alas that was not to be.
The story starts with Railing's search for the Grianne Ohmsford. This is in spite of a warning from the King of the Silver River not to find her, that he won't like what he gets. Then he is warned again by the Grimpond and he knows that it is not the right thing to do but for some reason he does it anyway. And what happens... well it wasn't the right thing to do, what a shock. The creature he rescues is not Grianne Ohmsford but an even darker and more twisted version of the Ilse Witch, a witch wraith reminiscent of the warlock lord.
On top of this there is the ongoing awkward romance between Railing and Mirai that just gets in the way of the plot to the point where you are begging to go to another character arc.
So then we do go through the other character arcs. First to Apehnglow and her story arc, then to Redding for a while, then to Edinja Orle, then Aborlorn then to a new character called Keenton until finally there were just so many things going on that we never get to stick to one story line long enough to really get into it.
The long and short of it is that in spite of all of their troubles the Ellcrys gets renewed (just like in Elfstones of Shannara), Redden escapes from the forbiding with the magic to save the day (just like the High Druid of Shannara series) but the treasure is eventually lost and the initial quest was for nothing (just like the Voyage of the Jerle Shannara series) and everything eventually goes back to almost normal.
Obviously there is more to it than that but really the ending did seem quite rushed and quite familiar which is sad when I have always been proud to be a fan of Terry Brooks because he is usually good at producing something which is, if not entirely, then at least has an element of new. He is still the only author I know who has taken his fantasy world through thousands of years and allowed that world to evolve with the passing of centuries which has worked out so well for this series that it is sad to see nothing new come of this.
One thing that has changed with Mr Brooks writing for the better I think was his ruthlessness with his characters. In the style of George R R Martin his characters were put through a great deal in this series and their fates were rarely happy ones and often surprising. Probably about seventy percent of the main characters don't make it through to the final pages, or at least they don't in one piece and that is fine with me. It adds a level of tension to the writing when you can't rely on that happy ending.
That is not to say that a happy ending isn't what we want for a few characters and it is sad what the author did to Grianne Ohmsford in this book. Her story was a tragic one right from the beginning. The murder of her family, the molding into the Isle Witch by the Margawr and then eventually the constant hatred that was directed at her when she tried to atone for her sins all add up to a tragedy that needs a happy ending. Her happy ending came at the end of the High Druid of Shannara series when she joins the Tanequil and for the first time finds peace. It was a satisfying end to her story and being as the part she played in this series it was really sad to see what the author put her through. It felt as though she had been resurrected just to be tortured and tormented some more, or maybe even to be used as another villain in a future series.
This book has by no means put me off Terry Brooks, I am as much a fan of his as I have ever been before. That said I look forward to him getting back on form as I don't think he has been producing his best work since he masterfully joined the Word and the Void Series with the Shannara series in the The Genesis of Shannara, the last book of which came out five years ago.
Fingers crossed now and bring on the next series.
This entire review has been hidden because of spoilers.
July 24, 2013
Centuries ago, the Elves used magic to banish demons and their like to a harsh land called The Forbidding. The health of the Ellcrys tree maintains a wall between the Forbidding and the Four Lands; while the Ellcrys, a product of magic herself, is long-lived, unfortunately she is not immortal. The demons resent their banishment and are constantly testing her defenses — and there’s evidence everywhere that the Ellcyrs is weakening.
As much as I love Terry Brooks, I have to admit, I was disappointed this time. A diehard Shannara-fan, I stayed up until 2 am to finish this book. I had hoped that more details from the darkling boy/elven girl storyline would be revealed as the quest reached its resolution. The letter didn’t work for me — by itself, it felt too convenient. I had wondered if Tael Riverine might be the darkling boy or a relative of the darkling boy — that could have been interesting and we could have learned something directly from him. Or maybe, a little more storytelling from Tesla Dart would have fleshed the story out a bit — she knew about the stones, it’s reasonable to think she’d know something about the boy. Something. The romance between the darkling boy and the elven girl and the questions it raised about profiling was something new to the Shannara world and I’d hoped to see it explored. Brooks hinted at the whole “is any race wholly good or evil?” question again as Redden considered Tesla and what life had been like for the Jarka Ruus, but again it was just a blip. And by the way, how did other creatures like the Grimpond get to remain in the Four Lands? If the elves were intent on locking away all evil creatures of Faerie, they certainly missed a few. How does the magic of the Ellcrys snatch away Tesla but leave the Grimpond?
And the elfstones . . . grrr! I expect a future book will reveal more but I feel cheated. Now if the letter had been some sort of elvish list of precautions, that might have worked for me. Maybe. With a quest series, I expect more than a glimpse of the item sought.
I hated the resolution of the Redden/Railing/Mirai storyline — it was too easy. I suppose it doesn’t help that I wasn’t all that fond of either Redden or Railing.
I also hated the Grianne storyline but in a good way. It did take things up a notch. It made sense in that even heroes make mistakes, sometimes tragic ones. It definitely leads to another spinoff series, and a potentially intriguing one at that. I just felt for her and I really disliked Railing. And can’t someone vow to go after poor Tesla??? Railing still has few threads on his ring . . . .
What else? Edinja — eh. I felt like she kind of fell flat towards the end.
Despite my disappointment with this installment, I do love the world of Shannara and I’m already looking forward to the next journey. At 25+ titles, however, I’d like to see a few new twists introduced to the series. I’m okay with the fact that we can always look forward to a quest involving the Ohmsfords, the Leahs, and the Ellesedils. I’d just like to see new quests, or new complications. Okay, we did have Arling — she KNEW what she would have to give up and that was definitely a new and interesting complication. And Grianne’s new role is definitely an interesting complication. It’s just that much of the rest of the journey was a little too familiar.
As much as I love Terry Brooks, I have to admit, I was disappointed this time. A diehard Shannara-fan, I stayed up until 2 am to finish this book. I had hoped that more details from the darkling boy/elven girl storyline would be revealed as the quest reached its resolution. The letter didn’t work for me — by itself, it felt too convenient. I had wondered if Tael Riverine might be the darkling boy or a relative of the darkling boy — that could have been interesting and we could have learned something directly from him. Or maybe, a little more storytelling from Tesla Dart would have fleshed the story out a bit — she knew about the stones, it’s reasonable to think she’d know something about the boy. Something. The romance between the darkling boy and the elven girl and the questions it raised about profiling was something new to the Shannara world and I’d hoped to see it explored. Brooks hinted at the whole “is any race wholly good or evil?” question again as Redden considered Tesla and what life had been like for the Jarka Ruus, but again it was just a blip. And by the way, how did other creatures like the Grimpond get to remain in the Four Lands? If the elves were intent on locking away all evil creatures of Faerie, they certainly missed a few. How does the magic of the Ellcrys snatch away Tesla but leave the Grimpond?
And the elfstones . . . grrr! I expect a future book will reveal more but I feel cheated. Now if the letter had been some sort of elvish list of precautions, that might have worked for me. Maybe. With a quest series, I expect more than a glimpse of the item sought.
I hated the resolution of the Redden/Railing/Mirai storyline — it was too easy. I suppose it doesn’t help that I wasn’t all that fond of either Redden or Railing.
I also hated the Grianne storyline but in a good way. It did take things up a notch. It made sense in that even heroes make mistakes, sometimes tragic ones. It definitely leads to another spinoff series, and a potentially intriguing one at that. I just felt for her and I really disliked Railing. And can’t someone vow to go after poor Tesla??? Railing still has few threads on his ring . . . .
What else? Edinja — eh. I felt like she kind of fell flat towards the end.
Despite my disappointment with this installment, I do love the world of Shannara and I’m already looking forward to the next journey. At 25+ titles, however, I’d like to see a few new twists introduced to the series. I’m okay with the fact that we can always look forward to a quest involving the Ohmsfords, the Leahs, and the Ellesedils. I’d just like to see new quests, or new complications. Okay, we did have Arling — she KNEW what she would have to give up and that was definitely a new and interesting complication. And Grianne’s new role is definitely an interesting complication. It’s just that much of the rest of the journey was a little too familiar.
October 28, 2023
Within the first few chapters, this book destroyed all of the excitement I had for this book. In the first books, I found Railing Ohmsford and Mirai Leah very obnoxious and unlikable, but this was magnified tenfold here. Railing Ohmsford seemed to have turned into a whining prick and I was actively disposing of Mirai, and their relationship was making me need to fight my urge to gag. After the first 4 chapters, I actually contemplated DNFing the book. The other characters continued to annoy me but none as much as those two. Now I'm not saying that Tesla Dart & Oriantha were the only good thing about the book or that they were the saving grace but they were by far my favorite characters in the entire trilogy. The story ended well and helped balance the crappy opening chapters of this book.
3.25/5
3.25/5
August 4, 2013
I'm a Terry Brooks fan and have read, and in fact, own every Shannara and Word and the Void Book. I enjoyed certain aspects of this book that have enhanced our knowledge of the four lands and their history. In the dark legacy series, I particularly enjoyed the background that we get on the history of the forbidding and the missing elfstones.
Having said this, Terry is no Tolkien, and I think this has become painfully obvious with the more recent series. The characters lack depth and follow the basic formula of Ohmsford boy who has no faith in himself, cocky elven girl (usually an Ellessedil), gruff but loveable Dwarf tracker, and enigmatic Druids that go in search of an old world magic or to defeat an ancient evil. Along the way, everybody learns a valuable lesson about themselves, atleast one of said characters usually dies, and everyone learns to respect magic as the consequences of it's use are not expected. Unfortunately, the Ohmsford family forgets these lessons for every new book series!
