The Musical: Race, Gender, and Performance

by Susan Smith

This study explores one of the most popular and successful of genres, yet one that has not fully enjoyed critical recognition to match. Combining a detailed analysis of individual musicals with an in-depth consideration of racial and gender issues, Susan Smith examines the rich interactions that occur between music, performance and narrrative, as well as the use of the female voice and the female singer in certain 'Pygmalion'/'Svengali'-style narratives. Films studied include Show Boat (1936, 1951), Cabin in the Sky (1943), Singin' in the Rain (1952), A Star Is Born (1954), West Side Story (1961), My Fair Lady (1964) and Funny Girl (1968).

144 pages, Paperback

First published January 1, 2005

About the author

Susan Smith is Reader in Film Studies at the University of Sunderland, UK. She is author of Elizabeth Taylor (BFI/Palgrave, 2012), Voices in Film (Wallflower Press, 2007), The Musical: Race, Gender and Performance (Columbia University Press, 2005) and Hitchcock: Suspense, Humour and Tone (BFI, 2000). She also co-edits the BFIs Film Stars series.