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The spectrum of subjects and styles represents the great number of new plays that have premiered in German theaters between 1985 and 1995. In the best German dramatic tradition, these plays range from poetic, highly imagistic work to realism and melodrama, and to virtuosic wordplay. They are often outspoken in criticism of contemporary reality and the German past.
Heiner Mller's "Mommsen's Block" was one of the first plays written after the historic changes in Germany to take as its theme the political and economic consequences of unification. "The Beautiful Stranger," by Klaus Pohl, offers an uncompromising view of the aggressive violence and brutality directed at foreigners in Germany. George Tabori, in "Mein Kampf," situates the young Hitler in a Vienna flophouse. Elfriede Jelinek's "Totenauberg" is a satirical treatment of Martin Heidegger's crypto-fascist theories and the relationship between Hannah Arendt and the philosopher which is now the subject of an international controversy.
384 pages, Hardcover
First published June 28, 1996