It is still a highly enjoyable read, and I really liked some of the new twists regarding the Witch Wraith and the elfstones. There were characters that shined as complex people, particularly Mirai Leah in this one. However, I think that you need a certain amount of background from previous books to enjoy this one. I saw some other reviews that stated they did not read the first two Dark Legacy Books. REALLY? This book picks up in the middle of the story where certain important plot points had already happened. You wouldn't even know about the death of Khyber, the search for the lost elfstones, etc. Who reads only the last book in a series?
This brings me to my last topic ... the series books. My favorite books are still the Elfstones of Shannara, The Sword of Shannara, and the Wishsong of Shannara. Each one of these is a stand alone book and lengthy at 500+, 1000+, and 500+ pages respectivel. If you want to start with a Shannara book, start with one of these ... Any of these. Don't start with the new series. I'm sure that it is easier (and more lucrative) to write the series books that break up the stories. I find this somewhat annoying as a fan, these last two books (Bloodfire Quest and Witch Wraith) were maybe 4 months apart, and I still had a hard time remembering what the storyline was in between them.
Anyway, If you have read the first two Dark Legacy book,s this is an enjoyable, if somewhat unsatisfying conclusion. If you want to start reading this series, I suggest starting with the Elfstones then reading the Dark Legacy series. I anxiously await new arrivals from Terry to continue the stories that I have come to love!
Having said this, Terry is no Tolkien, and I think this has become painfully obvious with the more recent series. The characters lack depth and follow the basic formula of Ohmsford boy who has no faith in himself, cocky elven girl (usually an Ellessedil), gruff but loveable Dwarf tracker, and enigmatic Druids that go in search of an old world magic or to defeat an ancient evil. Along the way, everybody learns a valuable lesson about themselves, atleast one of said characters usually dies, and everyone learns to respect magic as the consequences of it's use are not expected. Unfortunately, the Ohmsford family forgets these lessons for every new book series!
It is still a highly enjoyable read, and I really liked some of the new twists regarding the Witch Wraith and the elfstones. There were characters that shined as complex people, particularly Mirai Leah in this one. However, I think that you need a certain amount of background from previous books to enjoy this one. I saw some other reviews that stated they did not read the first two Dark Legacy Books. REALLY? This book picks up in the middle of the story where certain important plot points had already happened. You wouldn't even know about the death of Khyber, the search for the lost elfstones, etc. Who reads only the last book in a series?
This brings me to my last topic ... the series books. My favorite books are still the Elfstones of Shannara, The Sword of Shannara, and the Wishsong of Shannara. Each one of these is a stand alone book and lengthy at 500+, 1000+, and 500+ pages respectivel. If you want to start with a Shannara book, start with one of these ... Any of these. Don't start with the new series. I'm sure that it is easier (and more lucrative) to write the series books that break up the stories. I find this somewhat annoying as a fan, these last two books (Bloodfire Quest and Witch Wraith) were maybe 4 months apart, and I still had a hard time remembering what the storyline was in between them.
Anyway, If you have read the first two Dark Legacy book,s this is an enjoyable, if somewhat unsatisfying conclusion. If you want to start reading this series, I suggest starting with the Elfstones then reading the Dark Legacy series. I anxiously await new arrivals from Terry to continue the stories that I have come to love!
January 31, 2014
I really tried to like this final book of the Dark Legacy of Shannara trilogy, I really did, but I can't find the ability to enjoy this grimdark waste of paper. The previous two books were dark, but still hopeful, and then Witch Wraith went off the deep end.
One thing that Terry Brooks seemed unable to understand as he wrote this is that “bittersweet” means that the ending is still a good one, albeit with some poignant examples of sorrow. But these sadder elements are not supposed to threaten to eclipse the happy ending, as they do so here.
Suffice it to say that, with the exception of the Ellcrys being restored and the Ohmsford boys returning safely, almost nothing else turns out well. The whole books is one exercise in death and suffering. I can already hear the objection now, though. “Brooks always kills off some folks,” some will be wont to say. So what? Even though that is true, he has always preserved a reasonably happy ending. Not so here. Here the “happy ending” is that the world is saved, but the main and secondary characters' lives are in shambles. Wow! Isn't that just what I want to read?! Maybe I'll crack open a history book and read about the famine in the Ukraine while I'm on it. It would be the same level of optimism and enjoyment.
I know some might be put-off by my snark here, and I am sorry for any offense given, but this is just too much for me. Instead of the man who wrote epic fantasy and provided you battles of good triumphing over evil, we have good in a crapsack living hell of a world, never seeming to really come out on top.
What was done to a long-time character, the violence, bloodshed, not to mention the ridiculous sexual domination scenes in the previous book and this one, make this all just too much for me. I mean, what is this? Fantasy? Or Fifty Shades of Shannara?
I hope that future books go away from this latest trend in darker and edgier crap and towards a more hopeful time in earlier books. Until that happens, I won't read any newly published novels in this franchise, just the older ones. I recommend anyone else not read these either, and, for the time being, stop with some of the previous books, as the darkness here ruins the entire trilogy.
One thing that Terry Brooks seemed unable to understand as he wrote this is that “bittersweet” means that the ending is still a good one, albeit with some poignant examples of sorrow. But these sadder elements are not supposed to threaten to eclipse the happy ending, as they do so here.
Suffice it to say that, with the exception of the Ellcrys being restored and the Ohmsford boys returning safely, almost nothing else turns out well. The whole books is one exercise in death and suffering. I can already hear the objection now, though. “Brooks always kills off some folks,” some will be wont to say. So what? Even though that is true, he has always preserved a reasonably happy ending. Not so here. Here the “happy ending” is that the world is saved, but the main and secondary characters' lives are in shambles. Wow! Isn't that just what I want to read?! Maybe I'll crack open a history book and read about the famine in the Ukraine while I'm on it. It would be the same level of optimism and enjoyment.
I know some might be put-off by my snark here, and I am sorry for any offense given, but this is just too much for me. Instead of the man who wrote epic fantasy and provided you battles of good triumphing over evil, we have good in a crapsack living hell of a world, never seeming to really come out on top.
What was done to a long-time character, the violence, bloodshed, not to mention the ridiculous sexual domination scenes in the previous book and this one, make this all just too much for me. I mean, what is this? Fantasy? Or Fifty Shades of Shannara?
I hope that future books go away from this latest trend in darker and edgier crap and towards a more hopeful time in earlier books. Until that happens, I won't read any newly published novels in this franchise, just the older ones. I recommend anyone else not read these either, and, for the time being, stop with some of the previous books, as the darkness here ruins the entire trilogy.
June 29, 2013
_Witch Wraith_ concludes _The Dark Legacy of Shannara_ the latest Shannara trilogy by Terry Brooks. The first Shannara book came out in 1977 so Brooks has been writing about this world for a long time.
And there are certain things you expect to see in a Shannara book (at least the main books). There are going to be Ohmsfords, at least one Leah, an Elessedil and Elf Stones. Dark Legacy takes that up a notch though and it's almost a Shannara greatest hits with the return of demons, Grianne Ohmsford, The Straken Lord and more.
Now all that familiarity does have it's good points. Brooks knows this world, he's spent long enough developing it from it's fairly crude Tolkien inspired origins to something a bit more distinctive. He's also got a solid grasp on how to tell an entertaining and well paced story with characters that are easy to relate to. Witch Wraith wasn't a challenging read in any sense but it was an entertaining one.
But in this case it just felt like a bit too much of a re-tread for me. The sections set in behind the Forbidding were a bit too much like the High Druid of Shannara books and the demon war just too similar to Elf Stones of Shannara.
It's also pretty obvious that Brooks was putting things in place for further books as a number of elements weren't just unresolved but blatantly signalled as unresolved. And Indeed there's another book scheduled for 2014. I know some people like that soap opera style but I tend to like my stories to wrap themselves up, rather than set up something else.
So if you're a Shannara fan I think you'll be pretty happy with this. It's not really breaking new ground but it has the elements you enjoy and it's solidly written. More of what you like basically.
And there are certain things you expect to see in a Shannara book (at least the main books). There are going to be Ohmsfords, at least one Leah, an Elessedil and Elf Stones. Dark Legacy takes that up a notch though and it's almost a Shannara greatest hits with the return of demons, Grianne Ohmsford, The Straken Lord and more.
Now all that familiarity does have it's good points. Brooks knows this world, he's spent long enough developing it from it's fairly crude Tolkien inspired origins to something a bit more distinctive. He's also got a solid grasp on how to tell an entertaining and well paced story with characters that are easy to relate to. Witch Wraith wasn't a challenging read in any sense but it was an entertaining one.
But in this case it just felt like a bit too much of a re-tread for me. The sections set in behind the Forbidding were a bit too much like the High Druid of Shannara books and the demon war just too similar to Elf Stones of Shannara.
It's also pretty obvious that Brooks was putting things in place for further books as a number of elements weren't just unresolved but blatantly signalled as unresolved. And Indeed there's another book scheduled for 2014. I know some people like that soap opera style but I tend to like my stories to wrap themselves up, rather than set up something else.
So if you're a Shannara fan I think you'll be pretty happy with this. It's not really breaking new ground but it has the elements you enjoy and it's solidly written. More of what you like basically.
August 2, 2013
I've enjoyed Brooks' Shannara series for almost 30 years, but sadly, this book was lacking. Anyone familiar with the works of Brooks knows he follows the same basic formula with each of his books. I am not saying that is a bad thing, it just makes for some predictable reads.
