The author a learned and experienced Sangeet Acharya and a versatile writer, has made a deep study of Indian music system and compiled this valuable treatise for the benefit of Indian and foreign lovers of ancient, mediaeval and modern music. He has traced the history and practice of this fine art through the Vedic, Buddha and Jain Periods. He has also dealt with the progress made in this art during the Hindu Revivalist Movement and the contribution made by the Devdasis.
The Sangeet Acharya has also delved deep into the records of the Archaeological Department, Government of India and reinterpreted some of the seals excavated from the ruins of Mohanjodaro, Harappa, Lothal and other places of the Indus Valley Civilization.
The author has covered the origin and development of Indian Music in two volumes of this book. Volume I covers the period of development from 6000 B.C. to 1000 A.D., and Volume II deals with the period 1001 A.D., to 1986A.D.lnthisvolume (Vol. I), the author has thrown enough light, on ancient and mediaeval theoreticians and master musicians such as Bharat Muni, Nand Keshwar and others.
There are two salient features of this volume. The first is about the history of Indian Music and the second is about the Rag and Ragni System. The author has established that music originated in India about 6000 B.C. and not 1500 B.C. as is believed today. He has also established that Rag and Ragni System was originally introduced by the Buddha Bhikshus who toured eastern and western