This study of the gooi or personal laments in Homer�s Iliad once and for all articulates the poetic techniques regulating this type of speech. Going beyond the tendency to view lament as a repetitive and group-based activity, this work shows instead the primacy of the goos , a sub-genre which the Iliad has "produced" by absorbing the funerary genre of lament. Oral theory, narratology, semiotics, rhetorical analysis are deftly applied to explore the ways personal laments develop principal epic themes and unravel narrative threads weaving the thematical texture of the entire Iliad (and beyond): the wrath of Achilles, the deaths of Patroclus and Hector, the grief of Achilles and his future death, the foreshadowing of Troy�s destruction.Winner of the Annual Award in Classics (2007) of the Academy of Athens.
Christos C. Tsagalis (Greek: Χρήστος Κ. Τσαγγάλης) studied Classics at the Universities of Athens (B.A. 1992), King’s College London (M.A. 1993) and Cornell (Ph.D 1998). He has been a postdoctoral fellow of the National Fellowship Foundation (2000-2001) and has taught at the Universities of Crete (2000-2001), and Athens (2001-2008). Since 2013 he is Professor of Ancient Greek Literature at the Aristotle University of Thessaloniki. His research interests include Homer, Hesiod, and the Greek epigram.