To me, this trilogy was a rehash of older material. Same story, different day. There was not really anything new except in the cruel way he brought back Grianne Ohmsford.
The introduction of new disposable characters did not help. It prolonged the story in order to give more details on the siege of a city that did not seem crucial to the story.
Then there was the romance between two characters that did not add to the story. At times, it was a serious drag to the plot.
Of course, this trilogy started with a quest. The quest for the lost elfstones. It was tragic to see how many people gave their lives to recover these artifacts. It left me questioning if the quest was worth the price paid.
Before the book was over, I was remembering when I first read Brooks almost 30 years ago. I read "The Sword of Shannara" right after having read the "Lord of the Rings" trilogy for the first time. It was obvious how heavily influenced Brooks was by Tolkien. Reading this series, it was readily apparent that Martin has had a profound impact on Brooks. I kept thinking of the twitter joke: "Why isn't George R. R. Martin on Twitter? Because he killed all 140 characters!"
I like Brooks works. I am sure I will read his future Shannara tales, but I hope he decides to shake up his formula to create a more engaging read as he moves forward.
To me, this trilogy was a rehash of older material. Same story, different day. There was not really anything new except in the cruel way he brought back Grianne Ohmsford.
The introduction of new disposable characters did not help. It prolonged the story in order to give more details on the siege of a city that did not seem crucial to the story.
Then there was the romance between two characters that did not add to the story. At times, it was a serious drag to the plot.
Of course, this trilogy started with a quest. The quest for the lost elfstones. It was tragic to see how many people gave their lives to recover these artifacts. It left me questioning if the quest was worth the price paid.
Before the book was over, I was remembering when I first read Brooks almost 30 years ago. I read "The Sword of Shannara" right after having read the "Lord of the Rings" trilogy for the first time. It was obvious how heavily influenced Brooks was by Tolkien. Reading this series, it was readily apparent that Martin has had a profound impact on Brooks. I kept thinking of the twitter joke: "Why isn't George R. R. Martin on Twitter? Because he killed all 140 characters!"
I like Brooks works. I am sure I will read his future Shannara tales, but I hope he decides to shake up his formula to create a more engaging read as he moves forward.
November 2, 2013
The action is, as it always is, terrific. Terry is still a reliably engaging writer - but it is becoming increasingly honest that he's running out (if he hasn't already) of steam on Shannara stories. Which is a shame, all things considered. Why not strike out to expand the map? Send us somewhere new with completely new things and teach us more about the world. Don't include an Ohmsford. Give us something new next - because I can only get behind "reliably engaging" so many more times before I'll want something that at least makes me say "oh, that's new!" once or twice.
Full review at RB: http://wp.me/pGVzJ-P4
Full review at RB: http://wp.me/pGVzJ-P4
April 4, 2021
This ends Terry Brooks' Epic "Dark Legacy of Shannara" Trilogy. Brooks threw a lot at the wall, hoping it would stick, and while a lot of it does, a lot of it doesn't, resulting in a mixed-bag of a story.
What I can give Books credit for is that this is his most epic trilogy yet. He tried to accomplish so much in this trilogy, that he showed that he has the ability to write multi-protagonist stories. Indeed, this is his best work at intercutting between all of the different storylines(he could learn some more from George Lucas).
The problem is that he tries to redo stories he's already written. The Aphenglow/Arlingfant storyline mirrors "Elfstones of Shannara", the Railing/Mirai storyline mirrors "The High Druid of Shannara trilogy", and the rest of the storylines borrow from the Wishsong of Shannara. I love pulling from other stories, and books that examine how history repeats itself. However, my problem is that Brooks doesn't bring enough originality to this trilogy to make readers excited to keep reading.
What Brooks did right here that he missed in his previous series is deliver on his promises. He started the whole trilogy with the search for the Elfstones, and while it isn't 100% resolved, it's mostly resolved for the purpose of this story. The whole "Bloodfire Quest" is fully resolved, as is all of the character relationships established in previous books. Brooks doesn't always do what I want, but at least he delivered what he promised.
I am kind of frustrated that as Brooks got older, he seems to be getting more loose with his character's morality. In the 70s, 80s, and 90s, Books would never have had characters sleep together. That doesn't just happen once here, but twice(two different plotlines). Maybe Brooks thinks it's more acceptable in the culture, but one of the things that endeared me to the Shannara books is that he didn't have that type of stuff in them and that it was appropriate for kids.
Side note: We still haven't had a book explore the Shady Vale. We've had a chapter here or there, but no dedicated book there like the other lands. I'm still waiting on that.
Overall, this is a good generic fantasy book that adequately ties up the trilogy, but doesn't deliver enough originality to make me excited. I think it's time to take a break from Terry Brooks' work and come back later. But for now, this book gets a 8.4 out of 10.
What I can give Books credit for is that this is his most epic trilogy yet. He tried to accomplish so much in this trilogy, that he showed that he has the ability to write multi-protagonist stories. Indeed, this is his best work at intercutting between all of the different storylines(he could learn some more from George Lucas).
The problem is that he tries to redo stories he's already written. The Aphenglow/Arlingfant storyline mirrors "Elfstones of Shannara", the Railing/Mirai storyline mirrors "The High Druid of Shannara trilogy", and the rest of the storylines borrow from the Wishsong of Shannara. I love pulling from other stories, and books that examine how history repeats itself. However, my problem is that Brooks doesn't bring enough originality to this trilogy to make readers excited to keep reading.
What Brooks did right here that he missed in his previous series is deliver on his promises. He started the whole trilogy with the search for the Elfstones, and while it isn't 100% resolved, it's mostly resolved for the purpose of this story. The whole "Bloodfire Quest" is fully resolved, as is all of the character relationships established in previous books. Brooks doesn't always do what I want, but at least he delivered what he promised.
I am kind of frustrated that as Brooks got older, he seems to be getting more loose with his character's morality. In the 70s, 80s, and 90s, Books would never have had characters sleep together. That doesn't just happen once here, but twice(two different plotlines). Maybe Brooks thinks it's more acceptable in the culture, but one of the things that endeared me to the Shannara books is that he didn't have that type of stuff in them and that it was appropriate for kids.
Side note: We still haven't had a book explore the Shady Vale. We've had a chapter here or there, but no dedicated book there like the other lands. I'm still waiting on that.
Overall, this is a good generic fantasy book that adequately ties up the trilogy, but doesn't deliver enough originality to make me excited. I think it's time to take a break from Terry Brooks' work and come back later. But for now, this book gets a 8.4 out of 10.
January 2, 2026
Finalmente una trilogia di Terry Brooks, fra quelle uscite negli ultimi (anche se non ultimissimi) anni, che non mi ha deluso. Tanti personaggi, tante storie, tante avventure che, pur avendo un taglio abbastanza young adult (incluse le storie d'amore), cosa che solitamente non sopporto più di tanto, si è fatta leggere anche da un adulto perché il dosaggio complessivo degli ingredienti è ben calibrato. Al netto di qualche ingenuità, qualche momento che lascia un po' perplessi, e di personaggi ancora per lo più bidimensionali (ma finalmente un pochino meno del solito, a mio parere), ho potuto apprezzare da un lato la trama che si sviluppa su tre libri, ma anche il fatto che Brooks non si disperda in centinaia e centinaia pagine per descrivere il colore dei calzini dell'ultimo orco laggiù nell'ultima fila dell'esercito e che quindi con poco più di mille pagine in tutto si riesca a giugere al termine della vicenda. Sia chiaro che non siamo di fronte a un fantasy maturo, profondo o di spessore e smettiamola di paragonare qualsiasi libro fantasy a Tolkien e alla sua opera. Se però cercate una buona opera di evasione e se vi piace il genere (direi un classico epic fantasy), questa serie degli "Oscuri segreti di Shannara" potrebbe fare per voi, meglio ancora se avete letto anche le precedenti trilogie dello stesso autore in quanto sono presenti numerosi agganci (ma la si può comunque leggere da sola). Lettura leggera e scorrevole, insomma, ben scritta e tradotta abbastanza bene (refusi a parte, ma sono pochi), anche se i nomi in inglese di luoghi o personaggi in un mondo che non è il nostro a me fanno pensare all'Inghilterra o a paesi anglofoni del nostro mondo e li trovo fuori luogo. Anche l'uso frequente del verbo "fregarsene" l'ho trovato un tantino stonato, cioè non in linea con il tono generale della narrazione, fose dire che "non gli/le importa" suona più consono, ma va anche detto che a dirlo sono spesso i personaggi più giovani (adolescenti o poco più), quindi magari la cosa è voluta, chissà.
March 14, 2024
Another Shannara series has come and gone and yet little has changed. Brooks has his template, and he sticks to it, so I found Witch Wraith (and its surrounding series) to be another mash up of “Shannara’s Greatest Hits”. The one notable difference in this book (and series) is the preponderance of estrogen. Now, I am all for strong female leads who defy odds to save the world, but the result in Witch Wraith is a band of shrill, indecisive, overly emotional women whose sole purpose is to boss around the spineless, indecisive, testosterone-deficient men who do their bidding. If MTV was still desecrating the World of Shannara, this series would fit right into their wheelhouse. Additionally, there is zero peril in this book. Sure, there are a few battles and some “narrow escapes”, but never once was I worried that “our heroes” wouldn’t survive the day. Heck, everything is so predestined that the conclusion is an afterthought. And the big battle between the Witch Wraith and the Straken Lord is a complete letdown. It takes up about two pages of setup and one page of “battling” as the Witch Wraith uses the oldest, lamest trick in the book to gain the upper hand. It is a laughably weak moment in an otherwise laughably weak book.
