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Last of the Pops
Not many people noticed the day the airwaves went silent. Thousands of radio stations across the country powered down for the last time. Twenty years on, even fewer noticed the day the towers came back to life, broadcasting on repeat, a handful of songs that don't exist.
An experiment in sequential and epostolary storytelling, Wilson, Demus, Paratone, and Jamit present the soundtrack of a wannabe podcaster, a teen graffitti artist and her estranged brother, a former disc jockey, the newest owner of a vinyl legacy, and a tortured singer on the cusp of greatness.
An experiment in sequential and epostolary storytelling, Wilson, Demus, Paratone, and Jamit present the soundtrack of a wannabe podcaster, a teen graffitti artist and her estranged brother, a former disc jockey, the newest owner of a vinyl legacy, and a tortured singer on the cusp of greatness.
234 pages, Paperback
First published October 15, 2024
About the author
Adam Wilson
9 books8 followersPlays with words and letters.
Current Furious Reader.
Writer of the graphic novels Helium, Brian & Bobbi and In the Fallout, and Last of the Pops.
My first novella, What About Tuesday, is now available.
And the first volume of The MOTHER Principle, a new series I'm writing with S. Atzeni and Alicia Padron is out now from Read Furiously.
Current Furious Reader.
Writer of the graphic novels Helium, Brian & Bobbi and In the Fallout, and Last of the Pops.
My first novella, What About Tuesday, is now available.
And the first volume of The MOTHER Principle, a new series I'm writing with S. Atzeni and Alicia Padron is out now from Read Furiously.
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Displaying 1 - 3 of 3 reviews
April 20, 2025
Skylar Chase. A rising musician on the brink of stardom, until he vanished without a trace. Legally declared dead a decade later, his disappearance remains one of music’s great unsolved mysteries. Yet his limited body of work didn’t fade into obscurity. Instead, it evolved into legend. Even while he was still alive, his songs hinted at something timeless. Long after he was gone, they continued to inspire, to unite, to heal. Through melody, he created a legacy that outlived him, a legacy rooted in the enduring, transformative power of music.
Last of the Pops is a stunning collaborative graphic novel written by Adam Wilson, with illustrations by Dr. Demus, Dapit Jamus, and Erika Paratore. Subtitled A Mixtape for the Death of Radio, the book operates on multiple levels. At first glance, it's a meditation on the fleeting nature of technology and how innovation renders even the most revolutionary ideas obsolete. But dig deeper, and it reveals a much more intimate reflection on the emotional resonance of music and the invisible threads it weaves between people.
Centered on the mythos of the fictional Skylar Chase, the story unfolds through a constellation of characters whose lives, at first seemingly disconnected, begin to intersect in unexpected, profound ways. What begins as individual narratives coalesces into a larger, more intricate tapestry. The pacing is deliberate, the writing precise, and the structure artfully cyclical, bringing the reader back to where it all began, but with renewed clarity.
True to the spirit of a mixtape, the novel is eclectic and layered. It blends poetic introspection with visual storytelling, balancing narrative complexity with emotional sincerity. At its heart, it’s about family, identity, belonging, and, above all, the shared experience of sound. Each chapter shifts perspective, and with it, both the visual and written style adapt accordingly. This shifting framework gives the book a dynamic rhythm, mirroring the diverse influences that shape each character’s journey.
More than just a tribute to music, Last of the Pops is a dialogue between artist and audience. It explores the deep, often invisible impact musicians have on the lives of their listeners. The artwork throughout amplifies this emotional depth, enhancing the tone of each scene with thoughtful variation and artistic flair. The visual transitions are not just aesthetic choices; they reflect the evolving inner worlds of the characters.
As a lifelong believer in music’s power to connect, heal, and transform, I found Last of the Pops to be a deeply moving experience. The narrative avoided sentimentality, instead grounding its emotional moments in authenticity. What I expected to be a series of fragmented vignettes emerged as a unified, resonant story. That cohesion made all the difference.
This graphic novel isn’t just about the mysterious Skylar Chase. It’s about all of us, the ways we connect, the memories we hold in song, and the legacies we carry forward through the art we love.
Last of the Pops is a stunning collaborative graphic novel written by Adam Wilson, with illustrations by Dr. Demus, Dapit Jamus, and Erika Paratore. Subtitled A Mixtape for the Death of Radio, the book operates on multiple levels. At first glance, it's a meditation on the fleeting nature of technology and how innovation renders even the most revolutionary ideas obsolete. But dig deeper, and it reveals a much more intimate reflection on the emotional resonance of music and the invisible threads it weaves between people.
