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SCRIPTWRITING: THE MECHANICS

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THE MECHANICS is a practical guide to writing scripts for film and television. Its twenty chapters cover everything you need to know, from initial idea to finished dialogue, taking in along the

The Eleven Story Steps

The Four Story Elements

The Three conflict, contrast and contradiction

The Three motor, motive and motivation

Head v Heart

Image v Reality

URST (Unresolved Sexual Tension)

Point of View

A and B plots

Superior and Inferior Position

Flashback and Foreshadowing

Power Shifts

Dialogue Techniques

Guy Meredith is a writer and story editor who trains regularly at the BBC and the European Broadcasting Union, including Emmy award-winning series amongst his credits and Oscar nominees amongst his clients. This guide is the first time his 25 years of hands-on experience has been published in book form.

THE MECHANICS gets straight to the nuts and bolts of how to write a script. Aimed at both new and ambitious writers, it guides you through the complex creative process with copious advice and examples.It is certainly the most direct and helpful scriptwriting guide on the market today.

Covering a variety of genres and allowing you to develop your own script as you read it, THE MECHANICS, is an invaluable asset to success as a writer. It has garnered reader reviews such 'Concise, amusing and giving confidence to even the most hesitant of writers!' .Meanwhile industry professionals have said of

"Guy is articulate, entertaining, clear, concise, funny and really knows his field well." - Linda Seger, film consultant.

"Convincing command of subject matter, good structure, good and constructive selection of examples. I felt it was a sharp package." - Sarita Harma, producer.

For more information, please go

www.storyguy.co.uk

188 pages, Kindle Edition

First published June 22, 2011

27 people want to read

About the author

Guy Meredith

18 books2 followers

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2 reviews
February 19, 2021
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I have attended Mr meredith’s classes at the city lit in London. This book cements my knowledge of screen writing. His take on the three act structure is perceptive and I am using it in my present scripts.
I shall start viewing the recommended films
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