Still, I will keep reading. I am a completionist, and a fan of Shannara, which has a rich mythology and is ripe for great stories to be told, if only someone would tell them. If you are a fan and a completionist like me, then you’re going to read this series and feel the same apathy because it is more of the same – polished and decently written, but definitely a new version of a series you’ve read before.
Still, I will keep reading. I am a completionist, and a fan of Shannara, which has a rich mythology and is ripe for great stories to be told, if only someone would tell them. If you are a fan and a completionist like me, then you’re going to read this series and feel the same apathy because it is more of the same – polished and decently written, but definitely a new version of a series you’ve read before.
July 24, 2016
*sighs*
A disappointing end to a rather disappointing series. This is going down as my least favorite installment of the Shannara series so far. It's even booting the Black Staff books higher up, and that's saying something.
Ok. So. First what was good? Glad to finally see the missing Elfstones. . . only to lose them again. GRAH. Anyway. It was good to finally get those, though we still have no idea what the others do. And I'm puzzled that there are white ones- I thought the Loden was white? Or am I being too picky here? Er- anyway. The good. The best part of this was actually getting a little bit of a better description of how the Bloodfire and the seed thing happens to make a new Ellcrys. I sort of figured it happened that way, but it's nice to have it confirmed.
So er. That's not a lot of good. To the bad. First of all, there's some things going on that are completely unnecessary. The Enjia plot was worthless. Absolutely meaningless. Can I just say, I'm sick to death of the Federation and their utter fail as a government? Why are people not revolting? It's one corrupt leader after another. And no one seems to care anymore. I think in WoF a character reacts with total disinterest to hear about a new Prime Minister. Basically just an 'Oh. Nice. We'll get another in a month or so.' Why are humans the only ones with a completely defunct government in this universe? The dwarves, elves, and others have their moments of having bad leaders, but the humans just have this endless string of crappy leaders. But back to Enjia, she's just the latest in the string, and frankly her involvement in the book adds nothing besides an unnecessary complication in an already thin spread plot.
That's another problem- the plot is so thinly spread. We bounce from Arling and Aphen to Railing and then to Redden, then to the dwarf druid, then a random Federation soldier. . . it's ALL over the place. There's too many threads, too much bouncing around. It would have been better to have two focuses only and cut out some of this unnecessary dragging. The pacing was dreadful- things did not start picking up until near the very end of the book and then they were done too quickly to offer any satisfaction.
Railing and Redden. I can't say I care much about them as characters. While other Ohmsfords have demonstrated unusual wisdom and courage these two just don't stand out in the long run. They both have use of the wishsong but neither really do anything with it, exception being Redden at the end using it against the Witch. I mean, what's the point of having wishsong users who don't use it or use it effectively? We could have just as easily had only one with use of it, or neither and I suspect the story could have survived just fine. The Elfstones become somewhat meaningless and they're kind of thrown in at the last, and it's just aggravating. Even the Elven girl and Darkling story was left in a very unsatisfying way, and with me feeling extremely frustrated that suddenly Terry thinks he needs to bring a shade of gray to the whole issue of the Forbidding. I don't like this sudden 'not all the creatures shut into the Forbidding deserved to be there' nonsense. It's ridiculous. Let’s stick to the traditional 'demons are evil in this series', ok? They've been villains for ages, and I hate that the sudden gray shades are being thrown in. There are plenty of other characters to add gray shades without suddenly trying to make us feel sympathy for the demons.
Then there's Aphen. *takes a deep breath* The girl’s had it rough- apparently Terry decided it wasn’t effective anymore to have one lover die, apparently the new trend is to kill one lover and then the one that comes after. That sucked. I felt for her. However, I lost a lot of respect for her in the last few pages at the ending. Ok. Completely understand where she's coming from in not wanting to abandon her sister. I get it. However, I'm kind of irked by the way she handles it, because Wil certainly loved Amberle as much as she loves Arling, but Wil knew well enough to know Amberle wouldn't want him to linger and waste his life, whereas Aphen has pretty much left her duties as a druid in the dust. Niiiice. I'm suspecting that this will play into the future books, but I hate feeling that this entire series was just a set up for the next. Stones found but lost again, druid order in shambles but one who could move in to take the mantle, and. . .
This brings me to my biggest hate, and that's the fate of Grianne Ohmsford. I wasn't particularly happy with the way things ended at the end of the High Druid series, but at least I could find some comfort in knowing that Grianne was at peace and happy in the life she chose. So needless to say, this series was a huge slap in the face. Not only is Grianne torn from her chosen life against her will, she's brought back as the incarnation of evil she fought so hard not to be, again, not by her choice. This seriously infuriates me because its not only a tragic waste of a character but essentially makes the VotJS and HS meaningless. Quests to save Grianne and for what? So she can become evil and rule the demons. Niiiice. Apparently Grianne hasn’t been tortured enough. And neither have we.
I don't know that I'll be able to read any more books in the series unless a miracle occurs. And honestly, that breaks my heart. Elfstones is still one of my favorite books ever, and that a Shannara series has disappointed me so is crushing. :/
A disappointing end to a rather disappointing series. This is going down as my least favorite installment of the Shannara series so far. It's even booting the Black Staff books higher up, and that's saying something.
Ok. So. First what was good? Glad to finally see the missing Elfstones. . . only to lose them again. GRAH. Anyway. It was good to finally get those, though we still have no idea what the others do. And I'm puzzled that there are white ones- I thought the Loden was white? Or am I being too picky here? Er- anyway. The good. The best part of this was actually getting a little bit of a better description of how the Bloodfire and the seed thing happens to make a new Ellcrys. I sort of figured it happened that way, but it's nice to have it confirmed.
So er. That's not a lot of good. To the bad. First of all, there's some things going on that are completely unnecessary. The Enjia plot was worthless. Absolutely meaningless. Can I just say, I'm sick to death of the Federation and their utter fail as a government? Why are people not revolting? It's one corrupt leader after another. And no one seems to care anymore. I think in WoF a character reacts with total disinterest to hear about a new Prime Minister. Basically just an 'Oh. Nice. We'll get another in a month or so.' Why are humans the only ones with a completely defunct government in this universe? The dwarves, elves, and others have their moments of having bad leaders, but the humans just have this endless string of crappy leaders. But back to Enjia, she's just the latest in the string, and frankly her involvement in the book adds nothing besides an unnecessary complication in an already thin spread plot.
That's another problem- the plot is so thinly spread. We bounce from Arling and Aphen to Railing and then to Redden, then to the dwarf druid, then a random Federation soldier. . . it's ALL over the place. There's too many threads, too much bouncing around. It would have been better to have two focuses only and cut out some of this unnecessary dragging. The pacing was dreadful- things did not start picking up until near the very end of the book and then they were done too quickly to offer any satisfaction.
Railing and Redden. I can't say I care much about them as characters. While other Ohmsfords have demonstrated unusual wisdom and courage these two just don't stand out in the long run. They both have use of the wishsong but neither really do anything with it, exception being Redden at the end using it against the Witch. I mean, what's the point of having wishsong users who don't use it or use it effectively? We could have just as easily had only one with use of it, or neither and I suspect the story could have survived just fine. The Elfstones become somewhat meaningless and they're kind of thrown in at the last, and it's just aggravating. Even the Elven girl and Darkling story was left in a very unsatisfying way, and with me feeling extremely frustrated that suddenly Terry thinks he needs to bring a shade of gray to the whole issue of the Forbidding. I don't like this sudden 'not all the creatures shut into the Forbidding deserved to be there' nonsense. It's ridiculous. Let’s stick to the traditional 'demons are evil in this series', ok? They've been villains for ages, and I hate that the sudden gray shades are being thrown in. There are plenty of other characters to add gray shades without suddenly trying to make us feel sympathy for the demons.
Then there's Aphen. *takes a deep breath* The girl’s had it rough- apparently Terry decided it wasn’t effective anymore to have one lover die, apparently the new trend is to kill one lover and then the one that comes after. That sucked. I felt for her. However, I lost a lot of respect for her in the last few pages at the ending. Ok. Completely understand where she's coming from in not wanting to abandon her sister. I get it. However, I'm kind of irked by the way she handles it, because Wil certainly loved Amberle as much as she loves Arling, but Wil knew well enough to know Amberle wouldn't want him to linger and waste his life, whereas Aphen has pretty much left her duties as a druid in the dust. Niiiice. I'm suspecting that this will play into the future books, but I hate feeling that this entire series was just a set up for the next. Stones found but lost again, druid order in shambles but one who could move in to take the mantle, and. . .
This brings me to my biggest hate, and that's the fate of Grianne Ohmsford. I wasn't particularly happy with the way things ended at the end of the High Druid series, but at least I could find some comfort in knowing that Grianne was at peace and happy in the life she chose. So needless to say, this series was a huge slap in the face. Not only is Grianne torn from her chosen life against her will, she's brought back as the incarnation of evil she fought so hard not to be, again, not by her choice. This seriously infuriates me because its not only a tragic waste of a character but essentially makes the VotJS and HS meaningless. Quests to save Grianne and for what? So she can become evil and rule the demons. Niiiice. Apparently Grianne hasn’t been tortured enough. And neither have we.
I don't know that I'll be able to read any more books in the series unless a miracle occurs. And honestly, that breaks my heart. Elfstones is still one of my favorite books ever, and that a Shannara series has disappointed me so is crushing. :/
This entire review has been hidden because of spoilers.
