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Un Abrazo de Guayasamín para Fidel
An attractive, small book featuring the Ecuadorian artist’s tribute to Fidel Castro on the occasion of his eightieth birthday. Over several decades, Oswaldo Guayasamín, the most prominent Latin American artist since Diego Rivera, shared a mutual admiration with Fidel Castro that developed into a strong friendship. This book is the memoir of that friendship, between artist and revolutionary.
64 pages, Paperback
First published April 1, 2007
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About the author
Oswaldo Guayasamin
15 books1 followerOswaldo Guayasamín (July 6, 1919 – March 10, 1999) was an Ecuadorian painter and sculptor of Kichwa and Mestizo heritage.
He carried out his first exhibit when he was 23, in 1942. He achieved in his youth all National Awards, and was credited, in 1952, at the age of 33, the Grand Award of the Biennial of Spain and later the Grand Award of the Biennial of Sao Paulo. His last exhibits were personally inaugurated in the Palace Museum of Luxemberg in Paris, and in the Museo Palais de Glace in Buenos Aires, in 1995.
His work has been shown in museums in all capitals of America and in many countries in Europe, for example, in Leningrade (L'Ermitage), Moscow, Prague, Rome, Madrid, Barcelona, and Warsaw. He carried out 180 individual exhibits, and his production was fruitful in paintings, murals, sculptures and monuments.
He has murals in Quito (Government and Legislative Palaces; Central University; Provincial Council); Madrid (Barajas airport); Paris (UNESCO headquarters); Sao Paulo (Latin American Parliament). In his monuments "A la Patria Joven" (To the Young Country) (Guayaquil, Ecuador); "A la Resistencia" (To the Resistence) (Rumiñahui) in Quito.
His humanist work, marked as expressionist, reflects the pain and misery that the larger part of humanity has endured, and denounces the violence that every human being has had to live with in this monstrous 20th. century marked by world wars, civil wars, genocide, concentration camps, dictatorships, and tortures. He had been working on his top work The Chapel of Man when he died.
He carried out his first exhibit when he was 23, in 1942. He achieved in his youth all National Awards, and was credited, in 1952, at the age of 33, the Grand Award of the Biennial of Spain and later the Grand Award of the Biennial of Sao Paulo. His last exhibits were personally inaugurated in the Palace Museum of Luxemberg in Paris, and in the Museo Palais de Glace in Buenos Aires, in 1995.
His work has been shown in museums in all capitals of America and in many countries in Europe, for example, in Leningrade (L'Ermitage), Moscow, Prague, Rome, Madrid, Barcelona, and Warsaw. He carried out 180 individual exhibits, and his production was fruitful in paintings, murals, sculptures and monuments.
He has murals in Quito (Government and Legislative Palaces; Central University; Provincial Council); Madrid (Barajas airport); Paris (UNESCO headquarters); Sao Paulo (Latin American Parliament). In his monuments "A la Patria Joven" (To the Young Country) (Guayaquil, Ecuador); "A la Resistencia" (To the Resistence) (Rumiñahui) in Quito.
His humanist work, marked as expressionist, reflects the pain and misery that the larger part of humanity has endured, and denounces the violence that every human being has had to live with in this monstrous 20th. century marked by world wars, civil wars, genocide, concentration camps, dictatorships, and tortures. He had been working on his top work The Chapel of Man when he died.
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