In the early fall of 1958, the notorious Olympia Press in Paris published a novel entitled Candy , an erotic, Rabelaisian satire loosely based on Voltaire's Candide by one Maxwell Kenton, pseudonym of its coauthors, Terry Southern and Mason Hoffenberg. The novel drew the attention of the French censors, was banned, reissued by Olympia's intrepid publisher under the title Lollipop , rebanned, then again reissued. Within years it became one of the most talked-about novels of the tumultuous 1960s, selling in the millions of copies in America alone, its success prompting Hollywood to turn it into a movie.
The hilarious, rollicking, sometimes tragic story of Candy 's public career is recounted here in full. From the book's humble beginnings in late 1950s Paris through its agonizing three-year gestation (sometimes on paper napkins) and the authors' wily, often self-destructive business dealings with their equally wily French publisher, to its chaotic and controversial publication in the United States, The Candy Men follows Candy 's underground then mainstream success—with unblinking scrutiny on the details, including the legal shenanigans that surrounded it, the blatant piracy that plagued it, and the star-studded cast that helped make it into one of the worst movies of all time.
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Candy is no Tropic of Cancer or Lady Chatterley's Lover, but rather a work for hire for the Olympia Press. The book was at the tale end of the censorship battles that provided an environment for a satire like Candy. Even with that, the book was banned. I originally thought the book would be more about censorship battles, but rather it became about artistic squabbles, the randomness of literary fame and finally, an intellectual property battle across continents. The intellectual property battle was fascinating to my literary lawyer geek side.
Not very analytical, but informative and rich in primary sources; you don't have to master reading between the lines to see how their historical moment enabled the titular writers and publisher to break new ground - and also break their own lives into irretrievable pieces.
Definitely not what I was expecting. This type of book isn't my normal read but it explains so much about Candy. It's that time periods think piece and is hilarious at some points.
Entertaining on the whole story of two writers and a publisher that all seem to be trying to rip each other off, and as a consequence miss out on making it really big.
do you enjoy the wild satirical wit of terry southern and mason hoffenberg? then you may enjoy hundreds of pages of contract disputes that feature none of that.
But I'm leaving Goodreads, don't want to be a content provider for Amazon. The rest of this review is now available on LibraryThing, user name CSRodgers.