The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relationship between process, product, artistic identity, and the artist's studio-in all its various manifestations-the contributors to this volume consider the dichotomy between conceptual and material aspects of art production. The various essays also explore the studio as a form of inspiration, meaning, function, and medium, from the nineteenth century up to the present.
This anthology is essential to anyone researching or trying to better understand the meaning of studios in contemporary art, craft & design practices. Historical & theoretical frameworks are offered to illustrate & unpack the meaning of the artist & process of making within a range of studio sites. A strong argument is made for continuation of research in the emerging field of studio studies that will move us beyond reductive interpretations of studio making.