World-renowned historian Howard Zinn has turned to drama to explore the legacy of Karl Marx and Emma Goldman and to delve into the intricacies of political and social conscience perhaps more deeply than traditional history permits. "Three Plays" brings together all this work, including the previously unpublished "Daughter of Venus," along with a new introductory essay on political theater, and prefaces to each of the plays. "From the Trade Paperback edition."
Ann Fairbairn (Dorothy Tait) was best known for "Five Smooth Stones," but also published two other books: a biography of New Orleans jazz clarinetist George Lewis, whose tours she managed, and a 1970 novel, "That Man Cartwright". During the 1930s she was involved with the WPA project as a writer. She worked as a riveter in the shipyards in San Francisco during World War II. In the 1940s she worked in Bakersfield for a newspaper and also a radio station. She lived for many years in New Orleans and died in Monterey, California.
Having picked this book accidentally when looking for more to read on Emma Goldman upon finishing her "Anarchism and other essays", I was delighted to see the fluidity of what is essentially a history lesson made into the play.
In Emma, Zinn nuances a historical biography with the tools of drama. Emma comes to life and so do other characters in a way a history book cannot achieve. Her convictions and relations as well as other characters are in her life, especially Alexander Berkman, are all lively and human and Zinn moves Goldman away from her shape as an icon into one that has quirks, desires, and inconsistencies. All while teaching us about her life and time.
Even more fun is Marx in Soho where an administrative error in the afterlife sends Marx back to Soho in New York rather than in London. The whole play is a single monologue where Marx talks about his ideas, his family, sips beer, rants about Bakunin, and essentially give a commentary about modern American life and capitalism. One little spoiler, Marx is not a Marxist.
Every time I read anything from Zinn, from the Bomb to his plays in this book, I enjoy the deep analysis, the flowing prose, and the underlying moral message of a great historian.