June 13, 2023
Brooks had the micro-stories down pat, and can handle a bulk of characters, which he deftly kills off, to make the story mor manageable. However, this trilogy got distracted: not focusing on the quest for the elfstones (which could have been a series of subquests), it was a recycling of the Ellcrys story and The High Druid trilogy. Plus padding.
So, seven more books to go!
So, seven more books to go!
March 12, 2018
Another Brooks trilogy yawns its way to the finish line.
It's not that I can say the writing is bad, it seems about the same as always.
But so does the story to be honest.
Still have the next set on my shelf, but it may set a good long while.
Maybe it's just me.
It's not that I can say the writing is bad, it seems about the same as always.
But so does the story to be honest.
Still have the next set on my shelf, but it may set a good long while.
Maybe it's just me.
December 27, 2022
In contrast to my thoughts on the previous book in this series, Bloodfire Quest, this book, Witch Wraith, brings much change and excitement to this particular trilogy of books, as well as the world of the Four Lands. While BQ was lacking in many ways, I would argue its deficits are largely made up for in the events of Witch Wraith. I don’t think it’s completely excusable to have a whole book flatline as much as BQ did – even though it was still a decent story – but it was a great setup for Witch Wraith to then come in and completely spike the ball over the net and score the game-winning point.
**Spoilers Ahead**
I stated in my previous review for Bloodfire Quest that we were revisiting three main concepts from previous stories in the Four Lands, the Tanequil, the Elcrys, and the journey in the Forbidding. While they were pretty separate in BQ, they are much more intermingled in this last book as they come together for the point / conclusion of this story.
Firstly, we have the Tanequil. While hoping to get back Grianne, the Ard Rhys, Railing finds instead that he has the Isle Witch. He was warned a few times about this, repeatedly, but he’s only now beginning to understand. It’s unclear whether Tanequil has split Grianne’s spirit, so that the Ard Rhys part still exists as an Aeriad, or if Grianne is just incredibly mad at being forced from her joyful slumber. Either way, this part of the plan could have gone better, but I love the way Grianne is brought back into the fray. I always liked to think about what if Grianne stayed the Big Bad in previous stories, and now we’ll get to see it! The question is whether this turn of events is worth it if it helps Railing get Redden back. Oh, and helps all of the Four Lands as well, I suppose.
Now, all this is happening because the Straken Lord is bustin’ out. He is determined to conquer and subjugate all of the Four Lands, possibly just to make Grianne his bride or because it’s just some fun to have while searching for her. Who can really understand the mind of a Demonic Straken Lord with Phenomenal Cosmic Powers and an entire mirror dimension as a living space? Regardless, he’s playing to win, and that means taking out the biggest threat to him and his army: the Federation. Now, nobody really likes the Federation, but the people who make it up are just people, and the vast majority of them don’t deserve the terrible fate inflicted on them. After a couple battles meant to test the strength, resolve, and weaknesses of the Federation, its soldiers and military, and those of Arishaig, the capitol of the Federation, the creatures of the demon horde overrun their enemy. Arishaig is burnt to the ground, its citizens mercilessly killed off. It is these remnants only that are left when Seersha and Crace Coram do a flyby. It’s pretty cool to see that the Straken Army is so massive, and Brooks actually treats them like they are. We get a few chapters of resistance and defense, but these were for small, exploratory attacks, and when they send their full might against the city, there’s no plot armor that miraculously allows them to hold out against it.
Now, Seersha and Crace weren’t on their flyby on accident, no. See, the Straken Lord would have been hard pressed to find a worse time for the Elves – and a better time for the Straken Lord – to be attacked. While initially finally overcoming their blasé and indecisive nature, the King – who was a backbone for this change – was “suddenly” and “mysteriously” murdered, “forcing” his son, Phaedon, to take the throne. It just so happens that Phaedon’s views are a stark 180 from those of his late father, meaning all progress has been halted, reversed, and the entire incident of the Straken Lord’s breakout deemed “fake news” and not important. You know, that mortal enemy determined to wipe you and your race out completely, going back dozens and dozens of millennia? Yeah, probably nothing to worry about. Well, anyway, this new King has got it out for our previously mentioned pair of Dwarves and so they’ve hightailed it outta there, going to check the damage and progress of the demon horde themselves – and it’s worse than they expected.
It starts to get even worse for the Elves, and the Fate of the Four Lands, however, even if nobody knows it. The only real hope that exists is to remake the Elcrys, whose failing is what’s lead to the escape of the Straken Lord and his demon horde from their extradimensional prison. The problem is that the Seed needed to do it, and Arlingfant, the one meant to do it, are separated and in varying enemy hands. Seems like a bit of a problem. Stuck in the city about to be destroyed by the demon horde, help comes from the most unlikely of places, and doubt should be abundant. That’s only one obstacle down, though, and they must now track down the Seed. Each of these things are merely pebbles along the path, however, once the true obstacle makes itself known: the help was only a convenient trick, and now Aphen and Cymrian will have to die. At this point it appears that the Four Lands will get the help it desperately needs but will unknowingly pay quite dearly for it. Thankfully(?), we see in Edinja a savior complex, which is crazy, sure, but there’s some realism in it and she’s not just some unfathomable being that only wants to watch the world burn. I said “thankfully(?)” because her actions are misguided but somewhat reasonable, meaning the key to saving the world is still alive; unfortunately for Edinja, so are the other two people bent on stopping her. And they do. Cymrian makes himself the sacrifice to make it all happen, yay, but now Aphen is all alone and never said “I love you” to him. (Is it just me, or is Aphen cursed to never find love? I’m thinking she’s a hairs breadth away from earning a “Black Widow” moniker. Anyway….) Le sad. It might not matter in the end, however, that Arling is free and Aphen has survived, as all the Elves might already be dead.
It would certainly be forgivable if, by this point, you’ve forgotten the original point and purpose of the events kicked off in this series. However, there’s one reliable figure in this story who has not: Redden. We’ve not seen too much of him in this series, technically not his fault as he’s contractually obligated to do whatever the book’s Author says. In this case, his role has been one of damsel in distress, or perhaps just unlucky prisoner. Not to worry, the shapeshifter Oriantha who’s sweet on him has teamed up with Tesla Dart – another throwback to those previous stories this series is founded on – to rescue Redden. They finally succeed and use the extradimensionalness of the Forbidding to Fast Travel across the Four Lands when our man decides they’ve got to make this hot pile of garbage that they caused themselves worth it. Cue the retrieval of the Lost Elfstones, the whole reason any of this started. Surprisingly they find them, their case full of all color sets: crimson, emerald, saffron, and white – why Brooks couldn’t just say red, green, yellow, white, or come up with a fancy name for white, idk, but w/e – and a space where the blue stones (sapphire stones?) used to sit. Redden ends up having to use the Red ones, and it’s awesome, but he’s a bit funny afterwards. It’s all good in my book, though, as I’ve been wanting and waiting to see the other Elfstones literally since I first read it was a thing 20 years ago, back when I was a wee lad first discovering this thing called “Fantasy”. Well, at least someone has them and nothing could possibly go wrong from here on out at all.
We’ve finally gotten to the point where all the separate threads come together. We’re racing against time and the demon horde, so it’s a little bit of a close call, but what can you do? Seersha is standing with the Elves (pay no attention to the coup behind the curtain) against the Horde and against the Straken Lord. She only disgruntles him a little bit so has to settle for gouging out his dragon’s eye and is then beaten to within an inch of her life for her trouble. Not satisfied by how far away from death she was left afterwards, Seersha stumbles upon the dark creature that’s been lurking behind the scenes, attacking and killing people in Arborlon, including Aphen, the King, and Sian Aresh. This time she gets sufficiently within an inch of death, so Seersha stays recovering for the rest of the story til right at the end. Railing and Grianne have also shown up to the party, where Grianne makes the Straken Lord her bitch. Redden and his gang also show up just in time to watch it all go down. They have a little bit of a family row, and Redden once again uses the Red Stones. This time there’s no doubt, those stones do something to their wielder, and Redden ain’t home anymore. Not to worry, this all bought just enough time for Aphen and Arling to get back and for Arling to do her thing; it sounds exciting, but she just becomes a tree. The demon horde get sucked back into the Forbidding, Grianne along with them now that she’s officially playing for the other team, and, OF FREAKIN COURSE, so do the Elfstones, as they were being held by Tesla Dart, who has to go back with everyone else. I’m thinking this is especially bad, as they are in close proximity to Grianne, who would know to go after Tesla for being with Redden, and she’d be able to use the Stones – likely not for any good purposes.
And that is basically the end. The wrap up includes Aphen wrestling with what she should do, either stay in Arborlon “to be with Arling” and help her devastated people, or go back to help continue the Druid Order. She tries to get everyone else to convince her of what she should do, but we have to wait a bit to find out she does indeed go back to the Druids, though I don’t think it makes it clear if she becomes the next Ard Rhys. She does translate the note found with the Elfstones in the Forbidding, where it’s described what happened and why, and it’s probably my favorite part of this series, touching on how chance and history and actions and repercussions all come into play with each other, as well as showing just how much time it's been and how long ago the Elves started losing their power. We also get some insight into Redden and Railing afterwards. Railing and Mirai are official, engaged, but waiting to marry til Redden is well again, something that looks increasingly less likely with every passing day. The twins’ mom is grieving and a little upset at Railing, making everything more difficult. Even Aphen with all her power and learning cannot heal whatever has afflicted Redden, though she always tries whenever she visits the family. One day, on a whim, Railing remembers the ring given him by the King of the Silver River, meant to lead its bearer out of darkness. He uses several threads to no avail before giving it up as a hopeless fantasy. Even more time goes by, and it’s been at least over a year since Redden disappeared inside himself, when Railing tries again, desperate. Again, nothing happens, and Railing tries to make his peace with everything when he suddenly hears Redden asking what’s happened. Looks like there’s going to be a wedding after all.
