Red Stick One opens with a Marine troop ascending upon a mountain plateau in Vietnam, alert for attackers, when they come upon an apparently-wounded VC who has an intriguing dog tag and a secret. Fast forward to four years later, where Boyd Perry and Reed are working on a fish and game sting operation on one of their own. Virgil Cleary is operating in a different world than Vietnam, here - and he's no stranger to violence, using it to break commercial poaching rings in swampy settings much like Vietnam.
As the story progresses, certain themes keep recurring: stalking, running, confrontations, hiding. Virgil follows a path of continuous violence in his job as wildlife officer with Florida Fish and Game and 'danger' is his middle name as he becomes immersed in worlds that continually mirror his Vietnam experiences: "He crawled from the trees on that morning, bareheaded, within three hundred meters of the point he sought four days earlier on the map he no longer had. He was feeling for each barefoot track of the Montagnard that had walked between the rocks of the slope a week before. If he saw the enormous valley that now lay below him he did not recognize it. He only knew he had to hurry. There wasn’t much time."
As he makes the decision to work on his own and against the people he works with, Virgil moves between a lone wolf lifestyle and his connection to one Michelle and embarks on an interstate journey after a fugitive impossible to track, with his Vietnam experiences providing him with keys to both survival and impossible achievements.
Now, all this is understated: the focus is upon his tracking of an elusive poacher and the major Vietnam connection largely lies in the first chapter, with a few ongoing references to his ex-Marine background scattered within stories of encounters along the way.
But given this information, readers can readily see the ongoing connections between scenarios: Virgil's struggles to survive and gain a foothold against his clever prey's operations, and the wilderness he moves through so familiarly: "When they had crossed the bridge Virgil turned to look a final time at the gorge. On the far side, the two mountain goats stood perched on the ledges where he had first seen them. They shined white in the spring sunlight, the tiny black of their horns and eyes still following him."
Between the crisp descriptions of wilderness encounters and the dialogue throughout which captures a sense of gritty encounters in rural regions of the South, Red Stick One provides a realistic and engrossing story replete with violence, survivalist tactics, and cat-and-mouse games between a tracker and his objective.
Virgil moves deftly through his world giving aliases and keeping his identity and objectives secret, but even alone in the outdoors he has one outside connection that is different in Michelle: "He lay back on the mound of coal and shifted himself until it was smooth against him with no pressure to his ribs. The sun was on his face and he closed his eyes, feeling it, and reached his jacket sleeve behind his head for a pillow. He kept his other hand in the jacket’s pocket and rode that way, dozing, until he became very warm with the sun high. Finally, he took the jacket off and lay on it, on his good side, looking at the singular mountains that became larger and more numerous as the train crept northwest. He felt his shirt pocket for his tobacco can but it was gone. Michelle must have thrown it out when she washed his clothes. With his closed eyes he smiled."
In the end it's this connection that fires his move from a world of poachers and law enforcement to one that includes love.
Expect gritty action, a healthy dose of violent encounters, and powerful scenarios in Red Stick One. It's all about morals, motivations and determination - and how one man makes a mission of his life after surviving under impossible odds in Vietnam. Any who enjoy vivid sagas of survival, achievement and redemption will find Virgil's story a powerful saga of encounters with land and people on the tough road to resolution.