Definitely part of the War of the Theatres, but is it at the start or the end? We read it on the basis that its relatively kind portrait of a classicist poet might have been an olive branch to Jonson, while amateur and amateurish writers and performers are slated.
It's a weird play, without a real central plot, more a presentation of a sequence of portraits of society in "what ifs", showing how vanity, pride, greed, war can be destructive. That hits home at the time of the Russian invasion of Ukraine, I have to say.
An oddity - useful for completists, but I can't really imagine it on a modern stage. Probably mostly by Marston.
Read as part of the REP online project reading the repertoire of the Boys' Companies.