Thank you to NetGalley and Head of Zeus for ARC of this book.
More like 2.5 stars.
One Summer is an interesting variation on the theme of small-town (small-island?) romance, the quarter-life crisis and the search for one's place in the world. It will especially appeal to animal and nature lovers. And while I had a good time, not everything about this book appealed to me.
The first thing that caught my eye was the monstrous number of 96 chapters. Sanderson's The Way of Kings has less, and is over 1,000 pages long. But okey, let's give it a chance.
"This is a thing I do: proving people wrong, especially when they're so sure of themselves, and smug about being right."
The main character is quite an interesting individual, a bit positively twisted, a bit detached and well... annoying to the max.
Back to those chapters... Why do we jump to the next chapter in a string of sentences that continue each other? It is a continuation of the same thought, the same paragraph, there is no need to start another chapter.
The beginning is too stretched out. It provides us with too much useless information that has no bearing on the plot and character development. Digging in the mud of the Thames is of little interest to the narrator, so all the more so when presented in this way, it will not interest the reader.
"And most of all, I resent the little girl who sincerely believed that books were at the root of all happiness. Who thought she could dream her way to a better life."
This, on the other hand, is a very interesting subject and it would be appropriate to focus on it. When passion becomes work, is it still passion?
After a tired start on the Thames, the action moves to the island, and it was only here that the plot really interested me. Our dizzy heroine obviously does everything she can wrong, but she pushes the plot forward. From this point on it starts to get quite entertaining and enjoyable. Admittedly, we are halfway through the book, and the promised romance on the horizon is lacking, but this is made up for by the multitude of strange islanders. The next part of the book alternates between the heroine's absurdly funny interactions with the islanders and Loor's descriptions of beauty. The characters are really well written, the dialogues entertain or make you think. But where is the romance? At 3/4 of the book I had to go back to the description to see who was the main love interest here, because it was hard to tell.
I had a really good time, but this book should have been stripped of 30% of the text at the beginning in favor of a more elaborate ending. At this point I don't know what it was entirely about, several plotlines were started that seemed equal and overshadowed the romance. Is it a book about finding oneself? Or maybe about discovering a quiet life away from the city? Or maybe still a gentle ecological manifesto? I personally enjoyed most the plot of the small local community and the interactions of the islanders. The stories of their lives were interestingly woven into Lindy's story. The atmosphere is like that of a small-town romance, but without too much sugar, showing the sometimes bitter life of tourist destinations.
The ending rushed and underdeveloped. I failed to believe in the romance presented here. This element clearly needs polishing. This book is closer to a novel of manners with a minor romance subplot than anything else. Still it was an enjoyable time spent, the story has a great holiday atmosphere and raises some important issues.