Michaela DePrince werd in 1995 geboren in het door een bloedige burgeroorlog geteisterde Sierra Leone. Wanneer haar vader door rebellen wordt vermoord en haar moeder aan ondervoeding sterft, wordt Michaela in een weeshuis geplaatst. Daar wordt ze verwaarloosd en mishandeld. Als Michaela min of meer per toeval door een Amerikaans echtpaar wordt geadopteerd, heeft ze maar één ballerina worden. Michaela blijkt een natuurtalent en vecht zich in de harde, door vooroordelen gekenmerkte wereld van ballet een weg naar de top.
Hoop in balletschoenen vertelt op indrukwekkende wijze hoe Michaela DePrince uitgroeit van oorlogswees tot ballerina.
Michaela Mabinty DePrince was a Sierra Leonean-American ballet dancer who danced with the Boston Ballet.
DePrince rose to fame after starring in the documentary First Position in 2011, which followed her and other young ballet dancers as they prepared to compete at the Youth America Grand Prix. In 2013, DePrince danced with the Dance Theatre of Harlem as the youngest dancer in the history of the company, and, in the same year, was a soloist with the Dutch National Ballet.
With her adoptive mother, Elaine DePrince, she authored the book Taking Flight: From War Orphan to Star Ballerina (2014). From 2016 to 2024, she was a goodwill ambassador with the Amsterdam-based organization War Child.
This book tells the story of Michaele De Prince, born in Sierra Leona. Due to the conflicts and civil war in her birth country, she lost both her parents at a very young age. Her uncle, who didn’t care for her, brought her to an orphanage, where she stayed for some time. She was lucky to be adopted with her best friend from the orphanage and brought to the US. There, she was raised by a remarkable couple who devoted their life to raising children from countries in trouble without a future. Since she was a child, it was her dream to become a ballet dancer, and at a very young age, she started practicing ballet. Though the ballet world is a rather ‘white world’ and though she did meet racism, she managed to reach the top and started dancing in Europe for a big dance company. The novel's style is childlike, but I think that is relatively normal, as she wrote her own story with the help of her mom. The first part is gruesome when you read about all the horrors she witnessed as a child. The second part (her learning ballet and becoming a dancer) has lots of unsaid but suggested things about racism, adopting children from other countries, etc.… Overall, I enjoyed the story, not the style
prachtig aangrijpend verhaal . Dat je ondanks je zoveel in het leven mee hebt gemaakt zo sterk blijft . Wat een doorzettingsvermogen heeft deze vrouw gehad , die helaas te vroeg is overleden . De balletwered is hard. en daar moet je tegen kunnen. helemaal als persoon van kleur , dat komt hier heel goed naar voren. hopelijk zal dit in de toekomst veranderen.