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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

24 pages, Unknown Binding

First published October 21, 1910

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Titian

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Tiziano Vecellio (c. 1488/1490 – 27 August 1576) Latinized as Titianus, hence known in English as Titian was an Italian Renaissance painter.

Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects.
His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Western artists

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Profile Image for Laura.
7,149 reviews608 followers
August 12, 2016

Opening lines:


TITIAN VECELLI , undeniably the greatest Venetian painter of the Renaissance, leaps into the full light of the movement. To be sure he appears full-grown, as Venus is said to have done when she appeared above the foam in the waters of Cythera, or Pallas Athene when she  sprang from the brain of Zeus, but happily he was destined to live to a great age.


 


 


 



PLATE I.—THE DUCHESS OF URBINO.


Frontispiece(In the Uffizi Gallery, Florence)


This portrait of the Duchess of Urbino from the Uffizi must not be confused with the portrait of the Duchess in the Pitti Palace. The sitter here is Eleonora Gonzaga, Duchess of Urbino, and the portrait was painted somewhere between the years 1536 and 1538 at a period when the master's art had ripened almost to the point of its highest achievement.

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