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Yates Paul, His Grand Flights, His Tootings
James Baker Hall's blackly comic coming-of-age novel has been denied, by unfortunate circumstances surrounding its original 1964 publication, its rightful place alongside classics such as Catcher in the Rye and One Flew Over the Cuckoo's Nest in the canon of essential late-twentieth-century American fiction.
Set in Lexington, Kentucky, the story unfolds through the eyes of thirteen-year-old Yates Paul. He becomes consumed with revelations about his inattentive father's loneliness, his grandmother's stormy relationship with his boisterous alcoholic uncle, and the frustration of being the best photography assistant in town when no one else knows it. In pursuing his career and falling in love with women twice his age, the precocious Yates falls back on Walter Mittyesque daydreams to cope with a frequently humorous, sometimes dark, world. Long respected among literary insiders, sought after but nearly impossible to obtain, this "lost" classic will finally reach the wider audience it deserves.
Set in Lexington, Kentucky, the story unfolds through the eyes of thirteen-year-old Yates Paul. He becomes consumed with revelations about his inattentive father's loneliness, his grandmother's stormy relationship with his boisterous alcoholic uncle, and the frustration of being the best photography assistant in town when no one else knows it. In pursuing his career and falling in love with women twice his age, the precocious Yates falls back on Walter Mittyesque daydreams to cope with a frequently humorous, sometimes dark, world. Long respected among literary insiders, sought after but nearly impossible to obtain, this "lost" classic will finally reach the wider audience it deserves.
288 pages, Paperback
First published September 27, 2002
13 people want to read
About the author
James Baker Hall
27 books6 followersJames Baker Hall was born in Lexington, Kentucky in 1935. He was raised in a southern family of means and social standing, only to have a family scandal turn tragic when he was eight years old. This trauma, and its enduring consequence, would shape Hall’s life work as an artist, which began when he took up photography at age eleven.
Hall graduated from the University of Kentucky with a B.A. in English, having studied writing under Robert Hazel among his life-long literary colleagues: Wendell Berry, Ed McClanahan, Gurney Norman, and Bobbie Ann Mason. In 1960, he received a Stegner Fellowship at Stanford University and shared the historic workshops in which Leaving Cheyenne (Larry McMurtry) and One Flew Over the Cookoo’s Nest (Ken Kesey) were being written.[1] After his first novel, Yates Paul, His Grand Flights, His Tootings (also written in these same workshops) was published to critical acclaim, Hall returned to his roots in photography. During this time, he became the close colleague of such photographers as Minor White, Richard Benson, and Ralph Eugene Meatyard, was a contributing editor for Aperture, and lectured widely on photography in such places as the Massachusetts Institute of Technology, Rhode Island School of Design, the Visual Studies Workshop, and the Minneapolis Museum of Art.[2]
In 1973, Hall came back to Lexington to teach at the University of Kentucky and, for the next thirty years, would act as director of the creative writing program. In 2003, he retired as professor emeritus, having vastly influenced the next generation of Kentucky writers. Notable students include: Maurice Manning, T. Crunk, and Patrick O’Keeffe.
Hall was prolific as both a writer and a visual artist, publishing widely in both arenas. In 2001, Hall was named the Poet Laureate of the Commonwealth of Kentucky.[3] He was married to novelist Mary Ann Taylor-Hall, author of Come and Go, Molly Snow and At the Breakers. He died on June 25, 2009 in his home outside Sadieville, Kentucky.[4]
Hall graduated from the University of Kentucky with a B.A. in English, having studied writing under Robert Hazel among his life-long literary colleagues: Wendell Berry, Ed McClanahan, Gurney Norman, and Bobbie Ann Mason. In 1960, he received a Stegner Fellowship at Stanford University and shared the historic workshops in which Leaving Cheyenne (Larry McMurtry) and One Flew Over the Cookoo’s Nest (Ken Kesey) were being written.[1] After his first novel, Yates Paul, His Grand Flights, His Tootings (also written in these same workshops) was published to critical acclaim, Hall returned to his roots in photography. During this time, he became the close colleague of such photographers as Minor White, Richard Benson, and Ralph Eugene Meatyard, was a contributing editor for Aperture, and lectured widely on photography in such places as the Massachusetts Institute of Technology, Rhode Island School of Design, the Visual Studies Workshop, and the Minneapolis Museum of Art.[2]
In 1973, Hall came back to Lexington to teach at the University of Kentucky and, for the next thirty years, would act as director of the creative writing program. In 2003, he retired as professor emeritus, having vastly influenced the next generation of Kentucky writers. Notable students include: Maurice Manning, T. Crunk, and Patrick O’Keeffe.
Hall was prolific as both a writer and a visual artist, publishing widely in both arenas. In 2001, Hall was named the Poet Laureate of the Commonwealth of Kentucky.[3] He was married to novelist Mary Ann Taylor-Hall, author of Come and Go, Molly Snow and At the Breakers. He died on June 25, 2009 in his home outside Sadieville, Kentucky.[4]
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July 17, 2021
What a colossal waste of time- I kept on reading hoping it would eventually redeem itself but no, it did not. I LOVE a quirky book but this was just drudgery, should have quit early on. It was like someone tried to combine The Catcher in the Rye with Confederacy of Dunces. I had read a short story by the author that I liked enough to try his novel, mistake.
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