This is the second of three volumes representing the only modern edition of Fielding's dramatic works. Most of these plays have not appeared in print for a century, and never previously in fully-edited form. Fielding is best known as a classic novelist and the author of Tom Jones , but like his great model Cervantes, he came to novel-writing from an important first career in professional theatre. He wrote twenty-eight plays, including comedies, satiric extravaganzas, and ballad operas. He was the leading playwright of his generation, an experimentalist and entrepreneur of dramatic form who sometimes also brought contemporary politics and public figures onto his stage with results even more dramatic off-stage.
This volume presents nine plays from one of the most productive and successful periods of Fielding's theatre career. One of them, The Grub-Street Opera , is a ballad opera cheerfully mocking various public characters including the Prime Minister, Prince of Wales, and even King and Queen. Another, The Modern Husband , is a dark comedy attacking the cynical merchandising of sex, marriage, and influence among what passes for polite society in 1730s London. Most of the plays in this volume were major hits with long stage lives in repertory, including The Lottery , The Intriguing Chambermaid , and two of the great Molière adaptations of the century, The Mock Doctor and The Miser . Fielding wrote all four of those plays as star vehicles for the great Drury Lane musical actress Catherine Clive.
The plays are given in critical unmodernized texts based on careful collation of the original editions, with explanatory notes and commentary on sources, stage history, and critical reception. All music is included, with appendices giving complete accounts of textual variation and bibliographic history for each play.
Henry Fielding (1707 - 1754) was an English dramatist, journalist and novelist. The son of an army lieutenant and a judge's daughter, he was educated at Eton School and the University of Leiden before returning to England where he wrote a series of farces, operas and light comedies.
Fielding formed his own company and was running the Little Theatre, Haymarket, when one of his satirical plays began to upset the government. The passing of the Theatrical Licensing Act in 1737 effectively ended Fielding's career as a playwright.
In 1739, Fielding turned to journalism and became editor of The Champion. He also began writing novels, including: The Adventures of Joseph Andrews (1742) and Jonathan Wild (1743).
Fielding was made a justice of the peace for Westminster and Middlesex in 1748. He campaigned against legal corruption and helped his half-brother, Sir John Fielding, establish the Bow Street Runners.
In 1749, Fielding's novel The History of Tom Jones was published to public acclaim. Critics agree that it is one of the greatest comic novels in the English language. He followed this success with another well received novel, Amelia, in 1751.
Fielding continued as a journalist and his satirical journal, Covent Garden, continued to upset those in power. Throughout his life, Fielding suffered from poor health. By 1752, he could not move without the help of crutches. In an attempt to overcome his health problems, Henry Fielding went to live in Portugal, but this was not successful, and he died in Lisbon in 1754.