In Membranes, Laura Otis examines how the image of the biological cell became one of the reigning metaphors of the nineteenth century. At the heart of her story is the rise of a fundamental assumption about human the idea that selfhood requires boundaries showing where the individual ends and the rest of the world begins. Otis focuses on the scientific and creative writing of four American neurologist S. Weir Mitchell; Spanish neurobiologist Santiago Ramón y Cajal, who won the Nobel prize in 1906 for proving that neurons were intact, independent cells; British author Arthur Conan Doyle; and Austrian writer Arthur Schnitzler, a contemporary of Sigmund Freud in fin-de-siècle Vienna. Membranes also compares the scientific and political thinking of German scientists Rudolf Virchow, the founder of cellular pathology and an active liberal politician, and Robert Koch, who discovered the bacteria that cause cholera and tuberculosis and whose studies of foreign bacteria provided a scientific veneer for German colonialism. Finally, the book presents a unique reading of Thomas Mann's Death in Venice . Otis argues that belief in impermeable personal and national borders is increasingly dangerous. Defying the traditional boundary between science and the humanities, she concludes by proposing a notion of identity based on relations and connections.
Trained as a neuroscientist and literary scholar, Laura Otis, Ph.D., studies the ways that literature and science intersect. In her interdisciplinary research, she compares scientific and literary writers' descriptions of memory, identity, emotion, and thought. Her research has been supported by MacArthur, Guggenheim, Fulbright, and Humboldt Fellowships. Otis earned her BS in Biochemistry at Yale University, her MA in Neuroscience from the University of California at San Francisco, her PhD in Comparative Literature from Cornell University, and her MFA in Fiction from Warren Wilson College. Since 2004 she has been a Professor of English at Emory University, where she teaches interdisciplinary courses on literature, neuroscience, cognitive science, and medicine. Otis is the author of Organic Memory (1994), Membranes (1999), Networking (2001), Müller’s Lab (2007), Rethinking Thought (2016), and Banned Emotions (2019). She has also translated neurobiologist Santiago Ramón y Cajal’s Vacation Stories (2001) into English and has edited Literature and Science in the Nineteenth Century: An Anthology (2002). A fiction-writer as well as a scholar, she is the author of the novels Clean, Refiner’s Fire, Lacking in Substance, The Tantalus Letters, and The Memory Hive. Her current project, The Neuroscience of Craft, examines what neuroscientists and creative writers can learn from each other about how sensations blend in people’s minds.