Covers colour processes, choreographic styles of acting, sound accompaniment, reception, the development from 'cinema of attractions' to narrative film, national cinemas and relations with other forms of mass culture.
Collection of essays remarkably similar, but smaller to the Silent Cinema Reader—some essays have parts that were further developed in the other book. Ben Singer’s “Female Power in the Serial-Queen Melodrama” is more positive than the section on Pearl White’s victimization in the other book, and Gaylyn Studlar’s (The Perils of Pleasure? Fan magazine discourse as women’s commodified culture in the 1920s) is good in saying women weren’t completely passive consumers and could be skeptical—and that fan magazines tended to avoid scandal mongering. A section on Valentino was developed and is in The Silent Cinema Reader