As conclusions go, I’d say this book does very well, and the series as a whole brings a lot to the world of the Four Lands. We start with new premises, ones I’m sure have been eagerly awaited by many fans of the Shannara Saga, that instantly pull us back to a familiar home. For the second book, we unfortunately realize that we’ll only be revisiting the stories we’ve read already, and in much the same way. However, this third and final book of this story’s entry pulls it all together wonderfully and delivers the new and exciting things promised at its start, leaving us with many pressing questions and impatience for the next adventure.
**Spoilers Ahead**
I stated in my previous review for Bloodfire Quest that we were revisiting three main concepts from previous stories in the Four Lands, the Tanequil, the Elcrys, and the journey in the Forbidding. While they were pretty separate in BQ, they are much more intermingled in this last book as they come together for the point / conclusion of this story.
Firstly, we have the Tanequil. While hoping to get back Grianne, the Ard Rhys, Railing finds instead that he has the Isle Witch. He was warned a few times about this, repeatedly, but he’s only now beginning to understand. It’s unclear whether Tanequil has split Grianne’s spirit, so that the Ard Rhys part still exists as an Aeriad, or if Grianne is just incredibly mad at being forced from her joyful slumber. Either way, this part of the plan could have gone better, but I love the way Grianne is brought back into the fray. I always liked to think about what if Grianne stayed the Big Bad in previous stories, and now we’ll get to see it! The question is whether this turn of events is worth it if it helps Railing get Redden back. Oh, and helps all of the Four Lands as well, I suppose.
Now, all this is happening because the Straken Lord is bustin’ out. He is determined to conquer and subjugate all of the Four Lands, possibly just to make Grianne his bride or because it’s just some fun to have while searching for her. Who can really understand the mind of a Demonic Straken Lord with Phenomenal Cosmic Powers and an entire mirror dimension as a living space? Regardless, he’s playing to win, and that means taking out the biggest threat to him and his army: the Federation. Now, nobody really likes the Federation, but the people who make it up are just people, and the vast majority of them don’t deserve the terrible fate inflicted on them. After a couple battles meant to test the strength, resolve, and weaknesses of the Federation, its soldiers and military, and those of Arishaig, the capitol of the Federation, the creatures of the demon horde overrun their enemy. Arishaig is burnt to the ground, its citizens mercilessly killed off. It is these remnants only that are left when Seersha and Crace Coram do a flyby. It’s pretty cool to see that the Straken Army is so massive, and Brooks actually treats them like they are. We get a few chapters of resistance and defense, but these were for small, exploratory attacks, and when they send their full might against the city, there’s no plot armor that miraculously allows them to hold out against it.
Now, Seersha and Crace weren’t on their flyby on accident, no. See, the Straken Lord would have been hard pressed to find a worse time for the Elves – and a better time for the Straken Lord – to be attacked. While initially finally overcoming their blasé and indecisive nature, the King – who was a backbone for this change – was “suddenly” and “mysteriously” murdered, “forcing” his son, Phaedon, to take the throne. It just so happens that Phaedon’s views are a stark 180 from those of his late father, meaning all progress has been halted, reversed, and the entire incident of the Straken Lord’s breakout deemed “fake news” and not important. You know, that mortal enemy determined to wipe you and your race out completely, going back dozens and dozens of millennia? Yeah, probably nothing to worry about. Well, anyway, this new King has got it out for our previously mentioned pair of Dwarves and so they’ve hightailed it outta there, going to check the damage and progress of the demon horde themselves – and it’s worse than they expected.
It starts to get even worse for the Elves, and the Fate of the Four Lands, however, even if nobody knows it. The only real hope that exists is to remake the Elcrys, whose failing is what’s lead to the escape of the Straken Lord and his demon horde from their extradimensional prison. The problem is that the Seed needed to do it, and Arlingfant, the one meant to do it, are separated and in varying enemy hands. Seems like a bit of a problem. Stuck in the city about to be destroyed by the demon horde, help comes from the most unlikely of places, and doubt should be abundant. That’s only one obstacle down, though, and they must now track down the Seed. Each of these things are merely pebbles along the path, however, once the true obstacle makes itself known: the help was only a convenient trick, and now Aphen and Cymrian will have to die. At this point it appears that the Four Lands will get the help it desperately needs but will unknowingly pay quite dearly for it. Thankfully(?), we see in Edinja a savior complex, which is crazy, sure, but there’s some realism in it and she’s not just some unfathomable being that only wants to watch the world burn. I said “thankfully(?)” because her actions are misguided but somewhat reasonable, meaning the key to saving the world is still alive; unfortunately for Edinja, so are the other two people bent on stopping her. And they do. Cymrian makes himself the sacrifice to make it all happen, yay, but now Aphen is all alone and never said “I love you” to him. (Is it just me, or is Aphen cursed to never find love? I’m thinking she’s a hairs breadth away from earning a “Black Widow” moniker. Anyway….) Le sad. It might not matter in the end, however, that Arling is free and Aphen has survived, as all the Elves might already be dead.
It would certainly be forgivable if, by this point, you’ve forgotten the original point and purpose of the events kicked off in this series. However, there’s one reliable figure in this story who has not: Redden. We’ve not seen too much of him in this series, technically not his fault as he’s contractually obligated to do whatever the book’s Author says. In this case, his role has been one of damsel in distress, or perhaps just unlucky prisoner. Not to worry, the shapeshifter Oriantha who’s sweet on him has teamed up with Tesla Dart – another throwback to those previous stories this series is founded on – to rescue Redden. They finally succeed and use the extradimensionalness of the Forbidding to Fast Travel across the Four Lands when our man decides they’ve got to make this hot pile of garbage that they caused themselves worth it. Cue the retrieval of the Lost Elfstones, the whole reason any of this started. Surprisingly they find them, their case full of all color sets: crimson, emerald, saffron, and white – why Brooks couldn’t just say red, green, yellow, white, or come up with a fancy name for white, idk, but w/e – and a space where the blue stones (sapphire stones?) used to sit. Redden ends up having to use the Red ones, and it’s awesome, but he’s a bit funny afterwards. It’s all good in my book, though, as I’ve been wanting and waiting to see the other Elfstones literally since I first read it was a thing 20 years ago, back when I was a wee lad first discovering this thing called “Fantasy”. Well, at least someone has them and nothing could possibly go wrong from here on out at all.
We’ve finally gotten to the point where all the separate threads come together. We’re racing against time and the demon horde, so it’s a little bit of a close call, but what can you do? Seersha is standing with the Elves (pay no attention to the coup behind the curtain) against the Horde and against the Straken Lord. She only disgruntles him a little bit so has to settle for gouging out his dragon’s eye and is then beaten to within an inch of her life for her trouble. Not satisfied by how far away from death she was left afterwards, Seersha stumbles upon the dark creature that’s been lurking behind the scenes, attacking and killing people in Arborlon, including Aphen, the King, and Sian Aresh. This time she gets sufficiently within an inch of death, so Seersha stays recovering for the rest of the story til right at the end. Railing and Grianne have also shown up to the party, where Grianne makes the Straken Lord her bitch. Redden and his gang also show up just in time to watch it all go down. They have a little bit of a family row, and Redden once again uses the Red Stones. This time there’s no doubt, those stones do something to their wielder, and Redden ain’t home anymore. Not to worry, this all bought just enough time for Aphen and Arling to get back and for Arling to do her thing; it sounds exciting, but she just becomes a tree. The demon horde get sucked back into the Forbidding, Grianne along with them now that she’s officially playing for the other team, and, OF FREAKIN COURSE, so do the Elfstones, as they were being held by Tesla Dart, who has to go back with everyone else. I’m thinking this is especially bad, as they are in close proximity to Grianne, who would know to go after Tesla for being with Redden, and she’d be able to use the Stones – likely not for any good purposes.
And that is basically the end. The wrap up includes Aphen wrestling with what she should do, either stay in Arborlon “to be with Arling” and help her devastated people, or go back to help continue the Druid Order. She tries to get everyone else to convince her of what she should do, but we have to wait a bit to find out she does indeed go back to the Druids, though I don’t think it makes it clear if she becomes the next Ard Rhys. She does translate the note found with the Elfstones in the Forbidding, where it’s described what happened and why, and it’s probably my favorite part of this series, touching on how chance and history and actions and repercussions all come into play with each other, as well as showing just how much time it's been and how long ago the Elves started losing their power. We also get some insight into Redden and Railing afterwards. Railing and Mirai are official, engaged, but waiting to marry til Redden is well again, something that looks increasingly less likely with every passing day. The twins’ mom is grieving and a little upset at Railing, making everything more difficult. Even Aphen with all her power and learning cannot heal whatever has afflicted Redden, though she always tries whenever she visits the family. One day, on a whim, Railing remembers the ring given him by the King of the Silver River, meant to lead its bearer out of darkness. He uses several threads to no avail before giving it up as a hopeless fantasy. Even more time goes by, and it’s been at least over a year since Redden disappeared inside himself, when Railing tries again, desperate. Again, nothing happens, and Railing tries to make his peace with everything when he suddenly hears Redden asking what’s happened. Looks like there’s going to be a wedding after all.
