De rechtvaardiging van mijn bestaan

by David L. Flusfeder, Nicolette Hoekmeijer (Translator)

De idealistische filmmaker Spencer Ludwig keert terug naar New York om zijn vader Jimmy te begeleiden naar een afspraak bij de darmspecialist. Jimmy Ludwig is een taaie overlever en in alles Spencers tegenpool. In een impulsieve poging de band met zijn vader te versterken, neemt Spencer hem mee naar een obscuur filmfestival. De road trip wordt een emotionele reis, die Spencer inspireert tot een filmscenario met hemzelf en zijn vader in de hoofdrol. Terwijl vader en zoon proberen elkaar en zichzelf beter te begrijpen, worstelt Spencer met het vinden van een gepast einde voor de film in zijn hoofd.

Kindle Edition

First published January 1, 2010

About the author

Born in 1960.

Reviews

[Peter · Rating 3 out of 5]

Flusfeder’s JOHN THE PUPIL was such a unique a unexpected novel (being both a medieval road trip and inspired attempt to channel how a devout 13th-century monk might describe his adventures en route to Viterbo) that I chased down a couple other books of his. That led me to Flusfeder’s most popular novel, THE GIFT, which is cute enough, I suppose, being a contemporary satire of social niceties (a competitive jerk finds himself repeatedly outdone in an escalating game of “thoughtfulness,” trying to find friends the perfect gift), and eventually to A FILM BY SPENCER LUDWIG, which on paper sounds like it might be right up my alley: a meta-road-movie-as-novel in which a frustrated indie filmmaker attempts to bond with his ailing father as the two make their way to a film festival in Atlantic City. Alas, the book fell short, despite some cute/clever snipes at various cinema clichés. “If this were an independent film...,” the narrator repeatedly observes, rattling off what’s meant to sound like an inferior/formulaic treatment compared to the wild and profound unpredictability of “real life” — which we are invited to pretend is somehow captured in the novel, with its equally calcified conventions. It’s a nice try at achieving some new kind of authenticity that folds under its own sense of self-awareness, like one of those movie scenes in which a character speculates aloud about how things might go if he were in a movie (as in MAGNOLIA, when Philip Seymour Hoffman says, “See this is the scene of the movie where you help me out”). But I’m not convinced that Flusfeder understands what cinema CAN achieve, building to a let-down last chapter (“Spencer has always had trouble with his endings,” we’re told), which follows a lengthy blow-by-blow poker competition with the inevitable “scene where” Spencer and his father struggle to say what two skilled actors could accomplish in a single glimpse if this really were a movie.

[Khairul Hezry · Rating 1 out of 5]

Failed to grab my attention after 50 pages. My rule is if a book can't make me care after 50 pages, then it goes to the reject pile. Life's too short to waste on a book that doesn't interest me.

[Jayne Hand · Rating 4 out of 5]

Funny, moving, reflective. A story of family life, ageing and parenthood.

[Jayne Hand · Rating 4 out of 5]

Funny, moving, reflective. A story of family life, ageing and parenthood.

[Andrew Cox · Rating 1 out of 5]

i just didnt see the point in this book!