The world of William Trowbridge is one preoccupied with loss, with the fall from some possibility of grace that all who are born must bear. In the title poem of Trowbridge’s first full-length collection the poet calls our attention to movies, to Shane in particular. He asks us to identify, not with Shane, the lonely knight on a nameless quest, but with the much more lonely, and real, Jack Palance, the Prince of Darkness. Trowbridge favors the villain, the outcast, the imperfect, the sinner, the King Kong, the Frog Prince, Frankenstein’s monster.
William Trowbridge holds a B.A. in Philosophy and an M. A. in English from the University of Missouri-Columbia and a Ph.D. in English from Vanderbilt University. In April, 2012, he was appointed to a two-year term as Poet Laureate of Missouri.
His poetry publications include six full collections: Put This On, Please (Red Hen Press, 2014), Ship of Fool (Red Hen Press, 2011), The Complete Book of Kong (Southeast Missouri State University Press, 2003), Flickers, O Paradise, and Enter Dark Stranger (University of Arkansas Press, 2000, 1995, 1989). He has also published three chapbooks, The Packing House Cantata (Camber Press, 2006), The Four Seasons (Red Dragonfly Press, 2001), and The Book of Kong (Iowa State University Press, 1986).
His poems have appeared in more than 30 anthologies and textbooks, as well as in such periodicals as Poetry, The Gettysburg Review, Crazyhorse, The Georgia Review, Boulevard, The Southern Review, Columbia, Colorado Review, The Iowa Review, Prairie Schooner, Epoch, and New Letters. He has given readings and workshops at schools, colleges, bookstores, and literary conferences throughout the United States. His awards include an Academy of American Poets Prize, a Pushcart Prize, a Bread Loaf Writers’ Conference scholarship, a Camber Press Poetry Chapbook Award, and fellowships from The MacDowell Colony, Ragdale, Yaddo, and The Anderson Center.
He is a Distinguished University Professor Emeritus at Northwest Missouri State University, where he was an editor of The Laurel Review/GreenTower Press from 1986 to 2004. Now living in Lee’s Summit, MO, he teaches in the University of Nebraska low-residency MFA in writing program.
I think the aspect I liked best about the poems in this collection is the voice. There is a quiet, reflective quality to them that really hits home. Very contemplative. Trowbridge puts the exact right word in the exact right place, too. I don't think you could change a single thing without losing the impact of the poem.
Part II of this book costs entirely of poems about King Kong. In general, I'm not one for silliness in poetry, but Trowbridge's craft, even in the Kong poems, is still something mighty to behold. Part III was more my speed--father and son stuff, lusty relationships, hopelessness, etc. This guy's got mad skills with the words.