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Writing Technology: Studies on the Materiality of Literacy

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Academic and practitioner journals in fields from electronics to business to language studies, as well as the popular press, have for over a decade been proclaiming the arrival of the "computer revolution" and making far-reaching claims about the impact of computers on modern western culture. Implicit in many arguments about the revolutionary power of computers is the assumption that communication, language, and words are intimately tied to culture -- that the computer's transformation of communication means a transformation, a revolutionizing, of culture. Moving from a vague sense that writing is profoundly different with different material and technological tools to an understanding of how such tools can and will change writing, writers, written forms, and writing's functions is not a simple matter. Further, the question of whether -- and how -- changes in individual writers' experiences with new technologies translate into large-scale, cultural "revolutions" remains unresolved.

This book is about the relationship of writing to its technologies. It uses history, theory and empirical research to argue that the effects of computer technologies on literacy are complex, always incomplete, and far from unitary -- despite a great deal of popular and even scholarly discourse about the inevitability of the computer revolution. The author argues that just as computers impact on discourse, discourse itself impacts technology and explains how technology is used in educational settings and beyond.

The opening chapters argue that the relationship between writing and the material world is both inextricable and profound. Through writing, the physical, time-and-space world of tools and artifacts is joined to the symbolic world of language. The materiality of writing is both the central fact of literacy and its central puzzle -- a puzzle the author calls "The Technology Question" -- that What does it mean for language to become material? and What is the effect of writing and other material literacy technologies on human thinking and human culture? The author also argues for an interdisciplinary approach to the technology question and lays out some of the tenets and goals of technology studies and its approach to literacy.

The central chapters examine the relationship between writing and technology systematically, and take up the challenge of accounting for how writing -- defined as both a cognitive process and a cultural practice -- is tied to the material technologies that support and constrain it. Haas uses a wealth of methodologies including interviews, examination of writers' physical interactions with texts, think-aloud protocols, rhetorical analysis of discourse about technology, quasi-experimental studies of reading and writing, participant-observer studies of technology development, feature analysis of computer systems, and discourse analysis of written artifacts. Taken as a whole, the results of these studies paint a rich picture of material technologies shaping the activity of writing and discourse, in turn, shaping the development and use of technology.

The book concludes with a detailed look at the history of literacy technologies and a theoretical exploration of the relationship between material tools and mental activity. The author argues that seeing writing as an embodied practice -- a practice based in culture, in mind, and in body -- can help to answer the "technology question." Indeed, the notion of embodiment can provide a necessary corrective to accounts of writing that emphasize the cultural at the expense of the cognitive, or that focus on writing as only an act of mind. Questions of technology, always and inescapably return to the material, embodied reality of literate practice. Further, because technologies are at once tools for individual use and culturally-constructed systems, the study of technology can provide a fertile site in which to examine the larger issue of the relationship of culture and cognition.

298 pages, Paperback

First published November 1, 1995

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Christina Haas

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Displaying 1 - 3 of 3 reviews
Profile Image for Chris.
150 reviews5 followers
March 15, 2010
Hard to believe this book is over ten years old, as her questions, connections, and conclusions are still incredibly fresh. Haas asks hard questions of the ways we think technologies interact with literacy, cognition, and culture. This is a useful text, in that it goes beyond examinations of particular and proprietary technologies (as we so often see today) and into the theoretical issues beneath. The list of useful questions she asks (and answers) is too long to list, but here are a few of the most compelling:

- What does it mean for language to become material?
- What is the effect of writing on human thinking and culture?
- When and how does technology change writing; when does it not? What are the implications of both of these?
- How have other theories attempted to answer (or dismissed) these questions?
- What technological myths, ideologies, and discourses impede studies of technology and literacy?
- What does a useful historical study of technology look like? What does it mean to historicize writing technology?
-How is it that material tools can shape mental processes?
-What is the relationship of material tools to the culture in which they are embedded?
-What should the future of technology studies look like?

In terms of broad examinations of writing technology, Haas' study can't be skipped. Overall, she's firmly grounded in Vygotsky's notion of mediation and psychological systems and in theories of embodied practice. Her basic claim--that "through the embodied actions of human beings, cultural tools and cognitive activities construct one another"--seems simple, but has a broad range of implications not only for theory, but also for empirical study, technological design, literacy discourse, and practice.
Profile Image for Mary.
1,007 reviews56 followers
August 3, 2011
I really like this book. When I picked it up, I didn’t think it would have anything to do with my research interests—I like new media studies, but I’ve always been a little skeptical and, honestly, I feel like it’s “not my job.” This is the perfect book for people of my mindframe: people who are wary of Lanham’s enthusiasm, but aren’t complete Luddites. More than just being a very thought-provoking book (I can’t help but connect this with Carr’s The Shallows and Is Google Making Us Stupid?—although perhaps less alarmist), this book demonstrates the style and order of writing I’d love to do: starts with a lot of theoretical nuances, nice humor (138),moves through well-designed and eclectic studies (experiments and textual coding and discourse analysis), creates opposition (but not antagonism) with traditional sources… this is just paragon of what composition studies should look like. I would love to see Haas looking at the other side of literacy—how we read—with the proliferation of Kindles, hyperlinks and “comment” features.
196 reviews3 followers
May 30, 2012
Incredibly difficult reading. I wanted to learn about technology and writing, but this was very hard going.
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