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The Trapper's Last Shot

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A powerhouse novel about an idealistic young man’s return to a rural Southern town simmering with prejudice and anger

Separation papers in hand, Beau Jim Early sets out one hot, dry August morning in 1960 from Fort Jackson, South Carolina, for his brother’s farm in Cocke County, Georgia. After six years in the army, civilian life is not as easy as it looks. In short order, Beau Jim gets conned by a shoe-shine boy, buys a Studebaker with bad brakes, and spends nearly every cent of the $400 he won in a crap game the night before.

But Beau Jim is a man who can roll with the punches, and the drive into his hometown is as exhilarating as he thought it would be. His brother’s farm, however, is a different story. Older by fifteen years, Dan Early has given up his apartment and gone into debt to buy a barren piece of land that his wife, Charlene, calls a “wore out patch of misery.” Sheila, their seven-year-old daughter, is unnaturally slow and shy and has been held back in school—a source of great shame. As Beau Jim hustles pool with Claire, a former high school classmate whose secret life is not as safe as he believes it to be, and makes time with Yancey, a voluptuous redhead finally looking to settle down, Dan’s frustration and pity for himself mount. When Charlene sparks his rage, he commits an act so shocking and horrific it brings the whole county to its knees.

A spellbinding tale of decent people fighting for their lives in a world overrun with poverty and ignorance,  The Trapper’s Last Shot  is vintage John Yount—forceful, finely crafted, and absolutely unforgettable.

236 pages, Hardcover

First published January 1, 1973

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John Yount

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138 reviews3 followers
January 25, 2020
The book begins with an intriguing literary opening about a painting, then degenerates into the grotesque style that hampers so much of the fiction from the southern US. This author will never let you really like his characters. When given the chance, they will always choose the worst option. The only thing I liked was the stylized dialogue that kept me in mind of southerners I have known and loved. But by the end it descends into the predictable negativity and hopelessness I have seen described by both black and white southern authors. Unfortunately, the foreshadowing from the book’s opening is fulfilled, but IMHO it didn’t have to be.
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