Sol Twenty-Five Years of Wall Drawings, 1968-1993 provides a detailed account of the artist's 1993 residency at the Addison, which served as a prelude to his retrospective exhibition. The catalogue includes an essay by Andrea Miller-Keller about Lewitt's work and influence.
'Obviously a drawing of a person is not a real person, but a drawing of a line is a real line.'
The idea of 'destroying' a work of art was and remains still a discomforting assignment.
In a spirit similar to that which imbues his resistance to our culture-bound hierarchy of media, LeWitt welcomes the existence of the same wall drawing in two or more places at once. To LeWitt, preciousness or scarcity, has nothing to do with beauty, with interest, or with the value of a good idea.