Gilbert and George have become international art stars, exhibiting worldwide since the 1970s. Accompanying the retrospective exhibition of their work—which will travel to America in 2008— Gilbert & George is a unique introduction to these extraordinary artists.
The book reproduces previously unpublished installations, drawings, and ephemera and includes original critical essays, an illustrated chronology and a bibliography designed by the artists.
EXHIBITION Tate Modern, London, February 13–May 7, 2007 de Young, San Francisco, February 15–May 4, 2008 Milwaukee Art Museum, Milwaukee, June 6–August 31, 2008 Brooklyn Museum, New York, September 2008–January 2009
If I'm gonna be totally honest here, Gilbert & George are a total relationship goal. Life partners in creative mischief? Sign me right the hell up for that. The art is a reflection of themselves and the culture surrounding them, like any other art - but the two put this fact very plainly on the surface in a particular way that makes their work entirely theirs. By their latter-day schizophrenic digital statements on fundamentalist religion and the harsh polemics of existence in the 2000's, you get the sense that nothing like this will probably ever be made by anyone else. A singular, striking, shockingly honest vision.
Caught this exhibition with my best friend (and most preferred fellow museum-explorer) last year at the de Young in SF, its sole engagement on the West Coast. Unfortunately, it doesn't translate well, as Gilbert & George work on a scale that only the most cavernous of spaces can hold, and the impact is inevitably lost when converted to book-size reproductions. But even if it feels like a magnifying glass is sometimes necessary while flipping through this book (so many details are lost!), G&G's cheekily irreverent and often downright subversive exuberance and verve inevitably filters through. This catalogue is dominated by the images, however, and for once I would have appreciated a bit more text providing some analysis to help me decode some of the more opaque corners of this highly personal body of self-created mythology.
"At every stage, in every new group of pictures, Gilbert & George have continued to speak unreservedly of the condition of their lives and their state of mind. Working pointedly within a society that prizes reticence to the point of hypocrisy, this naked and almost unmeditated self-exposure has been their extraordinary gift to anyone confronted by their art. It constitutes an affecting avowal of our shared, and highly imperfect, humanity."
Not a lot of reading required in this one -- maybe 30 pages worth of info and lots of sumptuous color plates -- but it gave me enough background to enhance my appreciation of Gilbert & George and their working methods. Because it's published by Tate Modern, you're not going to see much in the way of negative critique, but if you're new to these Living Sculptures as I was, it's a good way to get a little taste. Pairs nicely with the "World of Gilbert & George" film, too.