Impressionism A Feminist Reading

by Norma Broude

Broude (art history, American U., Washington, DC) analyzes the philosophical underpinnings of landscape painting in the later 19th century, and reflects on the critical misconceptions attached to Impressionism, especially Monet, and the notion that the school was scientifically based. Includes 38 color plates. Annotation copyright Book News, Inc. Portland, Or.

192 pages, Hardcover

First published October 15, 1991

Reviews

[Deborah · Rating 3 out of 5]

This is a history and impressionism with an emphasis on style and changes. The author discusses how impressionism was labeled as feminine in the 19th century and masculine in the 20th century, and considers why this gendering occurred. This edition has black and white color plates.

[Jonette · Rating 3 out of 5]

Raises some interesting points about the gendered, phallocentric language used in art history and crticism regarding impressionism....but leaves you with more questions as to the purpose of gendering art. Do people approach art with gender in mind?

[Neil Fitzgerald · Rating 5 out of 5]

Didn't expect to read what I read. Don't judge a book by its title.