As conclusions go, I’d say this book does very well, and the series as a whole brings a lot to the world of the Four Lands. We start with new premises, ones I’m sure have been eagerly awaited by many fans of the Shannara Saga, that instantly pull us back to a familiar home. For the second book, we unfortunately realize that we’ll only be revisiting the stories we’ve read already, and in much the same way. However, this third and final book of this story’s entry pulls it all together wonderfully and delivers the new and exciting things promised at its start, leaving us with many pressing questions and impatience for the next adventure.
July 19, 2019
This last book of this trilogy has multiple storylines which all cumulate at the end in the battle between the Demon Lord and the creatures from the Forbidden. The first line of the story is the difficult path Railing has to go to find Grianne and release her from the Tanquil. He is accompanied by Mirai, Skint the Gnome tracker, Wootstz, Favreau and a crew of Rovers to fly the Quickening and Challa Nand a Troll who knows the territory, they need to go to. Along the way, he was given a special ring with threads and a stone to help find his way by the King of the Silver River along with a warning he will not achieve exactly what he is looking for. He also accidentally visits the Grimpond who enticed him to give him a message that tells him he will find Grianne Olmstead and she can do what he needs her to do (face and defeat the Demon Lord) and will help save the Four Lands, but it will not be as he expects. He keeps this information secret from the group until the Grianne Olmstead that comes free from the Tanquil is the Ilsa Witch version in a hag form and she is not the friendliest person to deal with. With her aboard they head back via the directions she gives them to go to (which is the Valley of Rhem where the Demon Lord is battling the Elves to enter Arborlon and destroy the Ellscrys. Seesha the remaining Druid, and Crace Coramhad been left at Arborlon and were summoned to the King's presence where they were told of the entry into the 4 lands by the Demon Lord and his cohorts in the area near Arishaig, a Federation city with a large garrison of soldiers. It is feared that Arishaig will fall soon and the Elves will be next. It is suggested that the rest of the 4 Lands unite to be a defense until the Ellscrys can be revived by a replacement. Unfortunately, the spy from Edinja Orle does his assignment and kills the King in his sleep and frames his brother as the killer which results in Pheadon, the King's son becoming King and denies the need to build up a defense to protect the city and put his uncle in jail. Meanwhile, Seesha gets a warning from the Sian Aresh to leave immediately to avoid being placed in jail and to see if she can get help to defend the city of the Elves and to warn Aphrenglow, who is escorting Arlingfant to the Bloodfire to emerge the seed of the Ellscrys. Seesha and Corum Crace quickly leave Arborlon, stealing a 2-man flit and fly to Paranor where Seesha views the scrying basin, where she locates where Aphrenglow is by the flashes of blue magic from the Elfstones. They go to Arishaig to see if they can connect but miss her but do see the devastation of that city. On the way back to Arborlon, Corum Crace is left off where he can get to the Dwarves to both warn and get help, while Seesha goes back to help defend after she gets the young King put away but he is also attacked by the creature of Edinja Orle who kills Sian Aresh and sheds the disguise of Jera and almost killed Seesha but she managed with Druid Magic to kill it. Meanwhile, Aphrenglow and Cymrian find Arlingfant in Arishaig after she escaped from Edinja Orle, but they don't know that she has an implanted tracker in her that enables Edinja to find them. She bargains with them by giving them a fast airship to go to the Bloodfire, claiming she is helping them to eliminate the demons roaming the 4 Lands. But they had to get the seed back from the couple who took it from Arlingfant and Aphrenglow had to use Druid magic to get its return. Unknown to them, Edinja Orle follows them to the Bloodfire place and tries to kidnap Arlingfant after she puts the seed of the Ellscrys through the Bloodfire, claiming she wants to be the hero that returns the Ellscrys, plus she disabled their airship so they won't be able to follow her. She leaves her Moor Cat Cinla to block their passage also, but Cymrian and Aphrenglow battle the Moor cat and kill it. Arlingfant got free of Edinja's grasp when the Moor Cat died because of their connection, making her react from the pain of the loss. Cymrian and Aphreglow catch up with them and Cymrain and Edinja battle with knives but Cymrain manage to choke Edinja even with a mortally fatal knife wound in his chest. He dies professing his love for Aphrenglow and makes her promise to get Arlingfant back to Arborlon to become the new Ellscrys, which she does with a heavy heart, but he would be waiting for her in spirit.
All the time all of these stories are going on, Redden has been in the Forbidden along with Oriantha, the shapeshifter who rescued him from the Demon Lord with Tesla Dart's help. On their journey back to the 4 Lands, Tesla Dart tells them about a place called Kroat Abyss that contained all the Elf Magic, talismans and sorceries, used against the Jarka Ruus, that was useless unless one was an Elf. Redden realizes these are the lost Elfstones that they had been searching for and he insists that Tesla Dart take them to them. They go and they find in a metal box with an insignia of crossed blades laid over a field of wheat with a bird that looked like a hawk circling overhead, which contains five molded depressions, with four containing sets of gemstones in three, each a different color--crimson, emerald, saffron, and white. The empty spot was where the blue Elfstones would have been. Underneath the stones was a note in writing that Redden couldn't read the language of since it was ancient Faerie. He tucked the note in his pocket. He was tempted to try out the magic of the stones but hesitated since he was only half-Elf and using the stones may affect him like his ancestor Wil Ohmstead, so he closes the box latch. Suddenly Lada the Chzyk who had been guarding the entrance to the abyss shows up and warns them that they were in danger from attack from Goblins and Furies. They have to stand and fight but they are severely outnumbered. Redden decides to chance using the crimson Elfstones combined with the wishsong. He warns his companions to get behind him when he releases the combined magic which destroys all the enemy by disintegrating them. But he was affected internally by the use of the stones and he had to be coaxed to move out of the abyss and walk toward the 4 Lands again. Oriantha and Tesla Dart took turns carrying the box containing the rest of the stones. They reach Arborlon before dawn and move toward the Valley of Rhenn where everyone is in battle and the witch wraith has just killed the Demon Lord. They (Redden and Oriantha) arrive and walk toward Railing and Mirai leaving Tesla Dart on the skift holding the box with the remaining Elfstones. Meanwhile, Arlingfant has walked up to the skeletal form of the Ellscrys and embraced the tree and then began to change. The two twin Olmstead boys, Redden and Railing, realize that their aunt has gone over to the dark side and try to attack her using the wishsong but both were pushed away until Redden starts to use the red stones in combination and he was also feeling the effects from the use. He was rescued from this effect by help from his brother, Mirai, and Oriantha, who carry him away from the field of battle just as the Ellcrys closed the Forbidden and returned all the Jarka Ruus back, including Tesla Dart who was carrying the box with the remaining Elfstones and the wraith witch. Redden was left in a catatonic state until Railing used threads from the ring given him by the King of the Silver River to bring him back. To me, it looks like there's another trilogy to occur to rescue those remaining stones.
All the time all of these stories are going on, Redden has been in the Forbidden along with Oriantha, the shapeshifter who rescued him from the Demon Lord with Tesla Dart's help. On their journey back to the 4 Lands, Tesla Dart tells them about a place called Kroat Abyss that contained all the Elf Magic, talismans and sorceries, used against the Jarka Ruus, that was useless unless one was an Elf. Redden realizes these are the lost Elfstones that they had been searching for and he insists that Tesla Dart take them to them. They go and they find in a metal box with an insignia of crossed blades laid over a field of wheat with a bird that looked like a hawk circling overhead, which contains five molded depressions, with four containing sets of gemstones in three, each a different color--crimson, emerald, saffron, and white. The empty spot was where the blue Elfstones would have been. Underneath the stones was a note in writing that Redden couldn't read the language of since it was ancient Faerie. He tucked the note in his pocket. He was tempted to try out the magic of the stones but hesitated since he was only half-Elf and using the stones may affect him like his ancestor Wil Ohmstead, so he closes the box latch. Suddenly Lada the Chzyk who had been guarding the entrance to the abyss shows up and warns them that they were in danger from attack from Goblins and Furies. They have to stand and fight but they are severely outnumbered. Redden decides to chance using the crimson Elfstones combined with the wishsong. He warns his companions to get behind him when he releases the combined magic which destroys all the enemy by disintegrating them. But he was affected internally by the use of the stones and he had to be coaxed to move out of the abyss and walk toward the 4 Lands again. Oriantha and Tesla Dart took turns carrying the box containing the rest of the stones. They reach Arborlon before dawn and move toward the Valley of Rhenn where everyone is in battle and the witch wraith has just killed the Demon Lord. They (Redden and Oriantha) arrive and walk toward Railing and Mirai leaving Tesla Dart on the skift holding the box with the remaining Elfstones. Meanwhile, Arlingfant has walked up to the skeletal form of the Ellscrys and embraced the tree and then began to change. The two twin Olmstead boys, Redden and Railing, realize that their aunt has gone over to the dark side and try to attack her using the wishsong but both were pushed away until Redden starts to use the red stones in combination and he was also feeling the effects from the use. He was rescued from this effect by help from his brother, Mirai, and Oriantha, who carry him away from the field of battle just as the Ellcrys closed the Forbidden and returned all the Jarka Ruus back, including Tesla Dart who was carrying the box with the remaining Elfstones and the wraith witch. Redden was left in a catatonic state until Railing used threads from the ring given him by the King of the Silver River to bring him back. To me, it looks like there's another trilogy to occur to rescue those remaining stones.
