Anthony Masters was a writer, educator and humanitarian of exceptional gifts and prodigious energy. He was, in the parlance of his spiritual ancestors, the ancient mariners, that rare voyager "as gracious as a trade wind and as dependable as an anchor".
He leaves 11 works of adult fiction – notably, Conquering Heroes (1969), Red Ice (1986, with Nicholas Barker), The Men (1997), The Good and Faithful Servant (1999) and Lifers (2001) – and was in the process of completing another, Dark Bridges, which he thought would be his best. Many of these works carry deep insights into social problems that he gained, over four decades, by helping the socially excluded, be it by running soup kitchens for drug addicts or by campaigning for the civic rights of gypsies and other ethnic minorities.
His non-fiction output was typically eclectic. It ranged from the biographies of such diverse personalities as Hannah Senesh (The Summer that Bled, 1972), Mikhail Bakunin (Bakunin: the father of anarchism, 1974), Nancy Astor (Nancy Astor: a life, 1981) and the British secret service chief immortalised by Ian Fleming in his James Bond books (The Man Who Was M: the life of Maxwell Knight, 1984), to a history of the notorious asylum Bedlam (Bedlam, 1977).
Enjoyable "novelisation" of 3 unnconnected episodes from the series, plus a shorter tale that looks like it might have been from an unfilmed script and is all a bit perfunctory. Fun to spot the differences between the book and TV versions e.g. Sorry Pal Wrong number doesn't feature DS Chisholm's amusing "goodbye Sprotty" dismissal of a corrupt colleague, and Sprott himself is a much more peripheral figure than he was on TV. I'd guess this was down to Masters being given draft scripts which changed prior to shooting. I'd happily read some more in this series. I think there's at least two, not including series creator Leon Griffiths' own novel which is a much harder edged affair than Masters' adaptations.