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Charles Guérin: roman de moeurs canadiennes

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

392 pages, Paperback

First published January 1, 1853

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About the author

Pierre-Joseph-Olivier Chauveau

34 books1 follower
1820-1890

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Profile Image for Louisa Blair.
89 reviews
November 4, 2020
This is a Balzackian novel written about 200 years ago and puts you right there, plonk in the middle Quebec city and in a village further along the shore. You learn what it was like to be in the middle of the 1832 cholera epidemic which killed 10% of the population. The streets full of carts carrying coffins to the cemetery, mass open graves for most, the collective funerals where all the crowded mourners must have quickly passed on the epidemic. He doesn't idealize his fellow French-Canadians (as Philippe Aubert de Gaspé did), nor does he totally caricature the English who kept them out of all the decent jobs. And there is an emotional account of what it's like to lose your land (and only inheritance) in one fell swoop. Especially powerful when you know Chauveau himself was ruined more than once (and this is a time when there was no bankruptcy protection, no welfare, no unemployment benefits), and thereby found out who his real friends were. He almost ironically glues a happy ending on the end knowing it'll fool no-one.
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