May 16, 2021
Witch Wraith is the 27th book in the Shannara series.
I really enjoyed this story and the trilogy. It is definitely up at the top as my one of favorite trilogies in the series. So much happens and it is a true lesson of history repeating itself. The plot is pretty easy to summarize - all hell broke loose. Nothing turned out like anyone expected and it left the continuation of series wide open for Terry Brooks.
One of the things I most appreciate about this series is the action and his sense of urgency in the plot. I’ve read quite a few fantasy series that are so slow and ponderous in the world building that I lose interest and quit caring as a reader what is happening. A few that come to mind I’ve read recent are Brandon Sanderson, Robin Hobb, and Patrick Rothfuss. Terry Brooks does have his faults, but keeping the reader engaged in the action I think is where he really excels.
Now turning to The High Druid's Blade which focuses on a Leah instead of an Ohmsford character. I have 7 books left to finish the plot chronological re-read of the entire series. I can see the end now!
I really enjoyed this story and the trilogy. It is definitely up at the top as my one of favorite trilogies in the series. So much happens and it is a true lesson of history repeating itself. The plot is pretty easy to summarize - all hell broke loose. Nothing turned out like anyone expected and it left the continuation of series wide open for Terry Brooks.
One of the things I most appreciate about this series is the action and his sense of urgency in the plot. I’ve read quite a few fantasy series that are so slow and ponderous in the world building that I lose interest and quit caring as a reader what is happening. A few that come to mind I’ve read recent are Brandon Sanderson, Robin Hobb, and Patrick Rothfuss. Terry Brooks does have his faults, but keeping the reader engaged in the action I think is where he really excels.
Now turning to The High Druid's Blade which focuses on a Leah instead of an Ohmsford character. I have 7 books left to finish the plot chronological re-read of the entire series. I can see the end now!
July 23, 2013
I come back to Terry Brooks again and again for reliable storytelling, strong characters you can forge a bond with and his manner of making you forget everything else in your life whilst reading his novels. This book is no exception to that rule and I was thrilled to see that the series continued to stay strong and interesting throughout.
First of all, if you have not had the pleasure of reading the Shannara novels, you should, in my opinion. Brooks creates they type of world where anything is possible and you never quite know what to expect next. The characters were not predictable even when I thought I had the story all figured out. I like it when that happens.
There is enough back story in this book and recapping of earlier events to make you comfortable if it has been a while since you read the prior novels, but it does not get in the way of this being a new story. There were a few parts of this I thought were slightly reminiscent of other novels by the same author, but also a lot of new material and some twists that I was unprepared for.
If you are a fan of fantasy, then you probably already know this author well. I have been a dedicated fantasy reader for a long time and it is rather difficult at this point to please me, but this book did. There is a particularly nice flow to this story. The passing of time from one book to the next was handled smoothly and this story tied up the loose ends from the former books.
In the end, this was a series I was very happy to have the opportunity to read and I would definitely recommend to others. If you have been awaiting the release of this book, you were right to do so.
This review is based on a digital ARC provided by the publisher in cooperation with NetGalley.
First of all, if you have not had the pleasure of reading the Shannara novels, you should, in my opinion. Brooks creates they type of world where anything is possible and you never quite know what to expect next. The characters were not predictable even when I thought I had the story all figured out. I like it when that happens.
There is enough back story in this book and recapping of earlier events to make you comfortable if it has been a while since you read the prior novels, but it does not get in the way of this being a new story. There were a few parts of this I thought were slightly reminiscent of other novels by the same author, but also a lot of new material and some twists that I was unprepared for.
If you are a fan of fantasy, then you probably already know this author well. I have been a dedicated fantasy reader for a long time and it is rather difficult at this point to please me, but this book did. There is a particularly nice flow to this story. The passing of time from one book to the next was handled smoothly and this story tied up the loose ends from the former books.
In the end, this was a series I was very happy to have the opportunity to read and I would definitely recommend to others. If you have been awaiting the release of this book, you were right to do so.
This review is based on a digital ARC provided by the publisher in cooperation with NetGalley.
July 2, 2013
Witch Wraith by Terry Brooks - book three of The Dark Legacy of Shannara, and the 30th installation to the Shannara series is an enthralling and captivating read — a thoroughly satisfying conclusion to the trilogy.
As a whole, there were instances in the series, and throughout Witch Wraith where it seemed as if there was simply too much going on, and too much left for it to all wrap up neatly. This left me worried that the conclusion would be rushed, and not at all satisfying. However, I’m glad to say that my suspicions were incorrect. The pacing of this book was probably among the best out of the other concluding books to his trilogies.
As well — one of my other main concerns with this novel is that it would feel a bit repetitive; the quest of Arlingfant mirroring that as Amberle, and at times, it did, and added a fair amount of predictability to that storyline.
Otherwise though, I did really love this novel. Brooks has a wonderful way with description, and creating interesting and dynamic characters. Without giving anything away, there were some scenes in here that were among my favourite in all of his novels. As well — with the events that take place throughout this novel, the entirety of The Four Lands will be changed. I, for one, am looking forward to reading just how that plays out in the future.
Witch Wraith, and the entirely of The Dark Legacy of Shannara series effectively wraps up plotlines that began in the earlier series – The Voyage of Jerle Shannara and the High Druid of Shannara. Fans of fantasy, and of Terry Brooks will not be disappointed with this latest installation.
As a whole, there were instances in the series, and throughout Witch Wraith where it seemed as if there was simply too much going on, and too much left for it to all wrap up neatly. This left me worried that the conclusion would be rushed, and not at all satisfying. However, I’m glad to say that my suspicions were incorrect. The pacing of this book was probably among the best out of the other concluding books to his trilogies.
As well — one of my other main concerns with this novel is that it would feel a bit repetitive; the quest of Arlingfant mirroring that as Amberle, and at times, it did, and added a fair amount of predictability to that storyline.
Otherwise though, I did really love this novel. Brooks has a wonderful way with description, and creating interesting and dynamic characters. Without giving anything away, there were some scenes in here that were among my favourite in all of his novels. As well — with the events that take place throughout this novel, the entirety of The Four Lands will be changed. I, for one, am looking forward to reading just how that plays out in the future.
Witch Wraith, and the entirely of The Dark Legacy of Shannara series effectively wraps up plotlines that began in the earlier series – The Voyage of Jerle Shannara and the High Druid of Shannara. Fans of fantasy, and of Terry Brooks will not be disappointed with this latest installation.
September 6, 2016
The Elfstones of Shannara meet the High Druid of Shannara trilogy in The Dark Legacy of Shannara series, especially in the last two books of this trilogy (Bloodfire Quest and Witch Wraith). This series was in overall a nice story but there was too much repetition of the old story, the characters and the situations they were facing (not only from The Elfstones of Shannara and the High Druid of Shannara trilogy but from other works of Terry Brooks for the Shannara world as well). The new characters were not enough to give a new edge to this trilogy and it just ended up being a retelling of the old stories. Railing's love story was totally unnecessary and it added nothing to the plot and I hated the way Grianne's story went. Bringing her back as the Ilse Witch was interesting enough but what's the point when there isn't any big confrontation between her and the Straken Lord? Their fight was not impressive at all and it ended way too soon. And I'd like for her to get her happy ending even within the Forbidding so I'm expecting a new book or trilogy based on her, hoping she'll find her way back to her old self as the Ard Rhys. Also considering that the missing elfstones were the reason behind the druids quest I was expecting to at least find out what they do. Redden's use of the crimson elfstone and the affects that it might have on him (which I expect to find out on the next book) was interesting enough but what about the rest of them? Will we ever find out?
November 29, 2025
Railing Ohmsford wants to save his brother who is being held captive. Misleading his crew by half truths, Railing quests to find Grianne. Warned off by many, Railing has chosen his course, which may end in the destruction of all he holds dear.
Elsewhere, the ancient barriers between the realms are disintegrating. The evil trapped is breaking free and the monsters held captive for thousands of years are raging back through the magical barriers.
An elf named Arling can closed the gap and refortify the magical walls but she is captured by the power hungry Prime Minister of the Federation. Her sister, Aphen, is the only with any hope to save her because she carries the Elfstones...but the Prime Minister wants to possess them as well. Can Aphen save her sister without falling into the Prime Minister's trap?
Vividly depicted, we are ushered into this fabulously created world of Terry Brooks' imagination. Enthralling and captivating, you can't help but be sucked into Witch Wraith. This book is a marvelous read for the avid fantasy lover.
I received this ARC of Witch Wraith from Random House Publishing Group - Del Rey Spectra in exchange for a honest review. This book is set for publication July 16, 2013.
Elsewhere, the ancient barriers between the realms are disintegrating. The evil trapped is breaking free and the monsters held captive for thousands of years are raging back through the magical barriers.
An elf named Arling can closed the gap and refortify the magical walls but she is captured by the power hungry Prime Minister of the Federation. Her sister, Aphen, is the only with any hope to save her because she carries the Elfstones...but the Prime Minister wants to possess them as well. Can Aphen save her sister without falling into the Prime Minister's trap?
Vividly depicted, we are ushered into this fabulously created world of Terry Brooks' imagination. Enthralling and captivating, you can't help but be sucked into Witch Wraith. This book is a marvelous read for the avid fantasy lover.
I received this ARC of Witch Wraith from Random House Publishing Group - Del Rey Spectra in exchange for a honest review. This book is set for publication July 16, 2013.
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