Throughout the era of the Cold War a consensus reigned as to what constituted the great works of American literature. Yet as scholars have increasingly shown, and as this volume unmistakably demonstrates, that consensus was built upon the repression of the voices and historical contexts of subordinated social groups as well as literary works themselves, works both outside and within the traditional canon. This book is an effort to recover those lost voices. Engaging New Historicist, neo-Marxist, poststructuralist, and other literary practices, this volume marks important shifts in the organizing principles and self-understanding of the field of American Studies. Originally published as a special issue of boundary 2 , the essays gathered here discuss writers as diverse as Kate Chopin, Frederick Douglass, Emerson, Melville, W. D. Howells, Henry James, W. E. B. DuBois, and Mark Twain, plus the historical figure John Brown. Two major sections devoted to the theory of romance and to cultural-historical analyses emphasize the political perspective of "New Americanist" literary and cultural study. Contributors. William E. Cain, Wai-chee Dimock, Howard Horwitz, Gregory S. Jay, Steven Mailloux, John McWilliams, Susan Mizruchi, Donald E. Pease, Ivy Schweitzer, Priscilla Wald, Michael Warner, Robert Weimann
Donald E. Pease is the Ted and Helen Geisel Third Century Professor in the Humanities, Chair of the Master of Arts in Liberal Studies Program, and Professor of English and Comparative Literature at Dartmouth College. He is an Americanist, literary and cultural critic, and academic. Pease directs the annual Futures of American Studies Institute at Dartmouth.
Pease is an authority on 19th- and 20th-century American literature and literary theory and the founder and director of the Futures of American Studies Institute. Besides writing numerous books, Pease has written over 100 articles on figures in American and British literature and is the editor of The New Americanist series.