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El papiro de Saqqara
Khaemuast, cuarto hijo de Ramsés II y virtual gobernante del vasto imperio egipcio, es un hombre sabio y austero. El control de la administración y la vida cortesana son arduas obligaciones a las que se ve arrastrado por la incompetencia de su padre, más interesado en la pompa y el boato que en el difícil ejercicio del poder.
La verdadera pasión del príncipe es la historia, la magia y la medicina, y su mayor ambición es hallar el mítico pergamino de Thot, "la fuente de la vida" según una antigua leyenda. Cuando su sueño se hace por fin realidad en una lóbrega tumba en la llanura de Saqqara, Khaemuast sucumbe a su propia arrogancia y hace caso omiso de las normas de prudencia más elementales. El castigo, inmediato y fulminante, adopta la forma de una seductora mujer que se convertirá en su obsesión, y el príncipe aprenderá que el precio de la inmortalidad es demasiado alto para el ser humano y que el exceso de vanidad desafía a los designios divinos.
Pauline Gedge, autora de Águilas y cuervos, La dama del Nilo y El faraón, todas publicadas por Pàmies, nos vuelve a introducir en su fascinante visión del Antiguo Egipto con una historia llena de pasión, magia y minuciosidad histórica.
La verdadera pasión del príncipe es la historia, la magia y la medicina, y su mayor ambición es hallar el mítico pergamino de Thot, "la fuente de la vida" según una antigua leyenda. Cuando su sueño se hace por fin realidad en una lóbrega tumba en la llanura de Saqqara, Khaemuast sucumbe a su propia arrogancia y hace caso omiso de las normas de prudencia más elementales. El castigo, inmediato y fulminante, adopta la forma de una seductora mujer que se convertirá en su obsesión, y el príncipe aprenderá que el precio de la inmortalidad es demasiado alto para el ser humano y que el exceso de vanidad desafía a los designios divinos.
Pauline Gedge, autora de Águilas y cuervos, La dama del Nilo y El faraón, todas publicadas por Pàmies, nos vuelve a introducir en su fascinante visión del Antiguo Egipto con una historia llena de pasión, magia y minuciosidad histórica.
633 pages, Kindle Edition
Published March 19, 2018
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About the author
Pauline Gedge
47 books491 followersI was born in Auckland, New Zealand, on December 11, 1945, the first of three girls. Six years later my family emigrated to England where my father, an ex-policeman, wanted to study for the Anglican ministry. We lived in an ancient and very dilapidated cottage in the heart of the English Buckinghamshire woodland, and later in a small village in Oxfordshire called Great Haseley. I grew up surrounded by countryside that I observed, played in, and grew to know and love passionately, and I wrote lyrically of its many moods.
My father had his first parish in Oxford, so in 1956, having passed the eleven-plus exam, a torture now fortunately defunct, I attended what was then the Oxford Central School for Girls. I was a very good student in everything but mathematics. Any academic discipline that is expressed and interpreted through words I could conquer, but math was bewildering and foreign, a maze of numbers and ridiculous symbols with which I had nothing in common. I liked chemistry, because I was allowed to play with pretty crystals and chemicals that behaved as if they had magic in them. I studied the violin, an instrument I struggled over and gave up after two years, and the piano, which I enjoyed and continue to play, along with the recorders. Music has always been important to me.
Then in 1959 my father accepted a parish in Virden, Manitoba, and the family left for Canada. After three months at the local high school, I was sent to a boarding school in Saskatchewan. It was the most dehumanizing, miserable experience of my life. In 1961 I began one inglorious year at the University of Manitoba’s Brandon College. I did not work very hard, and just before final exams I was told that my sister Anne was dying. I lost all interest in passing.
Anne wanted to die in the country where she was born, so we all returned to New Zealand. She died a month after our arrival, and is buried in Auckland. The rest of us moved down to the tip of the South Island where my father had taken the parish of Riverton. For a year I worked as a substitute teacher in three rural schools. In ’64 I attended the Teachers’ Training College in Dunedin, South Island, where my writing output became prolific but again my studies suffered. I did not particularly want to be a teacher. All I wanted to do was stay home and read and write. I was eighteen, bored and restless. I met my first husband there.
In 1966 I married and returned to Canada, this time to Alberta, with my husband and my family. I found work at a day care in Edmonton. My husband and I returned to England the next year, and my first son, Simon, was born there in January ’68. In 1969 we came back to Edmonton, and my second son was born there in December 1970.
By 1972 I was divorced, and I moved east of Edmonton to the village of Edgerton. I wrote my first novel and entered it in the Alberta Search-for-a-New-Novelist Competition. It took fourth place out of ninety-eight entries, and though it received no prize, the comments from the judges and my family encouraged me to try again. The next year I entered my second attempt, a bad novel that sank out of sight. Finally in 1975 I wrote and submitted Child of the Morning, the story of Hatshepsut, an 18th Dynasty Egyptian pharaoh, which won the competition. With it came a publishing deal with Macmillan of Canada and the rest, as they say, is history.
My father had his first parish in Oxford, so in 1956, having passed the eleven-plus exam, a torture now fortunately defunct, I attended what was then the Oxford Central School for Girls. I was a very good student in everything but mathematics. Any academic discipline that is expressed and interpreted through words I could conquer, but math was bewildering and foreign, a maze of numbers and ridiculous symbols with which I had nothing in common. I liked chemistry, because I was allowed to play with pretty crystals and chemicals that behaved as if they had magic in them. I studied the violin, an instrument I struggled over and gave up after two years, and the piano, which I enjoyed and continue to play, along with the recorders. Music has always been important to me.
Then in 1959 my father accepted a parish in Virden, Manitoba, and the family left for Canada. After three months at the local high school, I was sent to a boarding school in Saskatchewan. It was the most dehumanizing, miserable experience of my life. In 1961 I began one inglorious year at the University of Manitoba’s Brandon College. I did not work very hard, and just before final exams I was told that my sister Anne was dying. I lost all interest in passing.
Anne wanted to die in the country where she was born, so we all returned to New Zealand. She died a month after our arrival, and is buried in Auckland. The rest of us moved down to the tip of the South Island where my father had taken the parish of Riverton. For a year I worked as a substitute teacher in three rural schools. In ’64 I attended the Teachers’ Training College in Dunedin, South Island, where my writing output became prolific but again my studies suffered. I did not particularly want to be a teacher. All I wanted to do was stay home and read and write. I was eighteen, bored and restless. I met my first husband there.
In 1966 I married and returned to Canada, this time to Alberta, with my husband and my family. I found work at a day care in Edmonton. My husband and I returned to England the next year, and my first son, Simon, was born there in January ’68. In 1969 we came back to Edmonton, and my second son was born there in December 1970.
By 1972 I was divorced, and I moved east of Edmonton to the village of Edgerton. I wrote my first novel and entered it in the Alberta Search-for-a-New-Novelist Competition. It took fourth place out of ninety-eight entries, and though it received no prize, the comments from the judges and my family encouraged me to try again. The next year I entered my second attempt, a bad novel that sank out of sight. Finally in 1975 I wrote and submitted Child of the Morning, the story of Hatshepsut, an 18th Dynasty Egyptian pharaoh, which won the competition. With it came a publishing deal with Macmillan of Canada and the rest, as they say, is history.
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