Essays on Art and Language

by Charles Harrison

Critical and theoretical essays by a long-time participant in the Art & Language movement. These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises. They are written from the point of view of Art & Language, the artistic movement based in England—and briefly in the United States—with which Harrison has been associated for thirty years. Harrison uses the work of Art & Language as a central case study to discuss developments in art from the 1950s through the 1980s. According to Harrison, the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves. In seeing how a work is done, we learn about its achieved we see, for example, that a drip on a Pollock is integral to its technical character, whereas a drip on a Mondrian would not be. Throughout the book, Harrison uses specific examples to address a range of questions about the history, theory, and making of modern art—questions about the conditions of its making and the nature of its public, about the problems and priorities of criticism, and about the relations between interpretation and judgment.

Genres: Art

Paperback

First published May 1, 1991

About the author

Charles Townsend Harrison, BA Hons (Cantab), MA (Cantab), PhD (London) was a prominent UK art historian who taught Art History for many years and was Emeritus Professor of History and Theory of Art at the Open University.

He was tutor in Art History, Open University, 1977-2005, Reader in Art History 1985-1994, Professor of the History & Theory of Art, 1994-2008, Professor Emeritus, 2008-2009; Visiting Professor, University of Chicago 1991 and 1996, Visiting Professor, University of Texas, 1997.

Reviews

[Esther · Rating 4 out of 5]

Slightly dated but still great art writing. However, Harrison flosses over A+L's collaborative work with the Red Krayola which is disappointing to say the least