The Komedie Stamboel: Popular Theater in Colonial Indonesia, 1891-1903

Ohio RIS Southeast Asia Series #112

by Matthew Isaac Cohen

Originating in 1891 in the port city of Surabaya, the Komedie Stamboel, or Istanbul-style theater, toured colonial Indonesia, Singapore, and Malaysia by rail and steamship. The company performed musical versions of the Arabian Nights, European fairy tales and operas such as Sleeping Beauty and Aida, as well as Indian and Persian romances, Southeast Asian chronicles, true crime stories, and political allegories. The actors were primarily Eurasians, the original backers were Chinese, and audiences were made up of all races and classes. The Komedie Stamboel explores how this new hybrid theater pointed toward possibilities for the transformation of self in a colonial society and sparked debates on moral behavior and mixed-race politics. While audiences marveled at spectacles involving white-skinned actors, there were also racial frictions between actors and financiers, sexual scandals, fights among actors and patrons, bankruptcies, imprisonments, and a murder. Matthew Isaac Cohen's evocative social history situates the Komedie Stamboel in the culture of empire and in late nineteenth-century itinerant entertainment. He shows how the theater was used as a symbol of cross-ethnic integration in postcolonial Indonesia and as an emblem of Eurasian cultural accomplishment by Indische Nederlanders. A pioneering study of nineteenth-century Southeast Asian popular culture, The Komedie Stamboel gives a new picture of the region's arts and culture and explores the interplay of currents in global culture, theatrical innovation, and movement in colonial Indonesia. ABOUT THE AUTHOR---Matthew Isaac Cohen is senior lecturer in Drama and Theatre Studies at Royal Holloway University of London. His articles on Southeast Asian performance have appeared in New Theatre Quarterly, Asian Theatre Journal, Journal of the Royal Asiatic Society, and Archipel. As a practicing shadow puppeteer, he has performed in the United States, Europe, and Asia.

496 pages, Paperback

First published January 1, 2006

Reviews

[c2o library · Rating 4 out of 5]

Komedie Stamboel adalah teater hibrida di zaman kolonial yang dengan kompleks menggabungkan beragam teater, kesusastraan dan estetika Eropa dan Asia. Sebagai satu genre pertunjukan populer di Indonesia, asal muasalnya dapat ditelusuri dari pendirian satu kelompok teater dengan nama yang sama di tahun 1891 di Surabaya, dengan aktor Indo (Euroasia) yang didanai kongsi Tionghoa. Pada awalnya, Komedie Stamboel sering dideskripsikan sebagai versi Melayu teater musikal Eropa. Teater ini memberi sumbangan besar pada perkembangan teater kontemporer—seperti kroncong, ketoprak (yang pernah disebut sebagai stambul Jawa), ludruk, lenong, tooneel, perfilman, sekaligus politik identitas dan representasi. Dengan mengamati posisi satu teater populer dan dampaknya di ruang publik, buku ini menguraikan begitu banyak fakta sejarah, analisa kompleks dan detil dinamika sosial.

Lengkapnya: http://c2o-library.net/2010/06/komedi...