France : Suicide d'une nation

by Renaud Camus

Pourquoi suicide d'une nation ? Parce que les Français avancent docilement vers la disparition de leur culture et de leur identité, la nation se précipite vers son propre effacement, sans que s'observe un refus réel de cette mort annoncée. Pourquoi les citoyens ne s'insurgent-ils pas ? Pour une raison morale. Et plus précisément : à cause d'une erreur morale. Une propagande sans relâche les a convaincus que la morale était du côté du système immigrationniste et multiculturaliste et que, s'ils s'en détachent, ils vont choir dans le crime idéologique. Mais le remplacisme, la doctrine qui promeut le changement de peuple, n'est pas une morale, et cela pour trois raisons au moins : elle bafoue la vérité, elle instaure une société brutale, elle exige constamment la suspension du jugement moral.

30 pages, Kindle Edition

First published February 20, 2014

About the author

Renaud Camus, writer, painter, photographer, was born in 1946. As a young man, Camus' ideas and writings were strongly influenced by his association with Roland Barthes, Louis Aragon, Marguerite Duras, and the Warholian circles. He is now the author of more than one hundred and sixty works, published for the most part by P.O.L, Fayard and now by "Editions du Château": annual volumes of diaries, novels, essays, elegies, eglogues, dictionaries, anthologies, writings on art, political writings, literary travel guides...

His works are marked by the question of meaning. It includes avant-garde texts, the "Eclogues", conceived as a response to the aporias of the Nouveau Roman, and "Burn Boats", an immense hypertext in perpetual growth. The political work is organized around the monumental "Du Sens" (P.O.L., 2002), "Le Petit Remplacement" (Chez l'auteur, 2017) and "Le Grand Remplacement" (Chez l'auteur, 5th edition, 2019).

Cultural animator of the Château de Plieux for a decade (exhibitions Jean-Paul Marcheschi, Eugène Leroy, Miro, Jannis Kounellis, Josef Albers, etc.), Renaud Camus is also the author of abstract paintings ("YHWH", "Alephs", "Enjambements") and figurative, as well as photographic albums ("The Day nor the Hour").

To fight against the industrialization of man and the massacre of landscapes, against a pan-economism that treats men as Undifferentiated Human Matter, and against the change of people and the violence it implies, the author founded the party of In-nocence (2002) and, with Karim Ouchikh, the National Council of the European Resistance (2017)

Reviews

[Mathieu CR · Rating 5 out of 5]

Une plume juste, une analyse parfaite, un cri d’alarme fort.