On a remote volcanic island in the middle of the Atlantic, a community has lived undisturbed for centuries, defying the swirling currents of modernity and capitalism. Cut off and exposed to the elements, their survival has created a complex bind with their land. But when one of the inhabitants brings an outsider to the island, their way of life is changed forever.
The plot (based on a true story) is fascinating, the characters and dialogue exemplary - but this is in reality a SCREENPLAY, and would appear to be almost impossible to stage without it seeming somewhat silly (e.g., people miming swimming. one character who is pregnant having to appear totally naked, etc.)
I’d give it 3.5 stars if I could. It’s honestly really good and I liked the plot, but the dialect was annoying at times. I know that’s the point, but it made it harder for me to read. I imagine it’s more enjoyable to watch acted on stage.
Heard various reports so unsure going in. I'm with what Doug says on this one- a screenplay, not a script. There's challenging staging and then there's whatever is going on with Bill.
I didn't hate it! There are some neat ideas going on and I had fun reading into the oology, unnecessarily I'm sure. There's space to be had with applying theoretical lenses. It's unfair to describe an approximately true story as a second-rate Things Fall Apart but it did come to mind, and without quite the same interior perspective as Achebe.
I think the volcano-God ideas are nice. Jars, eggs all fun to read into for an essay, much appreciated.
I'm not a play person, but there is just something about this play that gets to you. When I started this play, Bill reminded me of Willy from Death of a Salesman a bit, even though the story is different. The ending also killed me, for some reason, it just made me feel heartbroken. I'm not usually a play person because I feel like plays can be situated anywhere at any moment, whereas you get a better understanding of the 'world' you are in within a novel, but there's something about this play that just does it for me and makes me feel. I'll have to come back later and update my review when I study/annotate it in deeper detail
This work took me a little bit to get into it, but I ultimately enjoyed it.
Further Than the Furthest Thing by Zinnie Harris is a play based on a real story and set in 1961 about this remote community from an isolated island as change comes to the island and they are forced to evacuate. I thought that the exploration of topics like assimilation and responsibility were done well especially when considering the small cast size. The reason why it took me a second to get into it was that good portions are written in dialect, but the playwright did an excellent job of making you feel for and dislike the characters. I’d recommend looking into this if you’re interested.
3.5 had a really good conversation about this play in class. it was slightly confusing in the beggining but I really got into the plot toward the end. heartbreaking ending. better when heard spoken, definitely a play to watch instead of read. had fun acting some scenes from this in class
Harris writes in the preface that she departs greatly from the true story of the inhabitants of Tristan da Cunha, which is fair play for writing something fictional. But depicting the (devoutly religious) islanders committing mass murder and infanticide is such a bizarre and cruel choice. Not to mention deeply irresponsible, since little has been written about the islanders and she is one of the few non-residents with a personal connection to Tristan. It’s a shame that so many people will have been introduced to this unique place by a writer who resorts to shock factor to make up for a lack of skill.
This entire review has been hidden because of spoilers.