Despite her strong associations with Massachusetts―her upbringing in Roxbury, her lifelong connection with Martha's Vineyard, and two novels documenting the Great Migration and the rise and decline of Boston's African American community―Dorothy West (1907–1998) is perhaps best known as a member of the Harlem Renaissance. Between 1927 and 1947, West and her cousin, the poet Helene Johnson, lived in New York City where West attended Columbia University, worked as a welfare investigator, wrote for the WPA, traveled to Russia, and established a literary magazine for young black writers.
During these years, West and Johnson knew virtually everyone in New York's artistic, intellectual, and political circles. Their friends included Langston Hughes, Zora Neale Hurston, Carl Van Vechten, Richard Wright, Arna Bontemps, Claude McKay, and many others. West moved easily between the bohemian milieu of her artistic soul mates and the bourgeois, respectable soirees of prominent social and political figures.
In this book, Professors Mitchell and Davis provide a carefully researched profile of West and her circle that serves as an introduction to a well-edited, representative collection of her out-of-print, little-known, or unpublished writings, supplemented by many family photographs. The editors document West's "womanist" upbringing and her relationships with her mother, Rachel Benson West, and other strong-minded women, including her longtime companion Marian Minus.
The volume includes examples of West's probing social criticism in the form of WPA essays and stories, as well as her interviews with Southern migrants. A centerpiece of the book is her unpublished novella, Where the Wild Grape Grows , which explores with grace and gentle irony the complex relationship of three retired women living on Martha's Vineyard. Several of West's exquisitely observed nature pieces, published over a span of twenty years in the Vineyard Gazette , are also reprinted.
Dorothy West was a novelist and short story writer who was part of the Harlem Renaissance. She is best known for her novel The Living Is Easy, about the life of an upper-class black family.
West's principal contribution to the Harlem Renaissance was to publish the magazine Challenge, which she founded in 1934 with $40. She also published the magazines successor, New Challenge. These magazines were among the first to publish literature featuring realistic portrayals of African Americans. Among the works published were Richard Wright's groundbreaking essay "Blueprint for Negro Writing," together with writings by Margaret Walker and Ralph Ellison.
After both magazines folded because of insufficient financing, West worked for the Works Progress Administration's Federal Writers' Project until the mid-1940s. During this time she wrote a number of short stories for the New York Daily News. She then moved to Oak Bluffs on Martha's Vineyard, where she wrote her first novel, The Living Is Easy. Published in 1948, her novel was well received critically but did not sell many copies.
In the four decades after, West worked as a journalist, primarily writing for a small newspaper on Martha's Vineyard. In 1982 a feminist press brought The Living Is Easy back into print, giving new attention to West and her role in the Harlem Renaissance. As a result of this attention, at age 85 West finally finished a second novel, titled The Wedding. Published in 1995, the novel was a best-seller and resulted in the publication of a collection of West's short stories and reminiscences called The Richer, the Poorer. Oprah Winfrey turned the novel into a two-part television miniseries, The Wedding (TV miniseries).