Chaucer and the Early Writings of Boccaccio

by David John Wallace

David Wallace's examination of the aims and literary affiliations of Boccaccio's early writings provides an indispensable preface to and context for an informed appraisal of Chaucer's usage of Boccaccio. Previous studies of the relationship between the work of the two poets have tended to consider Chaucer's borrowings without making a thorough study of the traditions which shaped the Italian writer's work. Wallace argues that Boccaccio was not primarily concerned with winning recognition at the Angevin court, but was chiefly concerned with fashioning an identity for himself as an illustrious vernacular author. Chaucer recognised that both the l>Filostrato/l> and l>Teseida/l> derived their basic narrative capabilities from popular tradition analogous to that of the English tail-rhyme romance. Following a detailed analysis of Chaucer's translation practice in l>Troilus and Criseyde/l>, Wallace concludes that it was Boccaccio's attempt to develop a narrative art occupying the middle ground between popular and illustrious, domestic and European traditions that Chaucer found so uniquely congenial and instructive.

350 pages, Hardcover

First published May 30, 1985

About the author

David Wallace studied at York and Cambridge. Currently Judith Rodin Professor of English at the University of Pennsylvania, he has held visiting positions at Jerusalem, Melbourne, London, and Princeton. He has served as President of the New Chaucer Society, is currently Second Vice President of the Medieval Academy of America, and has made a series of documentaries for BBC Radio 3. He most recently published Europe: A Literary History, 1348-1418 (2016) and Strong Women (2012), both with OUP.