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Symphony No. 1 in C Minor, Op. 68

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Faced with the daunting legacy of Beethoven's symphonic works, Johannes Brahms (1833–1897) took twenty years to shape his first symphony — a masterpiece that premiered in 1876 to great critical acclaim.
The expansive Symphony No. 1 in C Minor perfectly displays Brahms's ability to organize a variety of moods into a coherent whole. The dramatic tension and somber coloring of the first movement are balanced by two central movements of charming lyrical relief; and the finale, with its grand main theme and famous horn solo (inspired by a shepherd's horn call), is considered one of the great movements in the orchestral literature.
The symphony is published here in full score, with bar-numbered movements. Ideal for study in the classroom, at home, or in the concert hall, this affordable, high-quality, convenient sized volume will be the edition of choice for music students and music lovers alike.

96 pages, Paperback

First published August 28, 1981

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About the author

Johannes Brahms

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In 1833, Johannes Brahms was born in Germany. As a teenager playing for drunken sailors in a Hamburg bar, Brahms would prop up books of poetry to read as a diversion. His favorite poet was the anticlerical G.F. Daumer, described by the Catholic Encyclopedia as "an enemy of Christianity". Brahms' works were influenced by such writers as Hoffman, Friedrich Schiller and Robert Burns. He was well-read in philosophy and science, and was an avid hiker who took inspiration from nature. When asked by a conductor to add additional sectarian text to his German Requiem, Brahms responded, "As far as the text is concerned, I confess that I would gladly omit even the word German and instead use Human; also with my best knowledge and will I would dispense with passages like John 3:16." (Jan Swafford, Johannes Brahms: A Biography). A liberal, Brahms ardently opposed anti-Semitism, was approachable even at the height of his fame, and was always generous with his time and charity. Biographer Swafford writes of the young composer: "Though he was to be a freethinker in religion, Johannes pored over the Bible beyond the requirements for his Protestant confirmation." From then on, "Music was Brahms' religion." According to Swafford, Brahms was "a humanist and an agnostic." After nearly 64 years of near perfect health, never even enduring a headache, Brahms succumbed quickly to liver cancer. There was no deathbed conversion. D. 1897.

In his lifetime, Brahms's popularity and influence were considerable; following a comment by the nineteenth-century conductor Hans von Bülow, he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs". The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers.

More: http://en.wikipedia.org/wiki/Johannes...

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http://www.last.fm/music/Johannes+Brahms

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http://www.allmusic.com/artist/johann...

http://www.pbs.org/wnet/gperf/educati...

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