The evolution of Malcolm “the Oracle” Chaucer continues. An ancient assassin returns to carry out a series of high profile murders that reluctantly pull Malcolm and Tempest back onto a stylish international stage.
From the deserts of Saudi Arabia to the sewers of Paris, our protagonists are pulled into a web of lies from another age. Tracking a friend, now foe, to Upstate New York and on to Grand Forks, North Dakota, this dysfunctional super couple must use every drop of the complimentary powers to stay alive and stay together. The action culminates logically in a “historical” location in Columbia that will make the reader smile.
What I like about this book is that Donnelly, an author of many screenplays, writes scenes with the fast pace and structure of a Hollywood movie (not surprising) while embracing the things that make a novel a novel. We go deep into the talented but damaged head of Malcolm Chaucer in a way that probably wouldn’t work in a movie or longform series. Only in print can we experience his unique talents and perspective.
I feel like Donnelly is kinda doing for thrillers what George R. R. Martin did for fantasy - bringing the discipline of efficient, dramatic TV-style scenes to fiction, successfully employing point of view character scene structure. Donnelly isn’t trying to upend the genre the way Martin did, but embrace it, showing us the great time we want from an international, location-hopping thriller.
Year of the Horse is a smart, fun pager-turner in an increasingly promising series.