A closely organized, detailed study of Algernon Charles Swinburne's system of aesthetics and an evaluation of his principles of literature and art. This book explores and clarifies a much neglected area of Victorian studies, restoring Swinburne to his deserved place in the history of criticism. Swinburne's commitment to criticism was a deep one, springing from his love for literature, founded upon a wide knowledge, and supported by the liveliest temper and mind. Nevertheless, his reputation as a poet has tended to overshadow his abilities as a critic.