Centered on the mythos of the fictional Skylar Chase, the story unfolds through a constellation of characters whose lives, at first seemingly disconnected, begin to intersect in unexpected, profound ways. What begins as individual narratives coalesces into a larger, more intricate tapestry. The pacing is deliberate, the writing precise, and the structure artfully cyclical, bringing the reader back to where it all began, but with renewed clarity.
True to the spirit of a mixtape, the novel is eclectic and layered. It blends poetic introspection with visual storytelling, balancing narrative complexity with emotional sincerity. At its heart, it’s about family, identity, belonging, and, above all, the shared experience of sound. Each chapter shifts perspective, and with it, both the visual and written style adapt accordingly. This shifting framework gives the book a dynamic rhythm, mirroring the diverse influences that shape each character’s journey.
More than just a tribute to music, Last of the Pops is a dialogue between artist and audience. It explores the deep, often invisible impact musicians have on the lives of their listeners. The artwork throughout amplifies this emotional depth, enhancing the tone of each scene with thoughtful variation and artistic flair. The visual transitions are not just aesthetic choices; they reflect the evolving inner worlds of the characters.
As a lifelong believer in music’s power to connect, heal, and transform, I found Last of the Pops to be a deeply moving experience. The narrative avoided sentimentality, instead grounding its emotional moments in authenticity. What I expected to be a series of fragmented vignettes emerged as a unified, resonant story. That cohesion made all the difference.
This graphic novel isn’t just about the mysterious Skylar Chase. It’s about all of us, the ways we connect, the memories we hold in song, and the legacies we carry forward through the art we love.
May 27, 2024
The Review
This was such a fantastic, well-written graphic novel. The distinctive difference between artistic styles alternating between each story highlighted the talent and tone each illustrator brought to the narrative. The emotional depth of each character’s experiences in their respective chapters and the way music and sound highlighted each story helped elevate the significance of each character’s arc.
This graphic novel stood out because it honed in on relatable, everyday emotions. Rather than focusing on how the radio stations disappeared and reappeared two decades later, the chapters honed in on how music and sound, in general, impacted the character’s feelings and overall journey. The stories tapped into everything from friendship and love to inspiration and connectivity among our fellow human beings.
The Verdict
Thought-provoking, memorable, and engaging author Adam Wilson’s “Last of the Pops” is an incredible and exciting graphic novel. The depth and heart that went into these characters and their journey, as well as the thoughtful approach to such deep subject matter, kept me enthralled by the developing stories in this book.
This was such a fantastic, well-written graphic novel. The distinctive difference between artistic styles alternating between each story highlighted the talent and tone each illustrator brought to the narrative. The emotional depth of each character’s experiences in their respective chapters and the way music and sound highlighted each story helped elevate the significance of each character’s arc.
This graphic novel stood out because it honed in on relatable, everyday emotions. Rather than focusing on how the radio stations disappeared and reappeared two decades later, the chapters honed in on how music and sound, in general, impacted the character’s feelings and overall journey. The stories tapped into everything from friendship and love to inspiration and connectivity among our fellow human beings.
The Verdict
Thought-provoking, memorable, and engaging author Adam Wilson’s “Last of the Pops” is an incredible and exciting graphic novel. The depth and heart that went into these characters and their journey, as well as the thoughtful approach to such deep subject matter, kept me enthralled by the developing stories in this book.
June 1, 2024
Last of the Pops by Adam Wilson is a creative and engaging story. It focuses on the radio and the meaning it adds to the life of the listeners. From radio to having a voice, to finding one's dream to just surviving until they find they're lonely existence is not so lonely. The world is big, but the radio made them all feel connected to the vast world. Each one doing something slightly different like creating music or talking on air for listeners, gave them something special.
I love how this comic book brings out all the best entertainment such as the radio, cassette tapes, and music vinyls to life. How despite their fading popularity that they still exist giving other people the same joy and entertainment they did for decades. A guide to the music industry in a way is alive in this book. The book does contain adult content in which a parent may need to approve. Therefore, I recommend this read to anyone 18 or older. The theme was dark and dreary which perfectly fit in with the emotional sad tone set by the characters.
I received this copy from the publisher. This is my voluntary review.
I love how this comic book brings out all the best entertainment such as the radio, cassette tapes, and music vinyls to life. How despite their fading popularity that they still exist giving other people the same joy and entertainment they did for decades. A guide to the music industry in a way is alive in this book. The book does contain adult content in which a parent may need to approve. Therefore, I recommend this read to anyone 18 or older. The theme was dark and dreary which perfectly fit in with the emotional sad tone set by the characters.
I received this copy from the publisher. This is my voluntary review.
Displaying 1 - 3 of 3 reviews