This book explores German and European exile visual artists, designers and film practitioners in the United States such as Max Beckmann, George Grosz, Hans Richter, Peter Lorre, and Edgar Ulmer and examines how American artists including Walter Quirt, Jackson Pollock, and Robert Motherwell responded to the Europeanization of American culture.
Lutz Koepnick is Gertrude Conaway Vanderbilt Professor of German, Cinema and Media Arts at Vanderbilt University, where he also chairs the Department of German, Russian, and East European Studies and directs the joint PhD program in Comparative Media Analysis and Practice. His books include On Slowness: Toward an Aesthetic of the Contemporary and The Dark Mirror: German Cinema between Hitler and Hollywood.